{"id":24291,"date":"1997-02-04T00:00:00","date_gmt":"1997-02-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thick-as-a-brick\/"},"modified":"1997-02-04T00:00:00","modified_gmt":"1997-02-04T00:00:00","slug":"thick-as-a-brick","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thick-as-a-brick\/","title":{"rendered":"Thick As A Brick"},"content":{"rendered":"<p>What is this, concept album week? Yesterday Bill Ziemer looked<br \/>\nat Queensryche&#8217;s opus<br \/>\n<i>Operation: Mindcrime<\/i>; today, same idea, different group and<br \/>\nalbum.<\/p>\n<p>British group Jethro Tull&#8217;s first attempt at a concept album<br \/>\n(Ian Anderson has repeatedly said that<br \/>\n<i>Aqualung<\/i> was not a concept album), their 1972 effort<br \/>\n<i>Thick As A Brick<\/i> features some of the best performances this<br \/>\ngroup ever did &#8211; but they can only maintain that level of expertise<br \/>\nfor so long.<\/p>\n<p>The concept is that the song is based on a controversial poem by<br \/>\nchild prodigy Gerald Bostock (in reality written by Anderson). The<br \/>\ngroup carried the idea to a whole new level by designing the album<br \/>\njacket to resemble a 16-page newspaper. (Some may call this a<br \/>\nstroke of genius, others may see it as having way too much free<br \/>\ntime. You be the judge.)<\/p>\n<p>The album opens with a folky sound, featuring Anderson&#8217;s vocals,<br \/>\nacoustic guitar and flute, with just a touch of drums, bass and<br \/>\nelectric guitar. This movement is one of the best-known on the<br \/>\nalbum, having been featured on two of Tull&#8217;s best-of collections.<br \/>\nBut just when you think the album will feature the band delving<br \/>\ninto their folk roots (which they would do about five years later),<br \/>\nthe album explodes into a jazzy beat that is hypnotizing and<br \/>\nfrenzied. Martin Barre&#8217;s guitar work and John Evan&#8217;s keyboards<br \/>\nprovide a solid foundation for the band, with bassist Jeffrey<br \/>\nHammond-Hammond and drummer Barriemore Barlow rounding out the<br \/>\ntroupe.<\/p>\n<p>This is where it becomes difficult to review the album. Because<br \/>\n<i>Thick As A Brick<\/i> is essentially a two-sided song, it is hard<br \/>\nto determine criteria for judging the work. (Was that last portion<br \/>\nmovement seven, eight or twelve?) So, we&#8217;re left to see if the<br \/>\nwhole piece flows smoothly and does not become tiring to listen<br \/>\nto.<\/p>\n<p>And for the first side, the album succeeds. The different<br \/>\nmovements are solidly written and performed, and the side quickly<br \/>\npasses for the listener. However, the second side sounds more<br \/>\nforced than the first, possibly showing that Anderson and crew were<br \/>\nrunning out of ideas near the end. The first warning sign comes<br \/>\nwhen Barlow kicks into a mini-drum solo frenzy, backed by<br \/>\nAnderson&#8217;s flute and percussion. The second side should be<br \/>\napproached with caution.<\/p>\n<p>The experience obviously didn&#8217;t sour Jethro Tull on concept<br \/>\nalbums; they tried again the following year with<br \/>\n<i>A Passion Play<\/i> &#8211; with disastrous results.<\/p>\n<p>\n<i>Thick As A Brick<\/i> is not an album that listeners will<br \/>\nimmediately warm up to. But if you give it several listens, you&#8217;ll<br \/>\nfind some of Jethro Tull&#8217;s best work &#8211; as well as some of their<br \/>\nweakest.<\/p>\n","protected":false},"author":2,"featured_media":24062,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5643],"rating":[5612],"class_list":["post-24291","review","type-review","status-publish","has-post-thumbnail","artist-jethro-tull","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/24291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=24291"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/24291\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24062"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=24291"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=24291"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=24291"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=24291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}