{"id":47821,"date":"2017-01-13T00:00:00","date_gmt":"2017-01-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/20-albums-that-influenced-me-benjamin-ray\/"},"modified":"2026-07-25T07:31:34","modified_gmt":"2026-07-25T07:31:34","slug":"20-albums-that-influenced-me-benjamin-ray","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/20-albums-that-influenced-me-benjamin-ray\/","title":{"rendered":"20 Albums That Influenced Me: Benjamin Ray"},"content":{"rendered":"<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" align=\"right\" height=\"75\" hspace=\"10\" vspace=\"5\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/20_150.jpg\" alt=\"20_150\" title=\"20_150\" \/>To  celebrate the Daily Vault\u2019s 20th anniversary, some of our staffers have  put together a list of the top 20 albums that have influenced them, the  ones that spurred either temporary love affairs or lifelong  relationships, the ones that taught them that music is more than  background noise and Billboard charts.   <\/p>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\">My  list is not my 20 favorite albums, or the 20 best albums of all time,  or even the best album by the band listed. Indeed, there are multiple  albums by some artists that influenced me, and there are many other  artists of influence who have catalogs, but not particular albums, that  were important to my musical development (such as Madonna, Miles Davis,  the Moody Blues, Joe Bonamassa, and Alice In Chains). Rather, this list  of 20 albums follows my life roughly chronologically. Enjoy!<\/p>\n<p><\/p>\n<table align=\"center\" border=\"1\">\n<tbody>\n<tr>\n<td align=\"center\" height=\"225\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sgt-peppers-lonely-hearts-club-band-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/beatles_sgtpepper.jpg\" title=\"beatles_sgtpepper\" alt=\"beatles_sgtpepper\" \/><\/a><\/td>\n<td height=\"225\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>1. The Beatles &#8212; <i>Sgt. Pepper\u2019s Lonely Hearts Club Band<\/i> (1967)<\/b><\/p>\n<p>Our  household had the Beatles on constantly, from mix cassettes to vinyl  albums to the old 1987 CDs that were never remastered until 2009, and so  most of their songs are imprinted into my brain and heart without even  needing to hear them again. My father preferred the early works of the  band, but it wasn\u2019t until I obtained a vinyl copy of <i>Sgt. Pepper\u2019s <\/i>from  the library and put it on that I discovered, at age 11, what was so  special about these guys. I still remember standing in the basement of  our Michigan home, listening to \u201cA Day In The Life,\u201d transfixed. This is  where it all began.<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"228\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/selling-england-by-the-pound-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/genesis_selling_150.jpg\" title=\"genesis_selling_150\" alt=\"genesis_selling_150\" \/><\/a><\/p>\n<div style=\"text-align: center\"> <\/div>\n<\/td>\n<td height=\"228\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>2. Genesis \u2013 <i>Selling England By The Pound <\/i>(1973)<\/b><\/p>\n<p>I could also add in <i>A Trick Of The Tail<\/i> here, as those two albums warranted the most repeated plays at Chez Ray back when Bill Clinton was president, but <i>Pound <\/i>is  the one that resonated the most and still does. The band had such an  interesting sound, arty but accessible, quirky yet emotional,  intellectual and unafraid to be itself instead of chasing the dollar (at  the time). Peter Gabriel\u2019s singing on \u201cDancing With The Moonlit  Knight,\u201d the emotional guitar solo of \u201cFirth Of Fifth,\u201d the instrumental  back half of \u201cThe Cinema Show,\u201d and the extremely British pop tune \u201cI  Know What I Like (In Your Wardrobe)\u201d remain career highlights for the  band and personal highlights for me.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/discipline\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/kingcrimson_discipline_150.jpg\" title=\"kingcrimson_discipline_150\" alt=\"kingcrimson_discipline_150\" \/><\/a><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>3. King Crimson \u2013 <i>Discipline<\/i> (1981)<\/b><\/p>\n<p>I discovered King Crimson at an early age through one of their dubious compilation cassettes and decided to track down <i>Discipline <\/i>shortly  thereafter. The knotty virtuosity, dual guitars, and Adrian Belew\u2019s  lyrics were arresting and fun, more so than the doom-laden or <s>boring<\/s> pretentious early albums like <i>Lizard<\/i>.  My enthusiasm for the first side of the album has waned a bit, but the  entire second side, especially \u201cThe Sheltering Sky\u201d and \u201cDiscipline,\u201d  opened a world of musical possibilities. I have since come around the  virtues of nearly every Crimson album, but I never would have if it  wasn\u2019t for this one, and it remains their best work.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/davidbowie_changesbowie_150.jpg\" alt=\"davidbowie_changesbowie_150\" title=\"davidbowie_changesbowie_150\" \/>\u00a0<\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>4. David Bowie \u2013 <i>Changesbowie<\/i> (1990)<\/b><\/p>\n<p>My parents split when I was 12 and my mom got custody of the Bowie cassette (as well as <i>Tales From Topographic Oceans <\/i>on  vinyl, which tells you plenty about my parent\u2019s marriage). Endless car  trips between Lansing and Okemos were spent listening to this, so  naturally when I got my own little tape\/CD player for Christmas I  snagged this and held on tight. I suspect many people discovered Bowie  through this collection, both the original and the longer one (with the  \u201880s hits added on), and it just stuck. It also was a point of entry  into the man\u2019s vast catalog, and the more I started to explore, the more  I liked.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/axis-bold-as-love\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/jimihendrix_axis.jpg\" alt=\"jimihendrix_axis\" title=\"jimihendrix_axis\" \/><\/a><\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>5. Jimi Hendrix \u2013 <i>Axis: Bold as Love<\/i> (1967)<\/b><\/p>\n<p>Although I heard <i>Are You Experienced? <\/i>plenty of times, <i>Axis <\/i>was  the first CD I ever bought with my own money (at Circuit City! Remember  them?). I realize that\u2019s an odd choice for a teenager in 1996, but I  hadn\u2019t listened to much current music at the time and classics are  classics for a reason. I loved getting lost in Jimi\u2019s guitar playing and  the little worlds his songs created, no matter how brief, and as this  had not been played to death on classic rock radio, it was like  discovering a new band.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wish-you-were-here-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/pinkfloyd_wish_150.jpg\" alt=\"pinkfloyd_wish_150\" title=\"pinkfloyd_wish_150\" \/><\/a>  <\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>6. Pink Floyd \u2013 <i>Wish You Were Here <\/i>(1975)<\/b><\/p>\n<p>The soundtrack of driving up north, at least for me, and one of the few flawless records that has ever been made. I almost put <i>Meddle <\/i>here  instead but for the absolute brilliance of \u201cShine On You Crazy  Diamond,\u201d which encapsulates everything that matters about the Floyd.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/untitled\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2020\/04\/ledzeppelin_4.jpg\" title=\"ledzeppelin_4\" alt=\"ledzeppelin_4\" \/><\/a><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>7. Led Zeppelin \u2013 <i>Untitled<\/i> (1971)<\/b><\/p>\n<p>Although <i>Houses Of The Holy <\/i>is a better album and <i>Physical Graffiti <\/i>is  the one I end up listening to more often than not, hearing this album  on repeat was life-changing. I never thought too much of \u201cStairway\u201d at  the time because \u201cRock And Roll,\u201d \u201cWhen The Levee Breaks\u201d \u2013 actually,  all of Side 2 \u2013 encapsulated the majesty and diversity of this band. I  play guitar about as well as the Pentagon floats, but for a time I  wanted to be Jimmy Page\u2026and still do, truth be told.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\">\u00a0 <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/quadrophenia\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/thewho_quad.jpg\" title=\"thewho_quad\" alt=\"thewho_quad\" \/><\/a> <\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>8. The Who \u2013 <i>Quadrophenia<\/i> (1973)<\/p>\n<p><\/b><\/p>\n<p>I was raised listening to <i>Tommy <\/i>and <i>Who\u2019s Next <\/i>and  love both, but this was the disc that converted me to the Who on my own  terms. Jimmy\u2019s struggles to fit in remain a universal teenage theme, of  course, but the full cinematic scope, drama and emotion in the band\u2019s  playing spread out over two albums was a rush. I was learning there was  no limit to what a rock band could accomplish if they had the ambition,  artistic credibility, and instrumental chops, and to me this was the  capper of a brilliant trio of albums from the Who.<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/core-3\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2018\/04\/stonetemple_core.jpg\" title=\"stonetemple_core\" alt=\"stonetemple_core\" \/><\/a>  <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>9. Stone Temple Pilots \u2013 <i>Core<\/i> (1992)<\/b><\/p>\n<p>I  became aware of STP because of the radio playing \u201cSour Girl\u201d and an  acoustic version of \u201cPlush\u201d in 2000, and a friend loaned me a copy of <i>Tiny Music <\/i>while on a cross-country meet, but it wasn\u2019t until I heard \u201cWicked Garden\u201d from the band\u2019s 1992 debut that I was hooked. <i>Core <\/i>was  and still is a fantastic hard rock record throughout, the kind that  gives you a deliberate rush and gets you lost in the haze.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/war\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/u2_war.jpg\" title=\"u2_war\" alt=\"u2_war\" \/><\/a> <\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>10. U2 \u2013 <i>War<\/i> (1983)<\/b><\/p>\n<p>This one and <i>The Best Of 1980-1990 <\/i>were  mainstays in my adolescence, showcasing the spiritual, the political  and the personal. I don\u2019t listen to this one much anymore outside of  \u201cSunday Bloody Sunday,\u201d still a top three song for the band, but there  was a time where its power and passion introduced me to a sound and a  global approach that had not existed in the classic rock I had grown up  with.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/appetite-for-destruction\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/gunsnroses_appetite.jpg\" alt=\"gunsnroses_appetite\" title=\"gunsnroses_appetite\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>11. Guns N\u2019 Roses \u2013 <i>Appetite for Destruction<\/i> (1987)<\/b><\/p>\n<p>The  first time I heard this was at a cousin\u2019s house, at age 10, and it was a  little bit scary. I didn\u2019t understand most of what Axl Rose was yowling  about, but the hard rock was bracing and thrilling. The older I got,  the better it got, especially once I realized the power of music as a  catharsis for demons and otherwise inexpressible emotions. And although  my high school years consisted of angry white-guy misspelled bands like  Korn, Limp Bizkit, and Linkin Park, it always seemed like they could  never touch the danger and thrill of prime GnR. I\u2019m sure they would be  the first to agree. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/1984-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/vanhalen_1984.jpg\" alt=\"vanhalen_1984\" title=\"vanhalen_1984\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>12. Van Halen \u2013 <i>1984<\/i> (1984)<\/b><\/p>\n<p>Loud,  funny, and cool, Van Halen always puts a smile on my face, and none  more so than on this record. I can do without hearing \u201cJump\u201d and \u201cDrop  Dead Legs,\u201d but the rest of the album is one of the most fun half hours  you\u2019ll ever spend, and for a cross-country runner, an album like this  was necessary.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/jars-of-clay\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/jarsofclay_s-t.jpg\" alt=\"jarsofclay_s-t\" title=\"jarsofclay_s-t\" \/><\/a>  <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>13. Jars of Clay \u2013 <i>Jars of Clay<\/i> (1995)<\/b><\/p>\n<p>Every  so often in the \u201890s, a Christian rock band would break through to the  mainstream, and during the height of the WWJD bracelets and Pope John  Paul II fever in the late \u201890s came this acoustic disc. I was raised  Catholic and attended youth group frequently, and my high school friends  and teammates were all either Catholic or Christian, so it was hard to  escape hearing the single \u201cFlood,\u201d but there was more to the disc than  just that one song. The haunting imagery and echo-laden vocals of  \u201cLiquid\u201d questioned the faith with honesty and reverence, while \u201cWorlds  Apart\u201d is beautiful and authentic. I have memories of camping in the  summer with my friends and playing these songs on our guitars on the  shore of Lake Michigan. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ten-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/pearljam_ten.jpg\" title=\"pearljam_ten\" alt=\"pearljam_ten\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>14. Pearl Jam \u2013 <i>Ten<\/i> (1991)<\/b><\/p>\n<p>I  was vaguely aware of these guys in middle school and loved \u201cJeremy\u201d  even then, but it wasn\u2019t until college that I really started  exploring\u2026and when they rocketed to the position of my favorite band. No  matter what season of my life has occurred between 2001 and the  present, this album remains darn near perfect, an emotional, terse,  hard-hitting rock album that remains fresh with repeated plays. If my  brain was flattened into an album groove, I\u2019m sure the guitar solo to  \u201cAlive\u201d would be imprinted somewhere in the center, right behind  whatever I remember from Psychology 101 and right in front of my first  published college newspaper article.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blood-sugar-sex-magik\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/redhotchili_blood.jpg\" title=\"redhotchili_blood\" alt=\"redhotchili_blood\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>15. Red Hot Chili Peppers \u2013 <i>Blood Sugar Sex Magik<\/i> (1991)<\/b><\/p>\n<p>As  with most people immersed in the college experience, your education  winds up being multi-faceted, and not just academically. For me, my  musical education was not only to get caught up on current rock (by  working as a DJ at the college radio station) but to backtrack to the  great \u201890s rock that I had missed as a teenager, as well as great  classic rock, prog and jazz. I have taken some heat over the years for  being a Chili Peppers fan, but for me the twin peaks of <i>By The Way <\/i>and especially this 1991 disc are personal favorites; <i>Blood Sugar Sex Magik<\/i>,  for a time, rarely left my CD Walkman (Kids: it was like an iPod,  except you could only listen to one CD at a time, and it skipped if you  bumped into something). To this day, I still crank up \u201cGive It Away,\u201d  much to the chagrin of everybody.<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/under-the-table-and-dreaming\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/davematthews_under.jpg\" title=\"davematthews_under\" alt=\"davematthews_under\" \/><\/a>  <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>16. Dave Matthews Band \u2013 <i>Under The Table And Dreaming<\/i> (1994)<\/b><\/p>\n<p>I  suspect that most people attending college in the late \u201890s and early  \u201800s went through a DMB phase, and I had never heard the guy (that I  knew of) until I arrived at my first dorm at Central Michigan. But what  started as a curio turned into a thing when I purchased <i>Under The Table<\/i>,  which drew me in with its hypnotic five-man-jam band acoustical power. I  don\u2019t listen to DMB much anymore, but this record always reminds me of  why they were so special to so many. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fun-house\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/stooges_fun_150.jpg\" title=\"stooges_fun_150\" alt=\"stooges_fun_150\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>17. The Stooges \u2013 <i>Fun House<\/i> (1970)<\/b><\/p>\n<p>The  opposite of progressive rock, at least according to Rolling Stone, is  regressive rock, and nobody epitomized it better than these guys. Maybe  it\u2019s because I live about 10 minutes north of where Iggy Pop was born  and raised and about half an hour from the legendary Grande Ballroom,  but something about this basic pounding Michigan rock just stuck with  me. Punk and grunge wouldn\u2019t exist without these guys; it\u2019s primal,  no-frills garage rock, and sometimes that\u2019s all you need.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whats-the-story-morning-glory-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2020\/04\/oasis_morning.jpg\" title=\"oasis_morning\" alt=\"oasis_morning\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>18. Oasis \u2013 <i>What\u2019s the Story (Morning Glory)<\/i> (1995)<\/b><\/p>\n<p>For  some reason, the brilliance and magnetic pull of this disc never hit me  the first few times; it wasn\u2019t until I was living in upstate New York  and working my first real job that I heard this in a new light. It  started a fascination with Britpop and Madchester music and, for some  reason, really struck a nerve with me about a decade after everyone else  figured it out. No matter.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whats-going-on-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/marvingaye_whatsgoingon_150.jpg\" title=\"marvingaye_whatsgoingon_150\" alt=\"marvingaye_whatsgoingon_150\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>19. Marvin Gaye \u2013 <i>What\u2019s Going On<\/i> (1971)<\/b><\/p>\n<p>I\u2019m  a Michigan man and so have a healthy, necessary love of all things  Motown, but it wasn\u2019t until I was older than I was able to hear this  masterpiece in its entirety and realize just how amazing Marvin Gaye  was. The album acquiesced to no one in its protesting or its so-called  lack of commercial potential, part of Gaye rebelling against the Motown  machine and partly because he had something to say about society. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/and-i-feel-finethe-best-of-the-i-r-s-years-1982-1987\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2017\/01\/rem_bestofirs_150.jpg\" alt=\"rem_bestofirs_150\" title=\"rem_bestofirs_150\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p style=\"margin-bottom: 0.0001pt; line-height: normal\" class=\"MsoNormal\"><b>20. R.E.M. \u2013 <i>And I Feel Fine, The Best of the IRS Years 1982-1987<\/i> (2006)<\/b><\/p>\n<p>All I knew about R.E.M was the big radio hits, and I was fine with  that, but as it turned out there was so much more. I used this hits  collection as a springboard to discovering the original five albums and  shifted from a middle-period REM fan to an early-band fan, particularly <i>Reckoning, Fables, <\/i>and <i>Document<\/i>, all fantastic albums. But it started with this impulse pickup.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>To celebrate the Daily Vault\u2019s 20th anniversary, some of our staffers have put together a list of the top 20 albums that have influenced them, the ones that spurred either temporary love affairs or lifelong relationships, the ones that taught them that music is more than background noise and Billboard charts. My list is not [&hellip;]<\/p>\n","protected":false},"author":45,"featured_media":49063,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[32],"class_list":["post-47821","feature","type-feature","status-publish","has-post-thumbnail","feature_type-feature"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47821\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/49063"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47821"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47821"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}