{"id":47796,"date":"2016-06-06T00:00:00","date_gmt":"2016-06-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/strike-a-pose\/"},"modified":"2026-07-25T07:31:34","modified_gmt":"2026-07-25T07:31:34","slug":"strike-a-pose","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/strike-a-pose\/","title":{"rendered":"Strike A Pose"},"content":{"rendered":"

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She is, and will always be, the Queen of Pop and one of the definitive pop stars of all time; it\u2019s tough to imagine a world with Lady Gaga, Beyonc\u00e9, Miley Cyrus, Britney Spears, and Rihanna had Madonna not been the original, the barrier-breaker, the one who fearlessly paved the way through a combination of intelligence, great music, and sex appeal\/controversy that she was happy to exploit. And although her 2015 album Rebel Heart <\/i>wasn\u2019t her finest outing, it showed an artist still pushing ahead and doing it her way. The list below ranks every Madonna studio album from 1983\u2019s self-titled debut through Rebel Heart<\/i>. The soundtracks to Who\u2019s That Girl <\/i>and Evita <\/i>are not present because they are not technically Madonna album, even though she contributed several songs to both that were, unsurprisingly, hit singles.<\/p>\n

\"madonna_mdna_150\"<\/a> 14. MDNA<\/i> (2012)<\/b><\/p>\n

Madonna had inspired at least a generation of new singers by this point, but it was evident on Confessions On A Dance Floor <\/i>that she was running out of things to say herself, and MDNA <\/i>just proves that point. Very little here stands out; it\u2019s competent, but not terribly inspired, sounding rather anonymous and, in the occasional juvenile lyric, downright silly from an artist of Madonna\u2019s stature. She knows better, too, which makes one wonder if this is less about pandering and more about copying what\u2019s popular to appeal to the kids these days. It didn\u2019t work.<\/p>\n

13. Hard Candy<\/i> (2008)\"madonna_hardcandy_150\"<\/a> <\/b><\/p>\n

There\u2019s almost an air of desperation on this release, as if Madonna knows her time is slipping away and doesn\u2019t want to admit it yet. Hard Candy <\/i>brings in the hot talent of the day \u2013 Timbaland, Justin Timberlake, Kanye West, Pharrell Williams \u2013 and proceeds to have them provide shoutouts to Madonna when possible, a tactic she would also use on MDNA <\/i>to effectively remind the world who she is and why she matters. Moreover, the lyrics have regressed to lines about candy and booty and giving it to me, a far cry from the Ray Of Light<\/i> and even American Life <\/i>days. The awful cover art reeks of attention grabbing. But the worst part is that it\u2019s just musically inert and repetitive; anybody could have written and sung these.<\/p>\n

12. I’m Breathless<\/i> (1990)\"madonna_imbreathless_150\"<\/a> <\/b><\/p>\n

Although this is technically a soundtrack for the Warren Beatty movie Dick Tracy<\/i>, it\u2019s a Madonna album, though classifying it is tricky because it\u2019s a tie-in for a movie about gangsters and detectives in the 1940s. It\u2019s interesting to her the singer drop her pop persona to embrace torch songs, lounge balladry, and a general approach befitting of her film star idols\u2026all of which are named in \u201cVogue,\u201d the final song on the disc. That track has nothing to do with this music, of course, as it continues the progression from Like A Prayer <\/i>to Erotica<\/i>, but it is the apotheosis of her \u201880s persona, the capper to her music form that decade and a goodbye of sorts as she turned to other musical avenues. This isn\u2019t a classic album by any means, but it\u2019s an interesting one in spots, particularly \u201cHe\u2019s A Man,\u201d \u201cHanky Panky,\u201d and the ballad \u201cSomething To Remember,\u201d all of which are underrated in the artist\u2019s catalog.<\/p>\n

\u00a0<\/p>\n

11. American Life<\/i> (2003)\"madonna_american\"<\/a> <\/b><\/p>\n

In which Madonna lost the plot. This marked the point where her albums stopped being events and started catering to a dwindling audience of just the faithful. She would still score singles now and again, but nowhere near the success of her first 20 years (which is an eternity in an industry that thrives on the now<\/i> and has no room for two years ago, let alone 10 times that). Part of the reason is that recording an album called American Life<\/i> when you have moved to England and worked with a French producer is disingenuous at best, but the bigger part is that the songs lack warmth and hooks, and the half-hearted club beats can\u2019t save them. Only \u201cHollywood\u201d and the Bond song \u201cDie Another Day\u201d are true highlights; the rest\u2026well, you will forget you heard it the next day.<\/p>\n

\"madonna_rebel_150\"<\/a> 10. Rebel Heart<\/i> (2015)<\/b><\/p>\n

Overlong and not terribly memorable, Rebel Heart <\/i>is still a solid disc that finds Madonna in reflective mode, looking back on her past hits, her evolution as a person, and generally embracing who she is. Rather than chasing trends like the last couple of albums, the singer stays in her wheelhouse of modern dance-pop with a handful of collaborators. It\u2019s the sort of journeyman (woman?) pop album that fans will love but that newcomers won\u2019t quite understand. But at this point, Madonna is playing to her fans anyway, not the entire globe.<\/p>\n

9. Confessions On A Dance Floor<\/i> (2005)\"madonna_confessions\"<\/a> <\/b><\/p>\n

The 12 tracks here pulsate and throb true to the album\u2019s title. Not since \u201cVogue\u201d had Madonna been so consciously returning to her dance roots and her core fan base. The lack of dynamics means things get a little bleary after a while \u2013 the same is true of many techno\/EDM albums \u2013 and a little diversity would have been nice to make this nice, but this still crackles throughout. \u201cHung Up\u201d is a great opener and the album thumps with ease through the sassy \u201cI Love New York,\u201d \u201cJump,\u201d \u201cGet Together,\u201d and \u201cFuture Lovers.\u201d What\u2019s funny is that this album probably would have done very well in 2013 alongside Daft Punk\u2019s Random Access Memories<\/i>, when disco was cool again for a while there.\u00a0 <\/p>\n

\"madonna_s-t\"<\/a> 8. Madonna<\/i> (1983)<\/b><\/p>\n

The one that started it all. It\u2019s obviously a debut album: tentative, some songwriting missteps, an artist not totally in command of her message just yet, and that girlish voice that sounded a touch mechanical alongside the cheesy dance beats. Madonna later called this her \u201caerobics album,\u201d which is both cutting and accurate; certainly, any light rock station\/dentist office has no problem putting \u201cBorderline,\u201d \u201cLucky Star,\u201d and \u201cHoliday\u201d in rotation to this day. The synth squiggles and bleeps on \u201cLucky Star\u201d are almost distracting, much of the album sounds like it was written and recorded on a Toys R Us Casio keyboard, and a few of the songs drift up toward seven minutes long when there is absolutely no reason to other than to keep people on the dance floor. Yet there\u2019s no denying the star power of the main attraction.<\/p>\n

7. Music<\/i> (2000)\"madonna_music\"<\/a> <\/b><\/p>\n

Where Ray Of Light <\/i>marked a low-key foray into the world of electronica, its follow-up embraced the sound of acts like Prodigy and Daft Punk to generally solid results. The title track never really veers from its one chord and was a smash hit anyway, but \u201cImpressive Instant,\u201d \u201cAmazing\u201d and \u201cRunaway Lover\u201d are standouts in this new style, songs that successfully pushes the thought of electronic and pop music together in the way that artists like Cher were doing at the time. Now, of course, EDM is so much a part of pop radio that it\u2019s hard not to imagine a time when this was a new thing. If that was all the album had to offer, it would still be fine, but Madonna also introduces guitars into \u201cI Deserve It\u201d and the hit \u201cDon\u2019t Tell Me,\u201d which show her already thinking ahead to the next album (the woeful American Life<\/i>).\u00a0 Points deducted for the use of the Vocoder, though, which is irritating no matter who uses it, and for not including the fine soundtrack hit \u201cBeautiful Stranger\u201d in place of, say, \u201cParadise \u2013 Not For Me.\u201d<\/p>\n

\"madonna_bedtime\"<\/a> 6. Bedtime Stories<\/i> (1994)<\/b><\/p>\n

A warmer counterpoint to the great Erotica<\/i>, this album is a reminder that sex is also about a connection between people, not just a bump \u2018n\u2019 grind \u2018n\u2019 move on altercation between two life forms. Where True Blue <\/i>softened the edges of Like A Virgin<\/i>, this one also digs deeper than its predecessor to touch on topics like the death of a relationship (the alluring \u201cTake A Bow\u201d), not knowing as much as you thought about your partner (the acoustic guitar-led \u201cSecret\u201d), staying tough (\u201cSurvival,\u201d the best song Mariah Carey never sang in her Music Box <\/i>period), and the realization that some people are not as open about sex (the bitchy \u201cHuman Nature\u201d). The rest of the album may not reach these heights, but it\u2019s still pretty good, expanding into new territory with the deep house of \u201cBedtime Story,\u201d the opening salvo in Madonna\u2019s move toward this style with the incredible Ray Of Light <\/i>four years later. <\/p>\n

5. True Blue<\/i> (1986)\"madonna_trueblue\"<\/a> <\/b><\/p>\n

After Like A Virgin <\/i>established her as a superstar, Madonna tweaked her image \u2013 continuing a trend that would last with every album from here on out until 2005 \u2013 and released another strong pop album. Expectedly, the disc yielded four big hits and one smaller one, as well as the by-now-expected filler tracks that define \u201ccheesy \u201880s synth pop that we\u2019d all like to forget happened.\u201d It is up to the quality of the hits to carry the album, from the stunning ballad \u201cLive To Tell\u201d to the cheerful \u201cOpen Your Heart\u201d to the message song \u201cPapa Don\u2019t Preach,\u201d which shows the artist taking a firm political stand and adding a light string section to underscore the story. The other songs are tinny, corny, and kind of annoying 20 years on, but they\u2019re still fun.<\/p>\n

\"madonna_prayer\"<\/a> 4. Like A Prayer<\/i> (1989)<\/b><\/p>\n

Madonna\u2019s first real album statement remains one of her most ambitious, bold, and personal statements to date. It is clear her Catholic upbringing is part of her soul, yet she cannot help but thumb her nose at it with her outfits, songs like \u201cAct Of Contrition\u201d and \u201cLike A Prayer,\u201d and even her name. But more than religion, the songs here address her parents individually, her extended family, and her failed marriage to Sean Penn, as well as an empowerment anthem to fellow women in \u201cExpress Yourself.\u201d It\u2019s not a Serious Album per se, but it\u2019s far less frothy than the last three, and even the cheesy-sounding pop confections like \u201cCherish\u201d have more gravity than before. The second half of the record is more adventurous than Madge had ever been to that point, with \u201cDear Jessie,\u201d \u201cOh Father,\u201d the mashup \u201cAct Of Contrition,\u201d and \u201cKeep It Together\u201d showing different approaches to songwriting, the latter in particular a strong R&B-flavored dance track that looks to the future. <\/p>\n

3. Like A Virgin<\/i> (1984)\"madonna_virgin\"<\/a> <\/b><\/p>\n

In all fairness, this should be tied for #3 with Like A Prayer<\/i>, but it gets the slight nod only because it\u2019s both more fun and more personality defining. After the somewhat bland debut, Madonna knew what she wanted to be and how to get it. She worked with Nile Rodgers (of Chic) to get there, reportedly spending all of her time in the studio \u2013 even during mixing \u2013 to be involved, but not overbearing, in the final product. The result made her a household name and went on to sell in the multi-millions worldwide, and it\u2019s good girlish fun, from \u201cMaterial Girl\u201d and the adorkable title song to \u201cDress You Up\u201d and \u201cInto The Groove\u201d (point of clarification: that song was on every re-release of the album except for in the U.S.). The true strength of the album is in the non-hit songs, which are far better than those on Madonna <\/i>and True Blue<\/i>, especially the driving \u201cOver And Over\u201d (which should have been a much bigger hit), \u201cAngel,\u201d the heartbreaking cover of \u201cLove Don\u2019t Live Here Anymore\u201d (featuring an audible sob from the singer toward the end, which Rodgers left in), and \u201cThe Pretender.\u201d <\/p>\n

2. Erotica<\/i> (1992)\"madonna_erotica_199\"<\/b><\/p>\n

As bold, provocative, and frankly sexual as Madonna ever got on record, this signaled a new direction for the singer in the new decade. Where the single \u201cVogue\u201d said goodbye to the \u201980s, the single \u201cJustify My Love\u201d started off the \u201990s, and this disc takes that song\u2019s approach and stretches it over 14 tracks (13 on the Parental Advisory version\u2026and yes, a Madonna album with a Tipper Gore sticker should give a clue as to how this one plays out). The deep house grooves and dance beats thrust and grind with heat and intensity, but this is far from a techno album, as Madonna informs the songs with strong melodies and a chilly undercurrent. Taken on a by-song basis, this is about as good and consistent at Madge ever was, from the cover of \u201cFever\u201d to \u201cDeeper And Deeper\u201d to the title song to the lovely ballad \u201cRain\u201d to the catty rap of \u201cThief Of Hearts.\u201d However, the final three songs really elevate this one; the Lenny Kravitz collaboration \u201cWhy\u2019s It So Hard\u201d is intense, \u201cIn This Life\u201d directly addresses a friend who died of AIDS, and \u201cSecret Garden\u201d explores a whispered bass-and-piano groove that\u2019s the most alluring part of the album and an underrated song in her vast catalogue. <\/p>\n

1. Ray Of Light<\/i> (1998)\"madonna_ray\"<\/a> <\/b><\/p>\n

Far and away Madonna’s finest album statement as a singer, songwriter, and lyricist, Ray Of Light<\/i> is a critical and commercial triumph.\u00a0Discovering spirituality and her daughter as a muse for songwriting (as opposed to sex, dancing, and sex while dancing), Madonna took it down about 10 notches and recorded a warm, inviting album that makes you both dance and think. The crown jewel of the album, and her career, is \u201cRay Of Light,\u201d which provides a much-needed burst of energy into the relatively subdued proceedings and showcases Madonna\u2019s multi-octave vocal range. The album defines \u201cslow burn,\u201d with songs like \u201cSwim,\u201d \u201cSkin,\u201d \u201cFrozen,\u201d and the gloomy \u201cThe Power Of Goodbye,\u201d but those last two songs and the title cut were hits anyway. Elsewhere, \u201cShanti\/Ashtangi\u201d is sung entirely in Sanskrit, \u201cSky Fits Heaven\u201d booms with a burnished confidence, and \u201cLittle Star\u201d is a touching techno lullaby for baby Lourdes. A truly great album and a career touchstone.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Madonna Albums Ranked Worst To Best<\/p>\n","protected":false},"author":45,"featured_media":49327,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[32],"class_list":["post-47796","feature","type-feature","status-publish","has-post-thumbnail","feature_type-feature"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47796\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/49327"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47796"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47796"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}