When is a jazz album not a jazz album?
When Hank Crawford and Jimmy McGriff came together to record
their latest release
Road Tested, I’m sure their intentions were good enough.
Crawford’s alto sax and McGriff’s rolling organ lines were made to
go together like Swiss cheese on a ham sandwich, but somewhere
along the line, the jazz element was lost, replaced instead by a
latent r&b vein.
Don’t complain… it works.
Road Tested contains some very entertaining music – but the
real star of the album might not be the two credited musicians on
the spine of the CD. But, more on that later…
Right from the first cut, it feels like Crawford and McGriff are
a natural pairing, each playing off the other to create some great
music. Surprisingly, many of the songs on this disc were written
with lyrics, such as “I Only Have Eyes For You,” but Crawford uses
his saxophone to substitute for the vocals. Sometimes it works
well, but there are times that the limits of the instrument (not
the performer) are exposed for all to see.
An example of the limits? Take the cover of “Caravan” – and
yes, I know it’s always been an instrumental. As good as
Crawford is on the sax, there’s only so much the instrument can do,
and then it’s so much vibrato pumped into an instrument that I
don’t think was ever meant to have vibrato. Again, that’s not
Crawford’s fault; this is something I’ve noticed more and more with
jazz.
But the lighthearted spirit of the sessions is what makes
Road Tested work so well. On songs like “Happy Feet,” “Mr.
P.C.” and the title track, this four-piece band swings like there’s
no tomorrow, often injecting touches of blues and soul into the
music. In a sense, they have created their own unique animal with
this one – and it makes the hour it takes to listen to the disc fly
by.
But the real hero of the sessions is neither Crawford nor
McGriff. No, it’s guitarist Wayne Boyd, whose talents show from his
rhythmic fills to his controlled solos. If there’s anyone who
deserved equal credit, it was Boyd, and I hope to hear more
performances from him real soon. (Also worthy of note is drummer
Bernard Purdie, who knows how to make a groove
swing.)
It’s not often that I find it difficult to describe the
experience I had listening to an album for review purposes. But in
the case of
Road Tested, it’s really difficult to describe something
that you have to hear and feel to understand. And frankly, if
you’re looking at getting a quick, painless education in jazz
(especially if you’ve got your feet planted in r&b), this is a
great disc to start with.
Enough talk – slap this one on, and take it for a test drive
yourself.
