{"id":47697,"date":"2013-12-16T00:00:00","date_gmt":"2013-12-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/the-year-that-was-1993\/"},"modified":"2026-09-04T18:45:35","modified_gmt":"2026-09-04T18:45:35","slug":"the-year-that-was-1993","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/the-year-that-was-1993\/","title":{"rendered":"The Year That Was: 1993"},"content":{"rendered":"<p class=\"MsoNormal\">Well into the grunge and alternative movement, 1993 was the time for the big Seattle bands to release follow-ups and for a number of bands to offer debuts. It was a year of pretty darn great rock and pop albums, a few one-hit wonders of note and a huge year for female-led rock. <\/p>\n<p class=\"MsoNormal\">Giving a big middle finger to the albums that made them famous, Nirvana and Pearl Jam released <i>In Utero <\/i>and <i>Vs. <\/i>to big sales and somewhat confused audiences. Trying to reclaim the spirit of the band before the fame, Nirvana&#8217;s harsh, difficult album forced the listener to love or hate it, no middle ground. Pearl Jam put an angry punk spin on their sound, easing off the big-hearted moodiness of <i>Ten <\/i>for a more raw, personal approach. <\/p>\n<p class=\"MsoNormal\">The Smashing Pumpkins, building on their little-heard 1991 debut, served up <i>Siamese Dream<\/i>, which became a touchstone of the alt-rock movement and has some listeners saying, years later, that it is still better than <i>Nevermind<\/i>. Other alternative highlights included Blur&#8217;s <i>Modern Life Is Rubbish, <\/i>Brad&#8217;s <i>Shame<\/i>, Candlebox&#8217;s debut, the Breeders&#8217; &#8220;Cannonball,&#8221; Cracker&#8217;s &#8220;Low,&#8221; Seven Mary Three&#8217;s &#8220;Cumbersome&#8221; and Mazzy Star&#8217;s plaintive &#8220;Fade Into You.&#8221; The Tragically Hip also put out the solid <i>Fully Completely,<\/i> Urge Overkill offered up &#8220;Sister Havana&#8221; and the Flaming Lips <i>Transmissions From The Satellite Heart. <\/i>Other debuts included Counting Crows&#8217; <i>August And Everything After<\/i>, Collective Soul&#8217;s <i>Hints, Allegations And Things Left Unsaid <\/i>and Radiohead&#8217;s <i>Pablo Honey<\/i>. <\/p>\n<p>  <img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2016\/09\/nirvana_inutero.jpg\" title=\"nirvana_inutero\" alt=\"nirvana_inutero\" height=\"150\" width=\"150\" \/><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2015\/08\/pearljam_vs.jpg\" title=\"pearljam_vs\" alt=\"pearljam_vs\" height=\"150\" width=\"150\" \/><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/smashingpumpkins_siamese.jpg\" title=\"smashingpumpkins_siamese\" alt=\"smashingpumpkins_siamese\" height=\"150\" width=\"150\" \/><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2013\/12\/countingcrows_august.jpg\" title=\"countingcrows_august\" alt=\"countingcrows_august\" height=\"150\" width=\"150\" \/><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2013\/12\/radiohead_pablo_150.jpg\" title=\"radiohead_pablo_150\" alt=\"radiohead_pablo_150\" height=\"148\" width=\"150\" \/><\/p>\n<p class=\"MsoNormal\">Women ruled much of the year. Melissa Etheridge made a big splash by admitting her sexuality on <i>Yes I Am<\/i>, but Sheryl Crow topped it with the very good <i>Tuesday Night Music Club, <\/i>which went on to win several Grammies despite accusations over the songwriting credits. Liz Phair also offered <i>Exile In Guyville<\/i>, an ambitious and daring record, Ace Of Base had the smash <i>The Sign<\/i>, the Cranberries debuted with <i>Everybody Else Is Doing It, So Why Can&#8217;t We? <\/i>and<i> <\/i>Sarah McLachlan broke through with <i>Fumbling Towards Ecstasy. <\/i><\/p>\n<p class=\"MsoNormal\">In \u201880s holdover news, Aerosmith went ahead and released <i>Get A Grip <\/i>anyway. Much to the chagrin of longtime fans, the album&#8217;s four soundalike ballads (&#8220;Crazy,&#8221; &#8220;Cryin&#8217;,&#8221; etc.) all got MTV airplay and created legions of new female fans. Duran Duran came back to life with a second eponymous disc and the excellent &#8220;Come Undone&#8221; and &#8220;Ordinary World,&#8221; Depeche Mode offered the fine <i>Songs Of Faith and Devotion<\/i> and U2 put out <i>Zooropa<\/i>, an offbeat little electronic pop disc. Oblivious to all trends, Jimmy Page united with Whitesnake singer David Coverdale for <i>Coverdale\/Page<\/i>, and against all odds, it was a darn good CD, if out of step with the times. Lenny Kravitz also offered his best song, &#8220;Are You Gonna Go My Way,&#8221; from the album of the same name, Guns \u2018N\u2019 Roses called it a day after released their covers album <i>The Spaghetti Incident<\/i> and Meatloaf returned out of nowhere with <i>Bat Out of Hell II <\/i>and &#8220;I&#8217;d Do Anything For Love (But I Won&#8217;t Do That).&#8221;<\/p>\n<p>  <img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2015\/12\/aerosmith_getagrip.jpg\" title=\"aerosmith_getagrip\" alt=\"aerosmith_getagrip\" height=\"150\" width=\"150\" \/><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2013\/12\/depechemode_faith_150.jpg\" title=\"depechemode_faith_150\" alt=\"depechemode_faith_150\" height=\"150\" width=\"150\" \/><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2013\/12\/coverdalepage_s-t.jpg\" title=\"coverdalepage_s-t\" alt=\"coverdalepage_s-t\" height=\"150\" width=\"150\" \/><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2013\/12\/janetjackson_janet.jpg\" title=\"janetjackson_janet\" alt=\"janetjackson_janet\" height=\"150\" width=\"150\" \/><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2013\/12\/tribecalledquest_midnight_150.jpg\" title=\"tribecalledquest_midnight_150\" alt=\"tribecalledquest_midnight_150\" height=\"150\" width=\"150\" \/><\/p>\n<p class=\"MsoNormal\">In pop music, Mariah Carey continued her dominance with &#8220;Hero,&#8221; Bryan Adams had a hit with &#8220;All For Love,&#8221; Janet Jackson bared her soul (and other things) on <i>janet, <\/i>Billy Joel released his final studio release with <i>River Of Dreams<\/i> and Phil Collins offered the serious <i>Both Sides<\/i>. Of course, no \u201890s year would be complete without one-hit wonders, and 1993 had a few of them, such as &#8220;Whoomp! There It Is,&#8221; &#8220;Informer,&#8221; the hated &#8220;Mmm Mmm Mmm Mmm,&#8221; &#8220;Bad Boys&#8221; (from the show <i>COPS<\/i>), &#8220;What Is Love&#8221; and, of course, &#8220;I&#8217;m Gonna Be (500 Miles).&#8221;<\/p>\n<p class=\"MsoNormal\">Hip-hop, still reeling from Dr. Dre&#8217;s <i>The Chronic <\/i>the year prior, didn&#8217;t have as much to offer, but notable releases included Snoop Dogg&#8217;s downright friendly (for gangsta rap) <i>Doggystyle<\/i>, the Wu-Tang clan dropped <i>36 Chambers <\/i>and A Tribe Called Quest offered <i>Midnight Marauders. <\/i>Less popular yet very good albums included Black Moon&#8217;s <i>Enta Da Stage <\/i>and Souls of Mischief&#8217;s <i>93 &#8216;Til Infinity. <\/i>Even De La Soul had some fun with <i>Buhloone Mindstate<\/i>, a departure from their first two records and Cypress Hill had its biggest hit with &#8220;Insane In The Brain.&#8221;<\/p>\n<p class=\"MsoNormal\">And that, friends, is the Year That Was in music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well into the grunge and alternative movement, 1993 was the time for the big Seattle bands to release follow-ups and for a number of bands to offer debuts. It was a year of pretty darn great rock and pop albums, a few one-hit wonders of note and a huge year for female-led rock. Giving a [&hellip;]<\/p>\n","protected":false},"author":45,"featured_media":49303,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[11244],"class_list":["post-47697","feature","type-feature","status-publish","has-post-thumbnail","feature_type-column"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"version-history":[{"count":1,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47697\/revisions"}],"predecessor-version":[{"id":53041,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47697\/revisions\/53041"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/49303"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47697"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47697"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}