{"id":47955,"date":"2023-03-13T00:00:00","date_gmt":"2023-03-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/the-best-songs-youve-never-heard\/"},"modified":"2023-03-13T00:00:00","modified_gmt":"2023-03-13T00:00:00","slug":"the-best-songs-youve-never-heard","status":"publish","type":"feature","link":"https:\/\/dailyvault.adishjain.in\/index.php\/features\/the-best-songs-youve-never-heard\/","title":{"rendered":"The Best Songs You&#8217;ve Never Heard"},"content":{"rendered":"<p class=\"MsoPlainText\">What makes a song great?<\/p>\n<p class=\"MsoPlainText\">Objective standards exist that can help you make a judgment like that, but the answer also often involves intuitive leaps that defy logic or explanation; sometimes greatness is entirely subjective, residing in the way one particular line of a song hits you at one specific moment in your life. A great song might feature a brilliant lyric, or a captivating melodic hook, or an amazing solo, or all of the above, or none. But many if not most of them also manifest a certain je-ne-sais-quoi that elevates them by engaging your heart, your mind, your feet, or all of you at once.<\/p>\n<p class=\"MsoPlainText\">The songs that follow below are more than just \u201cdeep tracks\u201d from familiar artists, though; these songs are by acts you\u2019ve likely never heard of, unless you\u2019ve been cyber-stalking me. The chance of you ever having heard more than one of these individual songs is pretty low, and your chances of having heard all of them, nearly nonexistent. And yet, these are some of my favorite songs that I\u2019ve discovered over the past 25 years while writing for the Daily Vault. Give them a shot and maybe you\u2019ll catch a hint of the feelings that hit me when I heard each of them for the first time\u2014the camera-flash of discovery, the supercharged sensation of being fully present and engaged, the giddy warmth of new love. <\/p>\n<p class=\"MsoPlainText\">That\u2019s the stuff; now go get some.<\/p>\n<table align=\"center\" border=\"1\">\n<tbody>\n<tr>\n<td align=\"center\" height=\"225\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/6Zvd1-xXugE\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe><\/td>\n<td height=\"225\" width=\"510\">\n<blockquote><p><b>Last Charge Of The Light Horse \u2013 \u201cThis Is Where\u201d<br \/><\/b><br \/>This list  is organized alphabetically by artist except for the first and last  entries, the only repeats by a single artist\u2014because  singer-songwriter Jean-Paul Vest and his group Last Charge Of The Light  Horse delivered not one but two of my favorite songs of the last quarter  century. On \u201cThis Is Where,\u201d the intricate, surging opening dialogue  between drums and guitar, a propulsive chorus, and Vest\u2019s novelistic  lyric about losing yourself in a moment deliver the kind of musical  alchemy that can give you goosebumps just thinking about it.<\/p><\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"228\" width=\"238\">\n<div style=\"text-align: center\"> <\/div>\n<p><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/nVYy_NLhB6A\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe> <\/td>\n<td height=\"228\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Arms Of Kismet \u2013 \u201cMy Mercurial Nature\u201d<\/b><\/p>\n<p>Arms Of Kismet (and  Waterslide) mastermind Mark Doyon often works in characters, and maybe  this is one, too, but this soaring, idiosyncratic slice of  thinking-man\u2019s power-pop feels like one of his most revealing and  self-aware numbers, and features\u2014among other great lines\u2014this remarkable  sequence: \u201cWhere would I be without my anger \/ at a world that\u2019s got to  change? \/ Where would I be without these sins \/ made me who I am  today?\u201d<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/Jf7eAUIbY7c\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe> <\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Ben Bostick \u2013 \u201cLucky Us\u201d<\/b><\/p>\n<p>How  do we get through life when it begins to feel like there\u2019s one  roadblock after another in our path? One answer is gratitude. When we  remember to appreciate the good things in our lives, the hurdles we must  still face can begin to feel less daunting. A simple enough lesson that  singer-songwriter Ben Bostick brings to vivid life in a gentle,  lilting, devastatingly direct song that hits like a 20-pound  sledgehammer.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/zncUzgdFTME\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe><\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p class=\"MsoPlainText\"><b>Butchers Blind \u2013 \u201cBlack And White Dreams\u201d<\/b><\/p>\n<p class=\"MsoPlainText\">Before  singer-songwriter Pete Mancini stepped out as a solo artist, he fronted  the Long Island quartet Butchers Blind. For the group\u2019s final 2015 EP <i>A Place In America<\/i>\u2014a  powerhouse swan song\u2014Mancini penned this Springsteenesque anthem for  the bruised and battered American dream, singing his heart out as the  band surges behind him in one of their finest moments.<\/p>\n<p class=\"MsoNormal\"><b><\/b><\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"231\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/a-Lo5FLpYGM\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe><\/td>\n<td height=\"231\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Stephie Coplan &#038; The Pedestrians \u2013 \u201cJERK!\u201d<\/b><\/p>\n<p>Is  this tartly delivered, hook-laden concoction a novelty song, or dead  serious? Was young Stephie Coplan dreaming of becoming the next Ben  Folds, or the next Taylor Swift? If a songwriter delivers a song this  potent and then abandons life as a musical performer for another field,  do their songs still matter? The answer, on all counts, is \u201cyes.\u201d <\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/bU7BKMV9RV4\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe>\u00a0<\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Danelia Cotton \u2013 \u201cIt\u2019s Only Life\u201d<\/b><\/p>\n<p>Singer-songwriter-guitarist  Danelia Cotton melds heavy blues-rock with soul and gospel elements,  never more effectively than on this number, whose skyscraping, indelible  hook is a wordless gospel chorus counterpointing her passionate lead  vocal. Magnificent.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"220\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/VoO2HcGrj8A\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe><\/td>\n<td height=\"220\" width=\"510\">\n<blockquote>\n<p class=\"MsoPlainText\"><b>Chris Cubeta \u2013 \u201cMe And The Radio (acoustic)&#8221;<\/b><\/p>\n<p>Songs  about songs are tricky; it\u2019s inevitably insular subject matter. But  that feeling you get when a song you love comes on the radio (or pops up  on shuffle) is universal, and here Chris Cubeta brings that sensation  to technicolor life with a terrific lyric elevated further yet by a  superb arrangement and committed performance.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"223\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/VUbOFnrpyB4\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe><\/td>\n<td height=\"223\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Euphoria \u2013 \u201cBack Against The Wall\u201d<\/b><\/p>\n<p class=\"MsoNormal\">Flanged-out  slide guitar, wailing harmonica, pulsing synths and booming electronic  drums are not what I\u2019d call an obvious combination. When Euphoria\u2014a.k.a.  songwriter\/producer\/multi-instrumentalist Ken Ramm\u2014layers them all  together, though, they add up to a compelling, cinemascope soundscape.  (And in fact you may have heard Euphoria\u2019s music without knowing it, as  Ramm\u2019s evocative tracks have been licensed frequently over the years.)<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/jR2plluCIxg\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Casey Frazier \u2013 \u201cNot A Whole Lot Going On\u201d<\/b><\/p>\n<p class=\"MsoNormal\">Americana  artist Casey Frazier names Garth Brooks as his musical idol, but  there\u2019s more than a little Muscle Shoals r&#038;b in the bones of many of  his songs. This finger-snapping paean to the simple joys of domestic  life (\u201cI\u2019ve been asking for an enlightened revelation \/ When all along  it was out there on my street\u201d) features a punchy horn section that  gives the song real swing and groove even as it\u2019s counterbalanced by  twangy slide guitar notes.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/7-dxIikZOBQ\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Max Gomez \u2013 \u201cRule The World\u201d<\/b><\/p>\n<p class=\"MsoNormal\">Sometimes  the best songs are so simple; all you really need is an acoustic guitar  and the ability to turn your audience\u2019s expectations inside out. The  gently thrumming, beautifully sung \u201cRule The World\u201d is in fact about the  exact opposite of megalomania: a lover who would do anything to \u201ctake  the pain from your heart \/ I would tear it all up, I\u2019d tear it apart.\u201d  And when Gomez sings it, you believe he would.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/ZDR5c2vpZ2c\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Kimon Kirk \u2013 \u201cTrampoline\u201d<\/b>  <\/p>\n<p class=\"MsoNormal\">A great radio  single usually features certain specific elements: an engaging vocal  melody, a catchy instrumental hook, a memorable central idea or image,  tight and seamless construction, and\/or a distinct vibe. When a song  features all of those elements at once\u2014as on Kimon Kirk\u2019s  \u201cTrampoline\u201d\u2014it can be something close to irresistible.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/c44hgA9NudU\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Jill Knight \u2013 \u201cJeans\u201d<\/b><\/p>\n<p class=\"MsoNormal\">The  oldest song on this list (1998) is among the best. Building off an  elastic, funky groove, folk-rock singer-songwriter Knight\u2019s rangy voice  becomes more playful each time she circles back to the clever chorus:  \u201cWear me like your favorite pair of jeans \/ We feel good on each other \/  Stitch me up mend me \/ When I&#8217;m falling apart at the \/ Seems like we  belong together\u2026\u201d It\u2019s an anthem for the frisky romantic in each of us.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/A2NithURy64\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Amy Lennard \u2013 \u201cI Wish It Were Mine\u201d<\/b><\/p>\n<p class=\"MsoNormal\">The  structure of great songs is often deceptively simple; this one\u2014a  chiming, steady-building number about longing for what you don\u2019t  have\u2014rests on the conceit that each verse\/chorus segment ends with a  twist. The risk is that if a single one of these transitions failed to  hit the target, the whole construction might collapse. Needless to say,  each one comes up a bullseye on this song, \u201ca rich, subtle brew of good  intentions and green-eyed undercurrents.\u201d<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/R_6YQNfnu0k\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Jeremy Nail \u2013 \u201cMy Mountain\u201d<\/b><\/p>\n<p class=\"MsoNormal\">The  struggle every songwriter faces in writing about their own lives is to  make the personal universal. Here Jeremy Nail takes a deeply personal  setback\u2014the amputation of his left leg due to cancer\u2014and turns it into  art. Building off a smoldering backbeat that feels like it was born in a  cave somewhere east of Memphis, the riveting \u201cMy Mountain\u201d employs  metaphor to make Nail\u2019s struggle to learn to walk again into a shared  experience (\u201cMy mountain, the story of our age \/ There\u2019s always  something standing in our way\u201d).<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/Qllfoh1YVSE\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoPlainText\"><b>The Tom Collins \u2013 \u201cWhy Don\u2019t You Leave\u201d \/ \u201cThat Town You Love\u201d <\/b><\/p>\n<p class=\"MsoPlainText\">I  nearly chose the spectacularly hooky kickoff cut \u201cBack Of Your Mind\u201d  from this album-long \u201cTom Petty plays Led Zeppelin\u201d fantasia, but this  two-part suite has even greater impact. After \u201cWhy Don\u2019t You Leave\u201d  establishes singer\/songwriter\/guitarist Fran Capitinelli\u2019s bona fides  with a keening acoustic showcase, \u201cThat Town You Love\u201d brings the hammer  down with \u201cImmigrant Song\u201d-adjacent electric thunder.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/Sw4sQ9ksnxU\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Jon Troast \u2013 \u201cWhat We Become\u201d<\/b><\/p>\n<p class=\"MsoNormal\">Earnest  folk-rock songsmith Troast bumps up both the tempo and the wordplay on  this warm and witty number about how we\u2019re all mothers and fathers and  daughters and sons, living inside a pattern that both repeats and  evolves. Turning penetrating insights into chuckle-worthy one-liners is a  skill in and of itself; setting it to an ebullient acoustic-funk  arrangement is the cherry on top.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/sJSIfgsC0Pc\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Becky Warren \u2013 \u201cWe\u2019re All We Got\u201d<\/b><\/p>\n<p class=\"MsoNormal\">One  of my favorite discoveries of recent years, Becky Warren combines the  heart of a poet with the muscle and sass of a rock and roller. Her 2018  album <i>Undesirable<\/i> found her writing songs in the voices of  homeless people she met on the streets of Nashville. The ringing, hooky  \u201cWe\u2019re All We\u2019ve Got\u201d feels like a Tom Petty anthem with a silvery  undercurrent of despair, a barroom singalong for people with nowhere  else to go.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" height=\"226\" width=\"238\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"158\" width=\"280\" src=\"https:\/\/www.youtube.com\/embed\/ZRUoRAWEYzM\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" title=\"YouTube video player\"><\/iframe><\/td>\n<td height=\"226\" width=\"510\">\n<blockquote>\n<p class=\"MsoNormal\"><b>Last Charge Of The Light Horse \u2013 \u201cWhat If\u201d<\/b><\/p>\n<p class=\"MsoNormal\">\u201cWhat  if we didn\u2019t punish ourselves \/ For what we\u2019re not? \/ Stopped wishing  for some other heaven \/ Than the one we\u2019ve got?\u201d A flat-out stunner,  \u201cWhat If\u201d is a rumination on possibility and remembering how to be  happy, set to gorgeous chiming guitars. \u201cLight from the ground throws  our shadows on the blue,\u201d Vest sings as the music surges, \u201cturns the  world upside down and I remember how to love you.\u201d Chicken skin, every  time.<\/p>\n<\/blockquote>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What makes a song great? Objective standards exist that can help you make a judgment like that, but the answer also often involves intuitive leaps that defy logic or explanation; sometimes greatness is entirely subjective, residing in the way one particular line of a song hits you at one specific moment in your life. A [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"template":"","meta":{"_acf_changed":false},"tags":[],"feature_type":[5606],"class_list":["post-47955","feature","type-feature","status-publish","feature_type-essay"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/feature"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature\/47955\/revisions"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=47955"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=47955"},{"taxonomy":"feature_type","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/feature_type?post=47955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}