{"id":35571,"date":"1997-03-28T00:00:00","date_gmt":"1997-03-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fairweather-johnson\/"},"modified":"1997-03-28T00:00:00","modified_gmt":"1997-03-28T00:00:00","slug":"fairweather-johnson","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fairweather-johnson\/","title":{"rendered":"Fairweather Johnson"},"content":{"rendered":"<p>Prior to the release of their second album, the members of<br \/>\nHootie &#038; The Blowfish found themselves facing this question:<br \/>\n&#8220;How do we top ourselves?&#8221;<\/p>\n<p>After all, they have one of the best-selling debut albums in<br \/>\nhistory.<br \/>\n<i>Cracked Rear View<\/i> spawned no less than four hit singles and<br \/>\nsold over 13 million copies, and earned the former bar band two<br \/>\nGrammy Awards, including one for Best New Artist. (Some consider<br \/>\nthis award the kiss of death &#8211; who remembers Men At Work? Marc<br \/>\nCohn?)<\/p>\n<p>Now that their second album,<br \/>\n<i>Fairweather Johnson<\/i> has been out for some time, the members<br \/>\nof the band may be asking themselves: &#8220;Where did we go wrong?&#8221;<\/p>\n<p>It&#8217;s not that it&#8217;s a bad effort &#8211; in fact, had it not been for<br \/>\n<i>Cracked Rear View<\/i>, it may have done quite well. The problem<br \/>\nis quite simple, and is the same problem that has plagued many<br \/>\nwinners of the Best New Artist Grammy: stagnation. The material on<br \/>\n<i>Fairweather Johnson<\/i> sounds like they could be leftovers from<br \/>\nthe<br \/>\n<i>Cracked<\/i> sessions. Simply put, there is no originality on<br \/>\nthis one<\/p>\n<p>You could hear it from the debut single, &#8220;Old Man And Me&#8221;.<br \/>\nDarius Rucker and crew were just coming off a hit with &#8220;Time,&#8221; one<br \/>\nof the best songs off of<br \/>\n<i>Cracked<\/i>. Instead of following it up with a similar-sounding<br \/>\nsong, they pick one with a more electric tone to it (though I will<br \/>\nadmit I like the addition of piano on this one). The song did not<br \/>\nstand out like many of Hootie&#8217;s better songs, and was quickly<br \/>\nforgotten.<\/p>\n<p>Of the other two singles released to this point, only &#8220;Sad<br \/>\nCaper&#8221; stands out, and is an intriguing little song. The other<br \/>\nsingle, &#8220;Tucker&#8217;s Town,&#8221; is a poor choice for a single, as well as<br \/>\na song that is just not that good.<\/p>\n<p>As for the rest of the album, the remaining cuts tend to blend<br \/>\ntogether in an unrecognizable haze. Did you just listen to &#8220;Be The<br \/>\nOne&#8221; or &#8220;Fool?&#8221; &#8220;When I&#8217;m Lonely&#8221; or &#8220;So Strange?&#8221; Probably the<br \/>\nonly song that does stand out is &#8220;She Crawls Away,&#8221; which could<br \/>\nprobably be released as a single with moderate success.<\/p>\n<p>\n<i>Fairweather Johnson<\/i> is not an easy listen; it took me three<br \/>\nattempts to get through the entire disc in one sitting. It&#8217;s not a<br \/>\ngood album, it&#8217;s not a bad album&#8230; it&#8217;s just an album. And this<br \/>\nmakes all the difference between a 13 million smash hit and a 2<br \/>\nmillion disappointment. (In their defense, the members of Hootie<br \/>\n&#038; The Blowfish admitted they didn&#8217;t expect this release to sell<br \/>\nas many as<br \/>\n<i>Cracked<\/i>. At least they recognized the wall they were coming<br \/>\nup against.)<\/p>\n<p>If Hootie &#038; The Blowfish are to thrive in the ruthless music<br \/>\nindustry, they will need to re-think their musical approach a<br \/>\nlittle bit and see if they can adapt to the tastes of their<br \/>\naudience. To misquote the late Jerry Garcia, listening to<br \/>\n<i>Fairweather Johnson<\/i> is a bit like eating licorice &#8211; you<br \/>\neither hate it or you love it very much. Hootie &#038; The Blowfish<br \/>\nhaven&#8217;t made me rethink my eating habits&#8230; yet.<\/p>\n","protected":false},"author":2,"featured_media":24367,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5695],"rating":[5619],"class_list":["post-35571","review","type-review","status-publish","has-post-thumbnail","artist-hootie-the-blowfish","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35571"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35571\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24367"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35571"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35571"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35571"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}