{"id":24270,"date":"1997-01-14T00:00:00","date_gmt":"1997-01-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bar-room-preacher\/"},"modified":"1997-01-14T00:00:00","modified_gmt":"1997-01-14T00:00:00","slug":"bar-room-preacher","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bar-room-preacher\/","title":{"rendered":"Bar Room Preacher"},"content":{"rendered":"<p>Most of the musicians who are sadly overlooked in the scene<br \/>\ntoday are some of the hardest working &#8211; the blues musicians.<\/p>\n<p>Way too many of these artists toil in one-night stands playing<br \/>\nto rooms that may or may not be filled, and release records that,<br \/>\nmore often than not, end up hidden at music stores and in radio<br \/>\nstations.<\/p>\n<p>In the legendary Pierce Memorial Archives (open to the public &#8211;<br \/>\nNOT), blues has always held a special place of honor. The emotion<br \/>\nthese musicians pour into their works can be heard and felt, and<br \/>\nthe Archives has a special portion reserved for such artists.<\/p>\n<p>One of these is Jimmy Johnson, whose album<br \/>\n<i>Bar Room Preacher<\/i> was released on CD just a few years ago;<br \/>\nthe vinyl has been out since, I believe, 1985. This is a classic<br \/>\nexample of contemporary blues at its smoothest and best, and can be<br \/>\nfound on a pedestal in the blues section of the Archives, next to<br \/>\nartists such as B.B. King, Lonnie Brooks and Son Seals. (Some of<br \/>\nthese names don&#8217;t sound familiar? Don&#8217;t worry, I&#8217;ll be talking more<br \/>\nabout them in future editions of &#8220;The Daily Vault.&#8221;)<\/p>\n<p>Johnson is a solid lead player and an okay rhythm guitarist, but<br \/>\nit is his vocals that carry most of the music into the next level.<br \/>\nHis cover of Fenton Robinson&#8217;s &#8220;You Don&#8217;t Know What Love Is&#8221;<br \/>\nreaches levels even Robinson himself didn&#8217;t hit; the tempo is more<br \/>\nupbeat, the leads tastier, the singing more soulful. One listen to<br \/>\nthis, and you&#8217;ll know that the blues is supposed to invoke several<br \/>\ndifferent feelings in the listener. Johnson is able to hit almost<br \/>\nevery one of them at just the right time.<\/p>\n<p>Johnson is comfortable performing anyone&#8217;s music, from Robinson<br \/>\nto John Lee Hooker (&#8220;When My First Wife Quit Me&#8221;) to his own<br \/>\noriginals like &#8220;Heap See.&#8221; The album&#8217;s instrumental closer,<br \/>\n&#8220;Missing Link,&#8221; highlights incredible playing by Johnson,<br \/>\nkeyboardist Jene Pickett, bassist Larry Exum and drummer Fred<br \/>\nGrady. In fact, don&#8217;t write off Johnson as just a blues musician;<br \/>\nhis three compositions on this one all stand out as amazing.<\/p>\n<p>In fact, very few cuts on<br \/>\n<i>Bar Room Preacher<\/i> miss the mark, the only one being &#8220;Chicken<br \/>\nHeads,&#8221; which seems a little silly to be included on this one. Of<br \/>\nthe nine songs on the CD, this one seems the most out of place.<\/p>\n<p>This album, originally released in France, was brought to these<br \/>\nshores by Alligator Records, a Chicago-based blues label who, for<br \/>\nover 25 years, have been finding the best blues musicians in the<br \/>\ncountry and recording them. Jimmy Johnson sounded right at home<br \/>\nwith the Alligator lineup on<br \/>\n<i>Bar Room Preacher<\/i>. If you can find this one at the local<br \/>\nrecord shop, dig it out of the bins, dust it off, slap it into the<br \/>\nCD player, and prepare to be wowed by one of the blues masters.<\/p>\n","protected":false},"author":2,"featured_media":24041,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5622],"rating":[5613],"class_list":["post-24270","review","type-review","status-publish","has-post-thumbnail","artist-jimmy-johnson","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/24270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=24270"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/24270\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24041"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=24270"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=24270"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=24270"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=24270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}