{"id":24288,"date":"1997-02-01T00:00:00","date_gmt":"1997-02-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/outrider\/"},"modified":"1997-02-01T00:00:00","modified_gmt":"1997-02-01T00:00:00","slug":"outrider","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/outrider\/","title":{"rendered":"Outrider"},"content":{"rendered":"<p>If any one guitarist defined rock and roll, it was Jimmy Page.<br \/>\nWith the three other musicians that made up Led Zeppelin, Page<br \/>\nchanged the face of rock forever with his flowing, sometimes sloppy<br \/>\nleads that captured all the emotion one could pour into a Les<br \/>\nPaul.<\/p>\n<p>Being too young to appreciate Zeppelin during their heyday (and<br \/>\nbeing too stupid to care about them until I was 16 years old), the<br \/>\nrelease of Page&#8217;s first solo album in 1988,<br \/>\n<i>Outrider<\/i>, was a cause for celebration. At last, Pagey could<br \/>\nshake off the ghosts of Led Zeppelin and the forced supergroup The<br \/>\nFirm, and cut loose on his own.<\/p>\n<p>Too bad we learned he needs that supergroup behind him most of<br \/>\nthe time for his magic to work.<\/p>\n<p>The album starts off fine with &#8220;Wasting My Time,&#8221; a cut that<br \/>\nthrows together power riffing and fluid solos on top of Robert<br \/>\nPlant-wannabe John Miles (who would be the touring vocalist). For<br \/>\nthe first five minutes, things looked incredibly good for Page.<\/p>\n<p>But things sour on the very next track, &#8220;Wanna Make Love.&#8221; The<br \/>\nbump-and-grind beat is a distraction, and the song itself never<br \/>\ntakes off into greatness. And while we&#8217;re on the subject of making<br \/>\nlove, can someone tell me why Miles and secondary lead throat Chris<br \/>\nFarlowe, on the track &#8220;Prison Blues,&#8221; continually sing about<br \/>\ngetting laid or wanting to? These guys got more action when they<br \/>\nwere 18 than I did, and they still need to whip it out and try to<br \/>\ndo the middle-aged nasty in the songs? (Line from &#8220;Prison Blues&#8221;:<br \/>\n&#8220;I got a weasel in my pocket \/ I&#8217;m gonna stick that weasel right<br \/>\ndown that little hole&#8221; &#8211; give me a fuckin&#8217; break.)<\/p>\n<p>And who else drops by Mr. Page&#8217;s neighborhood but &#8211; you guessed<br \/>\nit &#8211; former Zeppelin lead singer Robert Plant, on the track &#8220;The<br \/>\nOnly One&#8221; &#8211; which really isn&#8217;t a bad track. Seems like Plant came<br \/>\nby to re-pay the favor Page did for him by playing on two tracks on<br \/>\nhis 1987 album<br \/>\n<i>Now And Zen<\/i>.<\/p>\n<p>It is when Page ditches the vocalists on<br \/>\n<i>Outrider<\/i> that the album is at its best. &#8220;Writes Of Winter&#8221;<br \/>\nhas Page squeezing out licks that many critics thought he&#8217;d never<br \/>\nbe able to play again. And the track &#8220;Emerald Eyes&#8221; is one of the<br \/>\nmost beautiful songs Page has played on in a long time. It should<br \/>\nalso be noted that drummer Jason Bonham (<br \/>\n<i>yes<\/i>, the son of deceased Zeppelin drummer John Bonham) plays<br \/>\nhis best on &#8220;Writes Of Winter,&#8221; when he&#8217;s allowed to break out<br \/>\nrhythmically. (And while his work left something to be desired, it<br \/>\nwas good to hear ex-Jethro Tull drummer Barriemore Barlow<br \/>\nagain.)<\/p>\n<p>Besides some weak songwriting and a mish-mash of three singers<br \/>\non one album, the only other big mistake Page makes is playing<br \/>\nsynthesized guitar &#8211; a technology Page has apparently never been<br \/>\nthrilled with &#8211; on the cut &#8220;Blues Anthem.&#8221; The lyrics here are a<br \/>\ntad corny, and should be taken with a grain of salt.<\/p>\n<p>If Page had chosen to do a mostly-instrumental album, there&#8217;s no<br \/>\ndoubt<br \/>\n<i>Outrider<\/i> would have been a masterpiece. But the way it<br \/>\nstands, it&#8217;s only a marginal solo album that is geared for the<br \/>\ndiehard fans only.<\/p>\n","protected":false},"author":2,"featured_media":24059,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5640],"rating":[5619],"class_list":["post-24288","review","type-review","status-publish","has-post-thumbnail","artist-jimmy-page","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/24288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=24288"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/24288\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24059"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=24288"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=24288"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=24288"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=24288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}