{"id":35525,"date":"1997-02-10T00:00:00","date_gmt":"1997-02-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-at-leeds\/"},"modified":"1997-02-10T00:00:00","modified_gmt":"1997-02-10T00:00:00","slug":"live-at-leeds","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-at-leeds\/","title":{"rendered":"Live At Leeds"},"content":{"rendered":"<p>How do you improve an album that wasn&#8217;t that good to begin<br \/>\nwith?<\/p>\n<p>In the case of<br \/>\n<i>Live At Leeds<\/i>, a 1970 effort from The Who, you take the<br \/>\noriginal six released songs and put on eight more tracks from the<br \/>\nsame show. Did it work? The answer is an astounding &#8220;yes.&#8221;<\/p>\n<p>Coming off the success of their rock opera<br \/>\n<i>Tommy<\/i>, Pete Townshend and crew were looking to make a live<br \/>\nalbum that would capture the band&#8217;s power. But when this album hit<br \/>\nthe streets &#8211; packaged to look like a bootleg, the oomph just<br \/>\nwasn&#8217;t there.<\/p>\n<p>Remastered a few years ago with the older tracks restored,<br \/>\n<i>Live At Leeds<\/i> now has the feel of a real Who concert,<br \/>\ncapturing not only the power of the band, but also their humor as<br \/>\nwell. The between-song banter adds to the feel of the show, making<br \/>\nyou feel like you&#8217;re right there &#8211; without having to dodge<br \/>\nsplinters from shattered guitars and drop-kicked drum kits.<\/p>\n<p>Three of the songs from the original<br \/>\n<i>Live At Leeds<\/i> actually gain in power on this one &#8211; &#8220;Young<br \/>\nMan Blues,&#8221; &#8220;Summertime Blues&#8221; and &#8220;Shakin&#8217; All Over.&#8221; Mixed in<br \/>\nwith their brothers from the show, a combination of cover tunes and<br \/>\nWho originals, these tracks finally shine in the glory they were<br \/>\nmeant to. Townshend&#8217;s playing is solid and incredible, and vocalist<br \/>\nRoger Daltrey has rarely sounded better in concert. Add to that the<br \/>\nspeedfreak drumming of the sorely-missed Keith Moon and the always<br \/>\nincredible bass work of John Entwistle, and you have what is<br \/>\nprobably the ultimate live Who album.<\/p>\n<p>This is not to say there aren&#8217;t some rough bumps on the road. &#8220;I<br \/>\nCan&#8217;t Explain,&#8221; one of the band&#8217;s earliest hits and one of my<br \/>\nfavorite tracks, shows it hadn&#8217;t aged very well. &#8220;My Generation,&#8221;<br \/>\ndespite always being a showcase for the bass riffs of Entwistle,<br \/>\nseems to drag on a bit too long, just like on the original release.<br \/>\nAnd, &#8220;Magic Bus,&#8221; admittedly never one of my favorite Who tracks,<br \/>\ndoes not translate well in concert.<\/p>\n<p>One of the stand-out tracks is the performance of &#8220;A Quick One<br \/>\nWhile He&#8217;s Away,&#8221; the predecessor to<br \/>\n<i>Tommy<\/i>. Rarely heard live, this performance shows it could be<br \/>\none of the band&#8217;s most underrated works.<\/p>\n<p>The glory days of The Who are long gone, but<br \/>\n<i>Live At Leeds<\/i> is a fitting, if not flawed, portrait of those<br \/>\ntimes where the band was at the top of their game. The restored<br \/>\nversion outshines the original release, and is a worthwhile<br \/>\naddition to your library.<\/p>\n","protected":false},"author":2,"featured_media":24321,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5649],"rating":[5615],"class_list":["post-35525","review","type-review","status-publish","has-post-thumbnail","artist-the-who","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35525"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35525\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24321"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35525"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35525"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35525"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}