{"id":35576,"date":"1997-04-02T00:00:00","date_gmt":"1997-04-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/led-zeppelin\/"},"modified":"1997-04-02T00:00:00","modified_gmt":"1997-04-02T00:00:00","slug":"led-zeppelin","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/led-zeppelin\/","title":{"rendered":"Led Zeppelin"},"content":{"rendered":"<p>After leaving The Yardbirds, Jimmy Page busied himself with<br \/>\nsession work (rumor has it he played the classic riff on The Kinks&#8217;<br \/>\n&#8220;You Really Got Me&#8221;) until he put together a new band of local<br \/>\nmusicians thirsty for the big time. Although he originally planned<br \/>\non naming the group The New Yardbirds, he thankfully changed his<br \/>\nmind, partly due to the by-now famous Keith Moon quip that his new<br \/>\nensemble &#8220;would go over like a lead zeppelin.&#8221;<\/p>\n<p>And what a band they were! Yeah, they ripped off old blues<br \/>\nartists, but they did so brilliantly. Besides, that was just a<br \/>\nsmall part of their recorded output, although for some reason most<br \/>\ncritics seem to harp on that side of their legacy. Anyway, I&#8217;ve yet<br \/>\nto hear a bluesman record a song as majestic or powerful as &#8220;Babe<br \/>\nI&#8217;m Gonna Leave You&#8221; or &#8220;Dazed And Confused,&#8221; with Robert Plant&#8217;s<br \/>\nanguished and orgasmic screams, John Bonham&#8217;s monstrous drumming,<br \/>\nand Jimmy Page&#8217;s laser guitar solos and thundering riffs.<\/p>\n<p>Page also lends great guitar solos to &#8220;Good Times Bad Times&#8221; and<br \/>\nthe relentless rocker &#8220;Communication Breakdown,&#8221; whose breathtaking<br \/>\nspeed would make future punk bands&#8217; complaints about these<br \/>\n&#8220;dinosaur rockers&#8221; laughable. &#8220;Your Time Is Gonna Come&#8221; should<br \/>\ndestroy any claims against Zeppelin&#8217;s greatness, with its gorgeous<br \/>\nacoustic and organ fills showcasing their versatility (their power<br \/>\nwas never questioned). &#8220;Black Mountain Side&#8221; is a surprisingly<br \/>\nsuccinct acoustic instrumental showcase that once again proves that<br \/>\nPage is far more than merely an over-amped blues imitator.<\/p>\n<p>&#8220;How Many More Times&#8221; is a tremendous blues workout that closes<br \/>\nout the album on a high. On this song Led Zeppelin shows their<br \/>\nmastery of pacing with a series of sizzling climaxes, while each<br \/>\nmusician shines without getting in each other&#8217;s way. A band in the<br \/>\ntruest sense, Led Zeppelin boast some of the greatest performers<br \/>\never to try their chosen instruments, yet their songs always came<br \/>\nbefore all else. &#8220;How Many More Times&#8221; also shows their willingness<br \/>\nto go over the top, with Plant&#8217;s outrageous, spastic singing<br \/>\nleading the way.<\/p>\n<p>Ironically, the two Willie Dixon covers, &#8220;You Shook Me&#8221; and &#8220;I<br \/>\nCan&#8217;t Quit You, Baby,&#8221; are the album&#8217;s weakest songs, proving that<br \/>\nLed Zeppelin were at their best when unleashing a fury (or a<br \/>\nbeauty) all their own.<\/p>\n","protected":false},"author":6,"featured_media":24372,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5700],"rating":[5646],"class_list":["post-35576","review","type-review","status-publish","has-post-thumbnail","artist-led-zeppelin","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35576"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35576\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24372"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35576"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35576"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35576"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}