{"id":47937,"date":"2003-12-06T00:00:00","date_gmt":"2003-12-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/2003-top-ten-cds-of-2003\/"},"modified":"2026-07-25T07:31:34","modified_gmt":"2026-07-25T07:31:34","slug":"2003-top-ten-cds-of-2003","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/2003-top-ten-cds-of-2003\/","title":{"rendered":"2003: Top Ten CDs Of 2003"},"content":{"rendered":"<p>This was the toughest one of these I have ever done. There was a lot of good    stuff sent to yours truly this year; so much so that I&#8217;ve arbitrarily handed    out five honorable mention CDs as well that I want to make sure you hear about    once more. Without further ado, here&#8217;s Duke&#8217;s Completely Opinionated Top Ten    Of 2003:<\/p>\n<table align=\"center\" border=\"1\">\n<tbody>\n<tr>\n<td align=\"center\" height=\"225\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/songs-about-jane\/\"><br \/><\/a><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thats-how-i-walk\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/stephenfearing_walk.jpg\" alt=\"stephenfearing_walk\" title=\"stephenfearing_walk\" \/><\/a><\/td>\n<td height=\"225\" width=\"510\">\n<blockquote><p><b>10. <i>That&#8217;s How I Walk<\/i> &#8212; Stephen Fearing<\/b><\/p>\n<p>           Canadian folk-blues artist Fearing brought us a punchy, complex, and            well-written CD in his Rounder Records debut. The singer-songwriter            is not dead, folks.<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"228\" width=\"238\">\n<div style=\"text-align: center\"> <\/div>\n<p> <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/terra-firma\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/acousticsyndicate_terra.jpg\" alt=\"acousticsyndicate_terra\" title=\"acousticsyndicate_terra\" \/><\/a><\/td>\n<td height=\"228\" width=\"510\">\n<blockquote>\n<blockquote><\/blockquote>\n<p> <b>9. <i>Terra Firma<\/i> &#8212; Acoustic Syndicate<\/b>         <\/p>\n<p>Steve &#8220;Big Daddy&#8221; McMurry and company delivered their North            Carolina bluegrass-jam-rock in impeccable form this year. I still find            myself humming &#8220;Vanity&#8221; whenever I see someone talking on            a cell phone while driving an SUV.<\/p>\n<blockquote><\/blockquote>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seal-iv\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/seal_iv.jpg\" alt=\"seal_iv\" title=\"seal_iv\" \/><\/a><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<blockquote><\/blockquote>\n<p><b>8. <i>Seal IV<\/i> &#8212; Seal<\/b>         <\/p>\n<p>Seal cuts loose a little more with the best pop release this year,            a funky, fun, and moving piece of R&#038;B that has substance without            being too heavy to listen to.<\/p>\n<blockquote><\/blockquote>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-wind\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/warrenzevon_thewind.jpg\" alt=\"warrenzevon_thewind\" title=\"warrenzevon_thewind\" \/><\/a> <\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<blockquote><\/blockquote>\n<p><b>7. <i>The Wind<\/i> &#8212; Warren Zevon<\/b>         <\/p>\n<p>It was either going to fall flat or break your heart, and the CD Warren            Zevon recorded while he was dying from cancer breaks your heart with            its unflinching truth. Proving, once again, that only the good &#8212; and            the weird &#8212; die young.<\/p>\n<blockquote><\/blockquote>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/stand-2\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/kennedys_stand.jpg\" alt=\"kennedys_stand\" title=\"kennedys_stand\" \/><\/a> <\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p><b>6. <i>Stand<\/i> &#8212; The Kennedys<\/b>         <\/p>\n<p>Their name is Kennedy, but they don&#8217;t play Irish music. They have bright            orange guitars, but they don&#8217;t play folk. Pete and Maura Kennedy are            the epitome of coffeehouse, open-mike eclecticism, with great lyrics            and wonderful music. Infectious songs with killer vocals from Maura&#8217;s            Susannah-Hoffs-meets-Alison-Krauss voice.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fates-right-hand\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/rodneycrowell_fates.jpg\" alt=\"rodneycrowell_fates\" title=\"rodneycrowell_fates\" \/><\/a> <\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<blockquote><\/blockquote>\n<p><b>5. <i>Fate&#8217;s Right Hand<\/i> &#8212; Rodney Crowell<\/b>         <\/p>\n<p>There are too few artists who can quote Johnny Cash and Maria Rainer            Rilke with equal grace and competence, and too few who would turn this            unblinking a musical lens on themselves and reveal their inner self            in music. Crowell has matured into one of the greatest singer-songwriters            out there.<\/p>\n<blockquote><\/blockquote>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/root-heart-and-crown\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/kristinsweetland_roothearta.jpg\" alt=\"kristinsweetland_roothearta\" title=\"kristinsweetland_roothearta\" \/><\/a><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><\/p>\n<\/blockquote>\n<blockquote>\n<p><b>4. <i>Root, Heart, And Crown<\/i> &#8212; Kristin Sweetland<\/b>         <\/p>\n<p>&#8220;Blame Canada,&#8221; indeed &#8212; for having good music, apparently.            Ontario&#8217;s Sweetland weaves literary and life inspiration into a seamless,            beautiful tapestry of powerful songwriting and performance. Not to be            missed.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\">\u00a0<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/different-stripe\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/cherylwheeler_different.jpg\" alt=\"cherylwheeler_different\" title=\"cherylwheeler_different\" \/><\/a><\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p><b>3. <i>Different Stripe<\/i> &#8212; Cheryl Wheeler<\/b><\/p>\n<p>Cheryl Wheeler is one of those artists that half of modern country            music is either ripping off or paying homage to. Her own work is breathtakingly            elegant, and this &#8212; a compilation of her best songs &#8212; is essential.<\/p>\n<p align=\"left\">Now, I suspect you people are tired of ties in this list; especially    towards the top. Nevertheless\u2026 you get another one this year. Sorry. Too    close to call, yet too far apart\u2026<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/may-queen\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/heatherdale_mayqueen.jpg\" alt=\"heatherdale_mayqueen\" title=\"heatherdale_mayqueen\" \/><\/a><br \/><a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fiendish\/\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" height=\"150\" width=\"150\" src=\"https:\/\/dailyvault.adishjain.in\/wp-content\/uploads\/2003\/12\/phideaux_fiendish.jpg\" alt=\"phideaux_fiendish\" title=\"phideaux_fiendish\" \/><\/a><\/p>\n<\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p><b>1 (TIE). <i>The May Queen<\/i> &#8211;Heather Dale and <i>Fiendish<\/i>            &#8212; Phideaux<\/b>         <\/p>\n<p>Good music is alive and well and being recorded in people&#8217;s basements.            Both of these are small indie releases, but there&#8217;s where they diverge;            on the one hand, we have Dale&#8217;s powerful, elegant, and rich tale of            Camelot&#8217;s rise and fall, and on the other hand we have Phideaux&#8217;s utterly            unquantifiable but definitely brilliant tales of modern alienation.            You should own both these CDs. If you do not own these two CDs, it is            your loss. Distinctly.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"MsoNormal\">\u00a0<\/p>\n<p class=\"MsoNormal\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This was the toughest one of these I have ever done. There was a lot of good stuff sent to yours truly this year; so much so that I&#8217;ve arbitrarily handed out five honorable mention CDs as well that I want to make sure you hear about once more. Without further ado, here&#8217;s Duke&#8217;s Completely [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":51179,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[5609],"class_list":["post-47937","feature","type-feature","status-publish","has-post-thumbnail","feature_type-best-of"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47937\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/51179"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47937"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47937"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}