{"id":47910,"date":"2021-12-13T00:00:00","date_gmt":"2021-12-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/2021-toms-top-ten\/"},"modified":"2026-07-25T07:31:33","modified_gmt":"2026-07-25T07:31:33","slug":"2021-toms-top-ten","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/2021-toms-top-ten\/","title":{"rendered":"2021: Tom&#8217;s Top Ten"},"content":{"rendered":"<p class=\"MsoNormal\">I found 2021 to be a fantastic year for music.  Perhaps a silver lining due to the pandemic, plenty of musicians spent  considerable time crafting new records \u2013 many of which were artists or  bands who were dormant for many years. Sadly, there was no new music  from The Weakerthans or Banner Pilot, though. <\/p>\n<p>Here  are my 10 favorites from the year, in no particular order, although I  could have easily found 20 great albums from 2021 to blather on about&#8230;<\/p>\n<table align=\"center\" border=\"1\">\n<tbody>\n<tr>\n<td align=\"center\" height=\"225\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/feeling-strangely-fine-20th-anniversary-edition\/\"><\/p>\n<p><\/a><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mistakes-were-made-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/toomuchjoy_mistakes_150.jpg\" title=\"toomuchjoy_mistakes_150\" alt=\"toomuchjoy_mistakes_150\" \/><\/a><\/td>\n<td height=\"225\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Too Much Joy \u2013 <i>Mistakes Were Made<\/i><\/b><\/p>\n<p>The  New York alt-rockers end their 25 year hiatus with a post-punk, New  Wave, folk, and Americana return that even features Joan Osborne.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"228\" width=\"238\">\n<div style=\"text-align: center\"> <\/div>\n<p> <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/idle-voices\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/sleepersound_idlevoices_150.jpg\" title=\"sleepersound_idlevoices_150\" alt=\"sleepersound_idlevoices_150\" \/><\/a><\/td>\n<td height=\"228\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Sleepersound \u2013 <i>Idle Voices<\/i><\/b><\/p>\n<p>For  fans of dream-pop, it just doesn&#8217;t get much better than this. The  Wisconsians even take influence from whatever wave of emo bands like  Mineral fall into, and they present some quite interesting post-rock,  too.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ultimo-capo\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/nativedaughters_ultimo_150.jpg\" alt=\"nativedaughters_ultimo_150\" title=\"nativedaughters_ultimo_150\" \/><\/a><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Native Daughters \u2013 <i>Ultimo Capo<\/i><\/b><\/p>\n<p>A  Denver outfit with two drummers and an affinity for post-metal, punk,  and hardcore, this is a hard-hitting and inventive listen with no lack  of riffs and thundering musicianship. \u201cGirth Crisis\u201d might be the best  song title of the year, too.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sparse-illumination\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/blackouttransmission_sparseillumination_150.jpg\" alt=\"blackouttransmission_sparseillumination_150\" title=\"blackouttransmission_sparseillumination_150\" \/><\/a><\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Blackout Transmission \u2013 <i>Sparse Illumination<\/i><\/b><\/p>\n<p>A  post-punk, shoegaze, and psych rock fronted by Christopher Goett (of  Silo Halo fame), the guitars and synth swirl with an often dark but  mesmerizing quality on this excellent debut. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/serious-issues\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/deecracks_seriousissues_150.jpg\" alt=\"deecracks_seriousissues_150\" title=\"deecracks_seriousissues_150\" \/><\/a><\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>DeeCRACKS \u2013 <i>Serious Issues<\/i><\/b><\/p>\n<p>The  Austrian legends are still playing their time honored and energetic  punk rock with incredible grit, buzzing melodies, and anthemic moments  that welcome plenty of sing-alongs. It&#8217;s a formula that plenty of bands  play, but few do it as well as this. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/kings\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/antagonizersatl_kings_150.jpg\" alt=\"antagonizersatl_kings_150\" title=\"antagonizersatl_kings_150\" \/><\/a><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Antagonizers ATL \u2013 <i>Kings<\/i> <\/b><\/p>\n<p>The  Atlanta rockers mesh UK rooted Oi! sounds with New York City hardcore  and California punk rock on this sophomore album, and it makes for some  of the best modern street punk around. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\">\u00a0<img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/tommywomack_ithought_150.jpg\" alt=\"tommywomack_ithought_150\" title=\"tommywomack_ithought_150\" \/><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Tommy Womack \u2013 <i>I Thought I Was Fine<\/i><\/b><\/p>\n<p>The  veteran rocker goes back to his roots here, and revisits power pop,  garage rock, and punk in a very humble and energetic fashion of grit and  melody. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\">\u00a0<img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/getsmart_ohyeahno_150.jpg\" alt=\"getsmart_ohyeahno_150\" title=\"getsmart_ohyeahno_150\" \/><\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Get Smart! \u2013 <i>Oh Yeah No<\/i><\/b><\/p>\n<p class=\"MsoNormal\">A  band who were most active in the &#8217;80s, this release collects songs  recorded in 1987 but that were never released and sound right at home in  today&#8217;s indie rock scene as well as &#8217;80 post-punk, Get Smart! had plans  for a 40 year reunion in 2020, but Covid squashed that. Thankfully,  these six tracks are a nice substitute. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/gregantista_neonheat_150.jpg\" alt=\"gregantista_neonheat_150\" title=\"gregantista_neonheat_150\" \/><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Greg Antista And The Lonely Streets \u2013 <i>Under The Neon Heat<\/i><\/b><\/p>\n<p>A  Southern California supergroup of ex-T.S.O.L., Manic Hispanic, and  Joyride members, the hooks, sing-alongs, and power pop moments make this  a rugged yet tuneful version of punk that&#8217;s both modern and retro. <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\">\u00a0<img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2021\/12\/ellenfoley_fightingwords_150.jpg\" alt=\"ellenfoley_fightingwords_150\" title=\"ellenfoley_fightingwords_150\" \/><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Ellen Foley \u2013 <i>Fighting Words<\/i><\/b><\/p>\n<p>Foley&#8217;s fifth solo album takes influences from legends like The Clash  and Joe Jackson, and creates a nostalgic rock &#8216;n&#8217; roll record that can  get bluesy, soulful, and even possesses some honky tonk flavor in her  &#8217;70s friendly climate.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>I found 2021 to be a fantastic year for music. Perhaps a silver lining due to the pandemic, plenty of musicians spent considerable time crafting new records \u2013 many of which were artists or bands who were dormant for many years. Sadly, there was no new music from The Weakerthans or Banner Pilot, though. Here [&hellip;]<\/p>\n","protected":false},"author":89,"featured_media":48585,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[5609],"class_list":["post-47910","feature","type-feature","status-publish","has-post-thumbnail","feature_type-best-of"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/89"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47910\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/48585"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47910"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47910"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}