{"id":47874,"date":"2019-12-16T00:00:00","date_gmt":"2019-12-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/2019-toms-top-ten\/"},"modified":"2026-07-25T07:31:33","modified_gmt":"2026-07-25T07:31:33","slug":"2019-toms-top-ten","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/2019-toms-top-ten\/","title":{"rendered":"2019: Tom&#8217;s Top Ten"},"content":{"rendered":"<p>I have to say, I was fairly underwhelmed with most new music being made  in 2019. Not that there weren&#8217;t great records released this year, of  course, but I had to wade through so much mediocrity to find something  truly exceptional. Here are the 10 best releases I tracked down, in no  particular order:<\/p>\n<table align=\"center\" border=\"1\">\n<tbody>\n<tr>\n<td align=\"center\" height=\"225\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/drug-phase\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/badluck_drugphase_150.jpg\" title=\"badluck_drugphase_150\" alt=\"badluck_drugphase_150\" \/><\/a> <\/td>\n<td height=\"225\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Bad Luck \u2013 <i>Drug Phase<\/i><\/b><\/p>\n<p class=\"MsoNormal\">A  fairly obscure outfit who blend punk, indie-rock, alt-rock, and rock  &#8216;n&#8217; roll in ways that would have the 25 year old me dedicating my  undying adoration for, the 43 year old me is still quite impressed.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"228\" width=\"238\">\n<div style=\"text-align: center\"> <\/div>\n<p> <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/in-the-end\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/cranberries_intheend_150.jpg\" title=\"cranberries_intheend_150\" alt=\"cranberries_intheend_150\" \/><\/a><\/td>\n<td height=\"228\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>The Cranberries \u2013 <i>In The End<\/i><\/b><\/p>\n<p class=\"MsoNormal\">Though  I was only a casual listener of The Cranberries in their heyday, I  found myself really taken by the power and melody on this abrasive yet  gentle final album.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\">\u00a0<img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/theprozacs_ambivalence_150.jpg\" alt=\"theprozacs_ambivalence_150\" title=\"theprozacs_ambivalence_150\" \/><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>The Prozacs \u2013 <i>Ambivalence <\/i><\/b><\/p>\n<p class=\"MsoNormal\">Pop-punk  is the sub-genre that, thankfully, refuses to go away, and New  England&#8217;s The Prozacs has been doing it as well as anyone for nearly 20  years now. Here, they return with their sing-alongs, snotty vocals, and  buzzing guitar work in top notch form that will be get your Chuck&#8217;s  tapping and your head bobbin&#8217;. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deserted\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/mekons_desrted_150.jpg\" title=\"mekons_desrted_150\" alt=\"mekons_desrted_150\" \/><\/a><\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Mekons \u2013 <i>Deserted<\/i><\/b><\/p>\n<p class=\"MsoNormal\">I  don&#8217;t feel I&#8217;m in the minority when I say that anything Jon Langford  does is gold, and this outing from Mekons might be their most  adventurous yet in their 40+ year existence. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/imperialteen_nowweare_150.jpg\" title=\"imperialteen_nowweare_150\" alt=\"imperialteen_nowweare_150\" \/> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Imperial Teen \u2013 <i>Now We Are Timeless <\/i><\/b><\/p>\n<p class=\"MsoNormal\">A  supergroup of members from Faith No More, Sister Double Happiness, The  Wrecks, and hey willpower, Imperial Teen have been milling around the  indie-pop scene for 20+ years now. This sixth album has the outfit  getting friendly with electro pop, psyche rock, and retro sounds, and is  sure to satiate any fan of power pop and New Wave, too.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/one-family-one-flag\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/va_onefamilyoneflag_150.jpg\" title=\"va_onefamilyoneflag_150\" alt=\"va_onefamilyoneflag_150\" \/><\/a>  <\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b><br \/><\/b><\/p>\n<p class=\"MsoNormal\"><b>Various Artists \u2013 <i>One Family. One Flag<\/i><\/b><\/p>\n<p class=\"MsoNormal\">The  Various Artists record \u2013 the death knell for leftover\/unusable songs or  the chance to discover previously hidden greatness? Well, in this case,  it&#8217;s some of the biggest and best names in today&#8217;s punk scene doing  what they do best, including Off With Their Heads, Bishops Green, and  Territories, to name a few. The Cock Sparrer tune alone is worth the  price of admission.<\/p>\n<p class=\"MsoNormal\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/smokin-in-seattle-live-at-the-penthouse-1966\/\"><i><\/p>\n<p><\/i><\/a><\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\">\u00a0<img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/onesie_umpteenth_150.jpg\" alt=\"onesie_umpteenth_150\" title=\"onesie_umpteenth_150\" \/><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Onesie \u2013 <i>Umpteenth<\/i><\/b> <\/p>\n<p class=\"MsoNormal\">Fantastic  &#8217;90s college rock tunes from Brooklyn, this trio knows their way around  guitar work that gets jangly, powerful, and punchy in this throwback  gem. Remember how you felt the first time you heard Teenage Fanclub?  Well, prepare to revisit that feeling. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/theviciouscycles_motorcycho_150.jpg\" alt=\"theviciouscycles_motorcycho_150\" title=\"theviciouscycles_motorcycho_150\" \/>\u00a0 <\/td>\n<td height=\"223\" width=\"510\">\n<blockquote><p><b>The Vicious Cycles \u2013 <i>Motorcycho<\/i><\/b><\/p>\n<p>More greatness from Canada, The Vicious Cycles brings hooks, melodies, and sing-alongs in spades on this garage rock, proto-punk, and gritty masterpiece.\u00a0 <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/gregantitsa_shake_150.jpg\" alt=\"gregantitsa_shake_150\" title=\"gregantitsa_shake_150\" \/> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Greg Antista &#038; The Lonely Streets \u2013 <i>Shake, Stomp And Stumble<\/i><\/b><\/p>\n<blockquote><\/blockquote>\n<p class=\"MsoNormal\">An  outfit with an impressive resume in the area of Southern California  Punk Rock, Antista and company are no strangers to rockabilly, twang,  and pop punk on this varied and playful record. The best moment, though,  is their tribute to Steve Soto (Agent Orange, Adolescents), who passed  away in 2018.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/peter-laughner\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2019\/12\/peterlaughner_s-t_150.jpg\" title=\"peterlaughner_s-t_150\" alt=\"peterlaughner_s-t_150\" \/><\/a>  <\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Peter Laughner \u2013 <i>Peter Laughner<\/i><\/b><\/p>\n<p class=\"MsoNormal\">Though  he died in the late &#8217;70s at just 24 years old, Cleveland&#8217;s Peter  Laughner left a lot of work to be preserved on this five disc box set.  An extremely raw, expressive, and often primitive collection, Laughner&#8217;s  folk tendencies are explored thoroughly across these 50+ tunes. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have to say, I was fairly underwhelmed with most new music being made in 2019. Not that there weren&#8217;t great records released this year, of course, but I had to wade through so much mediocrity to find something truly exceptional. Here are the 10 best releases I tracked down, in no particular order: Bad [&hellip;]<\/p>\n","protected":false},"author":89,"featured_media":48845,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[5609],"class_list":["post-47874","feature","type-feature","status-publish","has-post-thumbnail","feature_type-best-of"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/89"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47874\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/48845"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47874"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47874"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}