{"id":35530,"date":"1997-02-15T00:00:00","date_gmt":"1997-02-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/aenima\/"},"modified":"1997-02-15T00:00:00","modified_gmt":"1997-02-15T00:00:00","slug":"aenima","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/aenima\/","title":{"rendered":"Aenima"},"content":{"rendered":"<p>I remember the first time I ever heard Tool &#8211; I was in the<br \/>\nChicago office of Zoo Entertainment visiting a friend I worked with<br \/>\nin radio. He pulled out Tool&#8217;s demo, and put it on the stereo for<br \/>\nme. Stunned is the word closest to describing how I felt listening<br \/>\nto this glorious noise &#8211; afterwards, I felt cleansed.<\/p>\n<p>Maynard James Keenan and crew have been cleansing people with<br \/>\ntheir brand of alternative metal now for four years, and while<br \/>\ntheir latest studio release,<br \/>\n<i>\u00c6nima<\/i>, isn&#8217;t their best work, it features some of<br \/>\ntheir most exciting product since their debut mini-album.<\/p>\n<p>The debut single, &#8220;Stinkfist&#8221;, picks up where Tool left off on<br \/>\ntheir last album, the disappointing<br \/>\n<i>Undertow<\/i>. &#8220;Stinkfist&#8221; has a groove which grabs the listener<br \/>\nand refuses to let go. Like their previous singles &#8220;Sober&#8221; and<br \/>\n&#8220;Prison Sex&#8221;, &#8220;Stinkfist&#8221; mixes Keenan&#8217;s vocals with Adam Jones&#8217;s<br \/>\nguitar perfectly, and the vocal effects used add to the song&#8217;s<br \/>\nmystique.<\/p>\n<p>For most of the first half of the disc,<br \/>\n<i>\u00c6nima<\/i> takes the listener for probably one of the most<br \/>\nintense musical rides they&#8217;ve ever been on. Cuts like &#8220;Eulogy&#8221;,<br \/>\n&#8220;Forty Six &#038; 2&#8221; and &#8220;Hooker With A Penis&#8221; show the true<br \/>\npotential of Tool.<\/p>\n<p>\n<i>\u00c6nima<\/i> would almost be the best Tool release were it<br \/>\nnot for some of the band&#8217;s dives into total weirdness. &#8220;Message To<br \/>\nHarry Manback&#8221; is basically a threatening phone message with a<br \/>\nhaunting backing track, and is disturbing on the first few listens.<br \/>\nOther cuts that could have easily been cut include &#8220;Intermission&#8221;,<br \/>\n&#8220;Die Eier Von Satan&#8221; (featuring German ramblings from Marko Fox),<br \/>\nand &#8220;Ions&#8221;. (One word of advice, guys: just because you have 78<br \/>\nminutes of space on a CD doesn&#8217;t mean you have to fill it up.)<\/p>\n<p>Tool&#8217;s one strength is the ability to write long songs that seem<br \/>\nto go by in an instant; two songs clock in at over nine minutes,<br \/>\nthe longest being almost 14 minutes. However, the musical abilities<br \/>\nof Keenan, Jones, and fellow bandmates Danny Carey and Justin<br \/>\nChancellor, justify the length of the tracks.<\/p>\n<p>While I don&#8217;t usually recommend buying an album for its artwork,<br \/>\nthe CD of<br \/>\n<i>\u00c6nima<\/i> features the most innovative packaging I&#8217;ve ever<br \/>\nseen, and makes the decision to buy the tape or CD easier. (One of<br \/>\nthe moving pictures features the band, two of whom seem to be<br \/>\nnaked, watching a contortionist apparently blowing himself. And to<br \/>\nthink I believed that could only be done with a Craftmatic<br \/>\nadjustable bed.)<\/p>\n<p>While Tool has never been able to produce an album that matched<br \/>\nthe power and strength of their debut disc<br \/>\n<i>Opiate<\/i>, they have come close with<br \/>\n<i>\u00c6nima<\/i> &#8211; and had they been a little less cautious with<br \/>\nthe razor blade and the master tapes, they could have carved this<br \/>\none into their best release ever.<\/p>\n","protected":false},"author":2,"featured_media":24326,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5654],"rating":[5617],"class_list":["post-35530","review","type-review","status-publish","has-post-thumbnail","artist-tool","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35530"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35530\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24326"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35530"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35530"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35530"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}