{"id":24289,"date":"1997-02-02T00:00:00","date_gmt":"1997-02-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/change-everything\/"},"modified":"1997-02-02T00:00:00","modified_gmt":"1997-02-02T00:00:00","slug":"change-everything","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/change-everything\/","title":{"rendered":"Change Everything"},"content":{"rendered":"<p>Uh, oh&#8230;<\/p>\n<p>I&#8217;m a rock critic, meaning I&#8217;m supposed to be a king asshole<br \/>\nwhen it comes to reviewing groups and albums. I&#8217;m supposed to be<br \/>\n(and often am) the kind of person that could find something wrong<br \/>\nwith heaven. (And I have the hate mail to prove it &#8211; should&#8217;ve<br \/>\nknown better than to slam Pearl Jam on HitsWorld.)<\/p>\n<p>Leave it to the Scottish band Del Amitri to ruin my fun with<br \/>\n<i>Change Everything<\/i>, an album that is one of the best mixtures<br \/>\nof pop and rock I&#8217;ve ever heard.<\/p>\n<p>The opening track, &#8220;Be My Downfall,&#8221; seems to set the tone for<br \/>\nthe album. The acoustic guitar work of Iain Harvie is sparse,<br \/>\nsetting the mood for a moving vocal from lead singer\/bassist Justin<br \/>\nCurrie. But, just when you think all the songs are going to be in<br \/>\nthis vein, del Amitri kicks into a rocker with &#8220;Just Like A Man&#8221; &#8211;<br \/>\nand what is weird is that the transition seems to be flawless.<\/p>\n<p>In fact, the many different tempo and mood shifts on<br \/>\n<i>Change Everything<\/i> all seem to flow smoothly. Currie&#8217;s<br \/>\nsongwriting on this one shows a man who has been hurt badly by<br \/>\nsomeone he loved (loves?), and this is his release.<\/p>\n<p>You need proof? Check out &#8220;As Soon As The Tide Comes In,&#8221;<br \/>\nundoubtedly the best track on the album. The track, sung by a<br \/>\njilted lover to his ex just before her marriage, is addictive and<br \/>\nmoving. (A desire to hear this track again led me to dig this one<br \/>\nout of the legendary Pierce Memorial Archives &#8211; the problem being<br \/>\nthat my wife had filed it away for me. Memo to the cleaning staff:<br \/>\nMrs. Thelen is<br \/>\n<b><br \/>\n<i>not<\/i><br \/>\n<\/b> to enter the Archives unless I am present, dammit!)<\/p>\n<p>In fact, with the exception of a slightly weaker song,<br \/>\n&#8220;Sometimes I Just Have To Say Your Name,&#8221; to close the album, the<br \/>\nsecond half of<br \/>\n<i>Change Everything<\/i> is some of the most powerful music I&#8217;ve<br \/>\never heard. From the opening notes of &#8220;The Ones That You Love Lead<br \/>\nYou Nowhere&#8221; to the instantly-recognizable beat of the first<br \/>\nsingle, &#8220;Always The Last To Know,&#8221; Currie and crew work the<br \/>\nlistener into an emotional frenzy that doesn&#8217;t stop.<\/p>\n<p>This is not to say the first side is weak in any way; some of<br \/>\nthe cuts on this part of the album are just as strong. &#8220;When You<br \/>\nWere Young&#8221; reminds me of some other song I&#8217;ve heard in the recent<br \/>\npast, but it does have the unique Del Amitri flavor. &#8220;Surface Of<br \/>\nThe Moon&#8221; takes a few listens to really get into, but is a solid<br \/>\ntrack. One track I have not been able to get into no matter how<br \/>\nmany times I listen to it is &#8220;The First Rule Of Love&#8221; &#8211; don&#8217;t ask<br \/>\nme why.<\/p>\n<p>Scottish bands have always seemed to have a hard time gaining<br \/>\nacceptance in America (Nazareth, Big Country, Slade, etc.), but Del<br \/>\nAmitri gained a solid foothold with the American crowd with<br \/>\n<i>Change Everything<\/i>, and for good reason &#8211; it&#8217;s a damn good<br \/>\nalbum.<\/p>\n","protected":false},"author":2,"featured_media":24060,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5641],"rating":[5613],"class_list":["post-24289","review","type-review","status-publish","has-post-thumbnail","artist-del-amitri","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/24289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=24289"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/24289\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24060"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=24289"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=24289"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=24289"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=24289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}