{"id":35586,"date":"1997-04-12T00:00:00","date_gmt":"1997-04-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hound-dog-taylor-and-the-houserockers\/"},"modified":"1997-04-12T00:00:00","modified_gmt":"1997-04-12T00:00:00","slug":"hound-dog-taylor-and-the-houserockers","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hound-dog-taylor-and-the-houserockers\/","title":{"rendered":"Hound Dog Taylor And The Houserockers"},"content":{"rendered":"<p>What would make an artist so special that someone would found a<br \/>\nrecord label to record them?<\/p>\n<p>Back in 1971, transplanted Chicagoan (and, from the few times he<br \/>\nand I talked, a real nice guy) Bruce Iglauer founded Alligator<br \/>\nRecords to record a little three-piece blues band, Hound Dog Taylor<br \/>\n&#038; The Houserockers. And for that, fans of the genre should be<br \/>\nlining up to shake his hand. Taylor&#8217;s devil-may-care style of<br \/>\nplaying and his band&#8217;s looseness is what made them popular, even<br \/>\npast Taylor&#8217;s death in 1975.<\/p>\n<p>Released on CD for the first time a few years ago, The<br \/>\nHouserockers&#8217;s debut album still captures the magic that Iglauer<br \/>\nheard in the band in small blues clubs on the South Side.<\/p>\n<p>At first listen, one senses something is different with this<br \/>\nband. And, sure enough, there is something &#8220;missing&#8221; &#8211; a bass<br \/>\nplayer! The &#8220;bass&#8221; lines were played by second guitarist Brewer<br \/>\nPhillips (who also proves himself to be a competent lead player on<br \/>\ntwo tracks).Drummer Ted Harvey eschews the traditional hi-hat to<br \/>\npound out his rhythms on ride cymbal. And in the middle of it all,<br \/>\nthere is Taylor playing a mean slide guitar (and even pounding out<br \/>\na few simple leads) and having a good time singing.<\/p>\n<p>Cuts like &#8220;It&#8217;s Alright&#8221; and &#8220;Give Me Back My Wig&#8221; are not your<br \/>\ntypical blues numbers (whatever typical is with this genre) &#8211; these<br \/>\nare genuinely fun to listen to, as are some of the numerous<br \/>\ninstrumentals on<br \/>\n<i>Hound Dog Taylor &#038; The Houserockers<\/i>. &#8220;Walking The<br \/>\nCeiling&#8221; is an exercise in musicianship, though one wishes Taylor<br \/>\nhad gotten a little more creative with his leads. (Trivia time:<br \/>\nwhat famous blues guitarist was once Taylor&#8217;s roadie? Answer:<br \/>\nGeorge Thorogood, who pays tribute to Taylor on his<br \/>\n<i>Live<\/i> album.)<\/p>\n<p>Both guitarists take their turns sharing the lead work on this<br \/>\nalbum &#8211; Phillips shines on &#8220;Phillip&#8217;s Theme&#8221; and &#8220;44 Blues&#8221;, while<br \/>\nTaylor shows wanna-bes the right way to play a mean slide guitar on<br \/>\n&#8220;Taylor&#8217;s Rock&#8221;. The band even manages to cover a blues classic<br \/>\nwith &#8220;It Hurts Me Too.&#8221;<\/p>\n<p>What is amazing about this band was the way they were able to<br \/>\ncapture their unique sound through rather simple instruments. While<br \/>\nsome &#8220;musicians&#8221; can barely operate their thousand-dollar Les Paul,<br \/>\nTaylor played a no-name guitar and was able to wring the notes out<br \/>\nof it.<\/p>\n<p>The scary thing to realize is that had Iglauer not invested in<br \/>\nthis recording, we probably would have lost The Houserockers&#8217;s<br \/>\nmusic to the ages. What is even scarier is that every day, this<br \/>\nexact same thing is happening to dozens of blues artists who don&#8217;t<br \/>\ndeserve such a fate.<\/p>\n","protected":false},"author":2,"featured_media":24382,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5710],"rating":[5617],"class_list":["post-35586","review","type-review","status-publish","has-post-thumbnail","artist-hound-dog-taylor-the-houserockers","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35586"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35586\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24382"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35586"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35586"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35586"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}