{"id":35547,"date":"1997-03-04T00:00:00","date_gmt":"1997-03-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-rise-and-fall-of-ziggy-stardust-and-the-spidersfrom-mars\/"},"modified":"1997-03-04T00:00:00","modified_gmt":"1997-03-04T00:00:00","slug":"the-rise-and-fall-of-ziggy-stardust-and-the-spidersfrom-mars","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-rise-and-fall-of-ziggy-stardust-and-the-spidersfrom-mars\/","title":{"rendered":"The Rise And Fall Of Ziggy Stardust And The Spiders\nFrom Mars"},"content":{"rendered":"<p>It may surprise some people that<br \/>\n<i>The Rise And Fall Of Ziggy Stardust And The Spiders From<br \/>\nMars<\/i> was not David Bowie&#8217;s first record &#8211; though it was the<br \/>\nfirst that truly established him as an art rocker.<\/p>\n<p>Re-released by Rykodisc almost a decade ago, this 1972 release<br \/>\nproved to be a hard one to top for Bowie, though he would come<br \/>\nclose sometimes. Still, at the quarter-century mark, there are good<br \/>\nmoments as well as some very dated sounds on this one.<\/p>\n<p>\n<i>Ziggy Stardust<\/i> is best known for its title track and<br \/>\n&#8220;Suffragette City,&#8221; as well as the appearance of Mick Ronson (later<br \/>\nto join Mott The Hoople), but sometimes it is the unheralded tracks<br \/>\nthat provide the most entertainment on this album.<\/p>\n<p>The opening cut, &#8220;Five Years,&#8221; takes a few listens to warm up<br \/>\nto, and is a tad bombastic. But the following track, &#8220;Soul Love,&#8221;<br \/>\nis one of the hidden treasures on the album (featuring saxophone by<br \/>\none D. Bowie). The slow groove worked up by the song is instantly<br \/>\nappealing, even if the diction isn&#8217;t the greatest. Until I looked<br \/>\nat the album cover, I thought the song was &#8220;Stoned Love.&#8221; Oops.<\/p>\n<p>The best track on<br \/>\n<i>Ziggy Stardust<\/i> is &#8220;Starman,&#8221; where the trademark Bowie voice<br \/>\nis given a true chance to come forward in all its glory. A true<br \/>\npiece of art rock that has rarly been equaled, Bowie has rarely<br \/>\nsounded better.<\/p>\n<p>With the exception of the two &#8220;hits&#8221; from the album, the rest of<br \/>\nthe cuts tend to be dated and bland, if not at least listenable.<br \/>\nPart of the distraction from the songs themselves is the<br \/>\n&#8220;plink-plink-plink&#8221; piano from Ronson &#8211; maybe it&#8217;s me, but I&#8217;d<br \/>\nrather hear some real piano playing rather than Ronson diddling<br \/>\nwith the same chord. Listen to the end of &#8220;Suffragette City&#8221; to<br \/>\nhear what I&#8217;m talking about.<\/p>\n<p>And I don&#8217;t want to say that<br \/>\n<i>Ziggy Stardust<\/i> is a bad album, &#8217;cause it&#8217;s not. But art<br \/>\nrock, like all art, has its times when it fits in with the rest of<br \/>\nthe world picture, and there are times it sticks out like a sore<br \/>\nthumb. (Two words: King Crimson &#8211; who are now back in fashion.)<br \/>\nBowie purists may consider this to be sacrilege, but let&#8217;s remember<br \/>\nwhat was in vogue in 1972 doesn&#8217;t stay in fashion for 25 years<br \/>\nnon-stop.<\/p>\n<p>Sure, some of the sounds are a tad ancient and repetitive, but<br \/>\n<i>Ziggy Stardust<\/i> is by no means a poor album. It is one that<br \/>\nneeds time to grow on you &#8211; I listened to it three times before<br \/>\nwriting this, and I&#8217;m<br \/>\n<i>still<\/i> not certain I caught all the nuances. It may not be<br \/>\nthe place to start for the new Bowie fan, but it definitely is one<br \/>\nto return to down the road.<\/p>\n","protected":false},"author":2,"featured_media":24343,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5671],"rating":[5612],"class_list":["post-35547","review","type-review","status-publish","has-post-thumbnail","artist-david-bowie","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35547"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35547\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24343"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35547"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35547"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35547"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}