{"id":47739,"date":"2014-12-15T00:00:00","date_gmt":"2014-12-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/2014-bens-top-ten\/"},"modified":"2026-07-25T07:31:34","modified_gmt":"2026-07-25T07:31:34","slug":"2014-bens-top-ten","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/2014-bens-top-ten\/","title":{"rendered":"2014: Ben&#8217;s Top Ten"},"content":{"rendered":"<p>\u00a0<\/p>\n<table align=\"center\" border=\"1\">\n<tbody>\n<tr>\n<td align=\"center\" height=\"225\" width=\"238\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2014\/12\/smashingpumpkins_monument_150.jpg\" title=\"smashingpumpkins_monument_150\" alt=\"smashingpumpkins_monument_150\" height=\"150\" width=\"150\" \/>\u00a0<\/td>\n<td height=\"225\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>10. Smashing Pumpkins &#8211;\u00a0<i>Monuments To An Elegy<o:p><\/o:p><\/i><\/b><\/p>\n<p class=\"MsoNormal\">Although the Pumpkins name is all but defunct, Billy Corgan, guitarist Jeff Schroeder (around since 2007\u2019s\u00a0<i>Zeitgeist<\/i>), and Motley Crue drummer Tommy Lee craft an album that no longer diminishes the band name. At only half an hour, the eight songs show restraint, featuring the usual layers of guitar but allowing the melodies, insistent rhythm sections, and sense of fun to shine through. Tight, hooky, and mostly free of the usual Corgan BS, it\u2019s a darn good time.<o:p><\/o:p><\/p>\n<p class=\"MsoNormal\"><b>Download:\u00a0<\/b>\u201cOne And All,\u201d \u201cAnaise!,\u201d \u201cAnti-Hero.\u201d<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"228\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/morning-phase\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2014\/12\/beck_morning_150.jpg\" title=\"beck_morning_150\" alt=\"beck_morning_150\" height=\"150\" width=\"150\" \/><\/a><\/td>\n<td height=\"228\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>9. Beck &#8211; <i>Morning Phase<\/i><\/b><\/p>\n<p class=\"MsoNormal\">Beck\u2019s  first disc in six years is a moody, introspective album that glistens  with the weight of the world and the dawn of a new day, finding hope in  the melancholy. <\/p>\n<p>  <b>Download: <\/b>\u201cWave,\u201d \u201cTurn Away.\u201d<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td height=\"220\" width=\"238\">\n<div style=\"text-align: center\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-turn\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2016\/04\/live_turn_150.jpg\" title=\"live_turn_150\" alt=\"live_turn_150\" height=\"150\" width=\"150\" \/><\/a> <\/div>\n<\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>8. Live &#8211; <i>The Turn<\/i><\/b><\/p>\n<p class=\"MsoNormal\">Veteran  alt-rockers return after a long hiatus without singer\/songwriter Ed  Kowalczyk, and the addition of Chris Shinn breathes new life into what  had become a stale concept. The band\u2019s post-grunge is still loud and  driving, but with renewed vigor, dramatic tension, and soaring melodies.  <\/p>\n<p>  <b>Download: <\/b>\u201cDon\u2019t Run To Wait,\u201d \u201cThe Only Way Around Is Through.\u201d<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/st-vincent\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2014\/12\/stvincent_st_150.jpg\" title=\"stvincent_st_150\" alt=\"stvincent_st_150\" height=\"150\" width=\"150\" \/><\/a><\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>7. St. Vincent<\/b> &#8211; <b><i>St. Vincent<\/i><\/b>: <\/p>\n<p class=\"MsoNormal\">Smart, funny, nearly poetic and edgy, with some stellar guitar work to boot. Her best yet.<\/p>\n<p>  <b>Download: <\/b>\u201cBirth In Reverse,\u201d \u201cRegret.\u201d <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\">\n<p>\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/indie-cindy\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2014\/12\/pixies_indie_150.jpg\" title=\"pixies_indie_150\" alt=\"pixies_indie_150\" height=\"150\" width=\"150\" \/><\/a> <\/p>\n<\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>6. Pixies &#8211; <i>Indie Cindy<\/i><\/b><\/p>\n<p class=\"MsoNormal\">The  legendary alternative band, minus bassist\/singer Kim Deal, cut two EPs  this year and one last year; this album collects those 12 songs and  shuffles the order into a logical playlist. Sounding somewhat like a  follow-up to <i>Trompe Le Monde <\/i>and <i>Teenager Of The Year <\/i>but  with 23 years of life and experience, this is easily one of the best  albums of the year, no matter what Pixies fans stuck on <i>Doolittle <\/i>say. <\/p>\n<p>  <b>Download: <\/b>\u201cWhat Goes Boom,\u201d \u201cMagdalena 318,\u201d \u201cBlue-Eyed Hexe.\u201d<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\n<p>\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ghosts\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2014\/12\/bigwreck_ghosts_150.jpg\" title=\"bigwreck_ghosts_150\" alt=\"bigwreck_ghosts_150\" height=\"150\" width=\"150\" \/><\/a> <\/p>\n<\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>5. Big Wreck -, <i>Ghosts<\/i>: <\/b><\/p>\n<p class=\"MsoNormal\">Classicist  jam band hard rock, with comparisons to Dave Matthews Band and  Soundgarden, that melds riffs and rhythm in beautiful, pounding harmony.  The songwriting is dense and slightly prog-rock, revealing more with  each listen and offering unexpected twists even with the familiar sound.  <\/p>\n<p>  <b>Download: <\/b>\u201cI Digress,\u201d \u201cFriends.\u201d<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pale-communion\/\"><\/p>\n<div style=\"text-align: center\">\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2014\/12\/opeth_pale_150.jpg\" title=\"opeth_pale_150\" alt=\"opeth_pale_150\" height=\"150\" width=\"150\" \/><\/p>\n<p><\/div>\n<p><\/a><\/td>\n<td>\n<blockquote>\n<p class=\"MsoNormal\"><b>4. Opeth &#8211; <i>Pale Communion<\/i><\/b><\/p>\n<p class=\"MsoNormal\">The  band continued its metamorphosis into progressive rock with this dense,  twisty hard rock offering; it may draw from much older source material  as inspiration, but it is thoroughly modern and takes a lot of welcome,  necessary detours from the standard Opeth sound. Intricate and  unexpected, this is how modern progressive rock should sound. <\/p>\n<p>  <b>Download: <\/b>\u201cCusp of Eternity,\u201d \u201cVoice of Treason.\u201d<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/turn-blue\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2014\/12\/blackkeys_turnblue_150.jpg\" title=\"blackkeys_turnblue_150\" alt=\"blackkeys_turnblue_150\" height=\"150\" width=\"150\" \/><\/a> <\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>3. Black Keys &#8211; <i>Turn Blue<\/i><\/b><\/p>\n<p class=\"MsoNormal\">Dan  and Pat dispense with their usual gritty blues-rock grunge for a  spacier, longer, more pensive album that still keeps one foot in the  murk. Inspired by Neil Young and Pink Floyd while possessing the same  musical spirit, identity and ambition that characterizes all of the  duo\u2019s work. <b><i>\u00a0<\/i><\/b><\/p>\n<p><b>Download: <\/b>\u201cWeight Of Love,\u201d \u201cGotta Get Away,\u201d \u201cTurn Blue.\u201d<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/supermodel\/\"><\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2014\/12\/fosterthepeople_supermodel_150.jpg\" title=\"fosterthepeople_supermodel_150\" alt=\"fosterthepeople_supermodel_150\" height=\"150\" width=\"150\" \/><\/a> <\/p>\n<p><\/td>\n<td>\n<blockquote><p><b>2. Foster The People &#8211; <i>Supermodel<\/i><\/b>    <\/p>\n<p class=\"MsoNormal\">Blending  studio craft with a newfound live arena-rock capability, this indie  band took a sonic leap forward and put to rest any lingering bad  feelings from the irritating \u201cPumped Up Kicks.\u201d The choruses will get  stuck in your head and the layered, echo-laden production will transport  you elsewhere, but the lyrics are worthwhile, too, focusing on our  society\u2019s obsession with image, digital and personal. <\/p>\n<\/blockquote>\n<blockquote><p>  <b>Download: <\/b>\u201cBest Friend,\u201d \u201cNevermind,\u201d \u201cAre You What You Want To Be?\u201d<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/songs-of-innocence\/\"><\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2015\/09\/u2_innocence_150.jpg\" title=\"u2_innocence_150\" alt=\"u2_innocence_150\" height=\"150\" width=\"150\" \/><\/a> <\/p>\n<\/td>\n<td>\n<blockquote>\n<p><b><br \/>1. U2 &#8211; <i>Songs of Innocence<\/i><\/b><\/p>\n<p>There  was nothing innocent about how this album was marketed and distributed,  but when the furor over that died down, these 11 tracks proved to be  among the band\u2019s most personal and autobiographical. The  straightforward, honest lyrics are about specific moments in Bono,  etc.\u2019s lives but also are relatable to everyone, from the first love to  the strife of childhood to discovering the music that truly transports  you to the loss and yearning for the love of a parent. Musically, the  album draws from all periods of the band\u2019s storied history, even  reaching back to <i>War <\/i>to find new twists on their signature sound. Truly excellent.<\/p>\n<p>  <b>Download: <\/b>\u201cVolcano,\u201d \u201cRaised By Wolves,\u201d \u201cCedarwood Road.\u201d<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0<\/p>\n<p><o:p><\/o:p><b><o:p><\/o:p><\/b><o:p><\/o:p><o:p><\/o:p><o:p><\/o:p><o:p><\/o:p>    <\/p>\n<p class=\"MsoNormal\"><b>Honorable Mention<\/b><\/p>\n<p><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/singles-3\/\"><b>Future Islands &#8211; <i>Singles<\/i><\/b><\/a>  <o:p><\/o:p>  <\/p>\n<p class=\"MsoNormal\">Uses New Wave and pop as a basis, then infiltrates with modern electro-pop and ties it together with Samuel Herring\u2019s stellar vocal work. <b><\/b><\/p>\n<p class=\"MsoNormal\"><b>Download: <\/b>\u201cLike The Moon\u201d<o:p><\/o:p><\/p>\n<p>  <b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/atlas\/\"><br \/>Real Estate &#8211; <\/a> <i><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/atlas\/\">Atlas<\/a>  <\/i><\/b><b><i><o:p><\/o:p><\/i><\/b>  <\/p>\n<p class=\"MsoNormal\">A good, melancholy album for a thoughtful summer evening spent in the backyard by yourself with a beer and a grill, the Jersey band\u2019s third effort gets a bit predictable in the music department but rises above lyrically, tackling relatable themes of growing older and looking backward with poise and strength. <o:p><\/o:p><\/p>\n<p class=\"MsoNormal\"><b>Download: <\/b>\u201cHad To Hear,\u201d \u201cTalking Backwards\u201d<o:p><\/o:p><\/p>\n<p>  <b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/alias\/\"><br \/>Magic Numbers &#8211; <i>Alias<\/i><\/a>  <\/b><b><o:p><\/o:p><\/b>  <\/p>\n<p class=\"MsoNormal\">This lovely, downbeat disc from the dual sibling duos captures the spaces of gray that fill in our everyday world. An appealing blend of Fleetwood Mac\u2019s sound and spirit, \u201890s alt-rock and modern indie-pop shoegaze, the vocal harmonies soar above with melancholy beauty. <o:p><\/o:p><\/p>\n<p class=\"MsoNormal\"><b>Download: <\/b>\u201cThought I Wasn\u2019t Ready,\u201d \u201cShot In The Dark.\u201d<o:p><\/o:p><\/p>\n<p>  <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/teeth-dreams\/\"><b><br \/>The Hold Steady &#8211; <i>Teeth Dreams<\/i><\/b><\/a> <b><i><o:p><\/o:p><\/i><\/b>  <\/p>\n<p class=\"MsoNormal\">New guitarist Steve Selvidge makes a huge mark on this band\u2019s latest effort, turning it into a louder, smarter, and more streamlined affair than before.<b><i> <o:p><\/o:p><\/i><\/b><\/p>\n<p class=\"MsoNormal\"><b>Download: <\/b>\u201cI Hope This Whole Thing Didn\u2019t Frighten You,\u201d \u201cOaks\u201d<o:p><\/o:p><\/p>\n<p>  <b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/do-to-the-beast\/\"><br \/>Afghan Whigs: <\/a> <i><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/do-to-the-beast\/\">Do To The Beast<\/a>  <\/i><\/b><b><i><o:p><\/o:p><\/i><\/b>  <\/p>\n<p class=\"MsoNormal\">Lost \u201890s band reunites with two original members (and sans the original guitar player) and turns in a dark, heavy groove-centric alt rock affair with only hints of the old sound. <o:p><\/o:p><\/p>\n<p class=\"MsoNormal\"><b>Download: <\/b>\u201cParked Outside,\u201d \u201cCan Rova\u201d<o:p><\/o:p><\/p>\n<p>  <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-14\/\"><b><br \/>Gary Clark Jr., <i>Live<\/i><\/b><\/a> <i> <\/i><i><o:p><\/o:p><\/i>  <\/p>\n<p class=\"MsoNormal\">If you\u2019re not familiar with Clark, hop to it. Along with Joe Bonamassa, he is one of the best modern blues-rock guitarists working. <o:p><\/o:p><\/p>\n<p class=\"MsoNormal\"><b>Download: <\/b>\u201cCatfish Blues,\u201d \u201cAin\u2019t Messin\u2019 Round.\u201d<o:p><\/o:p><\/p>\n<p>  <b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/english-oceans\/\"><br \/>Drive-By Truckers &#8211; <\/a> <i><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/english-oceans\/\">English Oceans<\/a>  <\/i><\/b><b><i><o:p><\/o:p><\/i><\/b>  <\/p>\n<p class=\"MsoNormal\">The timeless soundtrack to our everyday lives, great for putting on in the background during a warmish summer day while grilling in the backyard.<o:p><\/o:p><\/p>\n<p>  <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lost-in-the-dream\/\"><b><br \/>The War On Drugs &#8211; <i>Lost In The Dream<\/i><\/b><\/a>  <o:p><\/o:p>  <\/p>\n<p class=\"MsoNormal\">Full of dreamy yet weighty post-punk and \u201880s era classic rock-inspired musical sculptures, it is easy to get lost in this all-encompassing album. <o:p><\/o:p><\/p>\n<p class=\"MsoNormal\"><b>Download: <\/b>\u201cUnder The Pressure\u201d<o:p><\/o:p><\/p>\n<p>  <b><br \/>Eric Church &#8211; \u201cThe Outsiders\u201d <o:p><\/o:p><\/b>  <\/p>\n<p class=\"MsoNormal\">The outsider position is desired in country music, and with this song Church not only nailed the spirit of the Southern outcast but set it to an intoxicating blend of country rock, classic rock and an edge that is missing from the genre. <\/p>\n<p class=\"MsoNormal\"><b>Spoon &#8211; &#8220;Outlier&#8221; <\/b><\/p>\n<p class=\"MsoNormal\">The band returns after a brief hiatus with a fine album (<i>They Want My Soul<\/i>) blending old alternative and modern indie rock with flair and energy, shucking off the restraints of the genre with a shrug and a loud snare drum. &#8220;Outlier&#8221; is one of the highlights, incorporating elements of late-90s electronica and a swirling, happening rhythm section.\u00a0 <\/p>\n<p class=\"MsoNormal\"><b>Ryan Adams &#8211; &#8220;Gimme Something Good&#8221;<\/b> <\/p>\n<p class=\"MsoNormal\">Great blues rock from an artist who took a detour with his eponymous 2014 album, and if the rest of the disc isn&#8217;t as immediate, it&#8217;s easy to get lost in the smoky vibe of this song. <\/p>\n<p>  <b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fuego\/\">Phish &#8211; \u201cWaiting All Night\u201d<\/a>  <\/b><b><o:p><\/o:p><\/b>  <\/p>\n<p class=\"MsoNormal\"><i>Fuego <\/i>was inconsistent, a modern Phish record that treaded water (albeit pleasantly), but this song was the best by a mile. Trey Anastasio\u2019s voice moves from sleepy questioning to melancholy yearning as the sunny jam band groove shifts and squirms behind him.<o:p><\/o:p><\/p>\n<p class=\"MsoNormal\"><b>\u00a0<\/b><\/p>\n<p class=\"MsoNormal\"><b>Notable Misses<o:p><\/o:p><\/b><\/p>\n<p class=\"MsoNormal\"><b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-endless-river\/\">Pink Floyd &#8211; <\/a> <i><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-endless-river\/\">The Endless River<\/a>  <\/i><\/b><b><i><o:p><\/o:p><\/i><\/b><\/p>\n<p class=\"MsoNormal\">A great surprise in theory but a tepid affair, using leftover 1994 outtakes and grafting on new guitar and drum parts as needed. The short instrumental songs recall older, better Floyd tracks and never reach the emotional heights that the band\u2019s music is capable of. Best heard as a sendoff for the band, the exit music over the credits.<o:p><\/o:p><\/p>\n<p>  <b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sonic-highways\/\"><br \/>Foo Fighters &#8211; <i>Sonic Highways<\/i><\/a>  <\/b><b><o:p><\/o:p><\/b>  <\/p>\n<p class=\"MsoNormal\">A grand concept of recording eight songs in eight rock-centric cities, thinking up lyrics on the spot and filming it all for HBO turned into just another modern Foo Fighters album. It\u2019s good music, of course, just not quite at the level of what a concept like that demands.<o:p><\/o:p><\/p>\n<p><b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/storytone\/\"><br \/>Neil Young &#8211; <\/a> <i><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/storytone\/\">Storytone<\/a> \u00a0 <o:p><\/o:p><\/i><\/b>  <\/p>\n<p class=\"MsoNormal\">A double disc, one of solo Neil and one of the same songs recorded in front of a big band or orchestra. The songs are standard solo pieces for Young, making the appearance of the big band somewhat of a gimmick that doesn\u2019t really help the compositions. Not bad, but like the Foo Fighters album, the songs have to rise to the level of what the concept requires.<o:p><\/o:p><\/p>\n<p>  <b><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/everything-will-be-alright-in-the-end\/\"><br \/>Weezer &#8211; <i>Everything\u2019s Going to Be Alright In the End<\/i><\/a> <o:p><\/o:p><\/b>    <\/p>\n<p class=\"MsoNormal\">The band\u2019s best album in at least a decade, still self-referential but catchy, energetic and with some attitude. The songs don\u2019t stick around, but the fire has returned, and it was missed.<o:p><\/o:p><\/p>\n<p>  <b><\/p>\n<p>Worst Albums<o:p><\/o:p><\/b>  <\/p>\n<p class=\"MsoNormal\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/with-a-little-help-from-my-fwends\/\"><b>Flaming Lips &#8211; <i>With A Little Help From My Fwends<\/i><\/b><\/a> <o:p><\/o:p><\/p>\n<p>Simply awful. Don\u2019t even bother.<o:p><\/o:p>  <\/p>\n<p><b><br \/>John Frusciante &#8211; <i>Enclosure<\/i><\/b><i> <o:p><\/o:p><\/i>  <\/p>\n<p class=\"MsoNormal\">The former Red Hot Chili Peppers guitarist should know better. Nearly unlistentable. <o:p><\/o:p><\/p>\n<p>  <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/paula\/\"><b><br \/>Robin Thicke &#8211; <i>Paula<\/i><\/b><\/a> <i> <\/i><i><o:p><\/o:p><\/i>  <\/p>\n<p>Like peering into the bedroom of a fighting married couple, this was Thicke\u2019s public apology and plea to his estranged wife Paula Patton. It\u2019s a little creepy and the music isn\u2019t memorable \u2013 although it returns to Thicke\u2019s older Marvin Gaye-inspired sound \u2013 and it was both a public and personal bomb. Patton filed for divorce soon after it came out. Ouch. <\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 10. Smashing Pumpkins &#8211;\u00a0Monuments To An Elegy Although the Pumpkins name is all but defunct, Billy Corgan, guitarist Jeff Schroeder (around since 2007\u2019s\u00a0Zeitgeist), and Motley Crue drummer Tommy Lee craft an album that no longer diminishes the band name. At only half an hour, the eight songs show restraint, featuring the usual layers [&hellip;]<\/p>\n","protected":false},"author":45,"featured_media":49856,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[5609],"class_list":["post-47739","feature","type-feature","status-publish","has-post-thumbnail","feature_type-best-of"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47739\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/49856"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47739"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47739"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}