{"id":47507,"date":"2007-12-03T00:00:00","date_gmt":"2007-12-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/maritimes-dan-didier-the-daily-vault-interview\/"},"modified":"2026-07-04T11:57:18","modified_gmt":"2026-07-04T11:57:18","slug":"maritimes-dan-didier-the-daily-vault-interview","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/maritimes-dan-didier-the-daily-vault-interview\/","title":{"rendered":"Maritime’s Dan Didier: The Daily Vault Interview"},"content":{"rendered":"

<\/p>\n\n\n\n
A collective made up of four Milwaukee locals, <\/em>Maritime<\/em><\/a> formed in 2003.\u00a0 In an age where bands take years between albums, Maritime stands out as a prolific quartet.\u00a0 Issuing three albums and an EP since formation, Maritime’s latest is<\/em> Heresy And The Hotel Choir, an album that has found its way into my Top 10 for the year.<\/em> <\/p>\n

Even if the group\u2019s members come from The Promise Ring (vocalist\/guitarist Davey von Bohlen and drummer Dan Didier), Decibully (bassist Justin Klug), and The Benjamins (guitarist\/keyboardist Dan Hinz), Maritime is standing on its own eight feet.\u00a0 The year 2007 saw the band playing European festivals and touring the West Coast with Jimmy Eat World, while 2008 will bring Maritime on another Japanese tour. <\/em><\/p>\n

Before taking the stage for a sold-out headlining show at New York\u2019s The Mercury Lounge, drummer Dan Didier took the time to answer some Q&A via e-mail.<\/em> <\/p>\n<\/td>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \"maritime_250\"\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/em><\/p>\n

Darren Paltrowitz: What do you wish more people knew about Maritime?<\/strong> <\/p>\n

Dan Didier:<\/strong> I don’t think there is anything that I would want people to know about us that isn’t already written somewhere. <\/p>\n

How would you describe Heresy And The Hotel Choir<\/i> in comparison to Maritime’s prior albums?<\/strong> <\/p>\n

It’s a more cohesive record to be sure. We, The Vehicles<\/i> and Glass Floor<\/i> were written over a greater period of time due to the fact that one of our members lived in a different city. The swapping of files and the flying in and out just elongated the process, so now that we all live in the same city we can focus on the songs on a weekly basis. That keeps us a bit more focused and gives us the ability to create at a much faster pace. <\/p>\n

I read somewhere that Heresy<\/i> was written together by the band, rather than through demos being sent around via the Internet.\u00a0 Is this planned to be the status quo from now on for Maritime?<\/strong> <\/p>\n

I hope it will be the status quo from here on out. I really enjoyed the “all in the same room” writing process. That being said, the next record may take a different path. We’ll just have to see. <\/p>\n

When Maritime began, people pegged the band for being an “ex-members of” band.\u00a0 When did you notice Maritime to start becoming a band of its\u00a0own?<\/strong> <\/p>\n

Oh, we still get it. All the time, actually. I had a conversation\u00a0with an editor friend of mine about this very topic and he said you\u00a0 will always be pegged as “ex-members of” until the current group outsells the old. I hope that happens. <\/p>\n

A lot of successful American bands are virtually unknown in Japan, and a lot of indie American bands are on majors in Japan.\u00a0 I see Heresy<\/em> is your second album for a Sony-distributed label in Japan. To what do you attribute your overseas success?<\/strong> <\/p>\n

Luck. The label that we are on in <\/country-region><\/place>Japan used to release one of our\u00a0member\u2019s old band. We already had an “in.\u201d <\/p>\n

\u00a0<\/p>\n

\"maritime_glass_150\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \"maritime_vehicles_150\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \"maritime_heresy_150\"<\/p>\n

Japan isn’t a country where digital downloads mean much, but here it is the world.\u00a0\u00a0 Where does Maritime stand on the whole “giving the music away for free and making a living on the road” model?<\/strong> <\/p>\n

Well, seeing how we are all family men, the “making a living on the road” model doesn’t work well for us. As far as the music side goes, I like the “Radiohead model” of pay what you will for the music. That is something I would like to look into. <\/p>\n

The band Ash recently announced that their new album was their “last album.”\u00a0 In other words, they were only going to release singles and\u00a0EPs through their website at their leisure.\u00a0 Would you envision Maritime doing that at any point?<\/strong> <\/p>\n

We are already discussing something similar, but we would still release records proper and then open up the possibility of doing other things for people to get from our site. <\/p>\n

When should we expect more music\u00a0from Maritime?<\/strong> <\/p>\n

Pretty soon. The touring cycle is coming to an end so when we get back the writing cycle will begin. <\/p>\n

Finally, any last words for the kids?<\/strong> <\/p>\n

For our kids? Sure. Be kind to your mommies. Daddies will be home soon.<\/p>\n","protected":false},"excerpt":{"rendered":"

A collective made up of four Milwaukee locals, Maritime formed in 2003.\u00a0 In an age where bands take years between albums, Maritime stands out as a prolific quartet.\u00a0 Issuing three albums and an EP since formation, Maritime’s latest is Heresy And The Hotel Choir, an album that has found its way into my Top 10 […]<\/p>\n","protected":false},"author":54,"featured_media":50880,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[11241],"class_list":["post-47507","feature","type-feature","status-publish","has-post-thumbnail","feature_type-interview"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/54"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47507\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/50880"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47507"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47507"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}