{"id":35590,"date":"1997-04-16T00:00:00","date_gmt":"1997-04-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/avalon\/"},"modified":"1997-04-16T00:00:00","modified_gmt":"1997-04-16T00:00:00","slug":"avalon","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/avalon\/","title":{"rendered":"Avalon"},"content":{"rendered":"<p>No longer really a rock band, on<br \/>\n<i>Avalon<\/i> Roxy Music deliver an understated, polished gem that<br \/>\ninfluenced many 80&#8217;s acts. With guitarist Phil Manzanera, saxophone<br \/>\nplayer Andy MacKay, and principal songwriter and lead singer Bryan<br \/>\nFerry remaining from the original Roxy Music lineup,<br \/>\n<i>Avalon<\/i> proved to be an elegant swan song.<\/p>\n<p>&#8220;Much communication in a motion, without conversation or a<br \/>\nmotion,&#8221; croons Ferry in the title track, and this mood of<br \/>\nmysterious romanticism is featured throughout the album.<br \/>\nManzanera&#8217;s restrained, melodic guitar and MacKay&#8217;s lovely sax<br \/>\nprovide the graceful backdrop for Ferry&#8217;s suave declarations of<br \/>\nlove (and lust), such as when he states &#8220;the space between us<br \/>\nbetter close up tonight.&#8221;<\/p>\n<p>&#8220;More Than This,&#8221; &#8220;The Space Between&#8221; and &#8220;Avalon&#8221; start things<br \/>\noff perfectly. Each song is catchy but mellow, and the spacious<br \/>\nproduction suits Ferry&#8217;s cocktail lounge musings. This atmosphere<br \/>\nis briefly interrupted by the instrumental &#8220;India&#8221; (really just a<br \/>\nbreak in the action), before returning for the mournful &#8220;While My<br \/>\nHeart Is Still Beating,&#8221; on which Ferry asks &#8220;all of those people<br \/>\neverywhere, ever so needing, where&#8217;s it all leading?&#8221;<\/p>\n<p>The funky &#8220;The Main Thing&#8221; recalls David Bowie, while &#8220;Tara&#8221; is<br \/>\na beautiful sax showcase for MacKay. &#8220;To Turn You On&#8221; (&#8220;I&#8217;d do<br \/>\nanything to turn you on&#8221;) is another sumptuous showcase for Ferry<br \/>\nthe desperate romantic, and &#8220;True To Life&#8221; tells a quiet, lonely<br \/>\nstory propelled by timely guitar thrusts.<\/p>\n<p>On &#8220;Take A Chance With Me&#8221; Ferry admits &#8220;in my time too much<br \/>\nlove has made me sad for so long.&#8221; He just doesn&#8217;t know any other<br \/>\nway, though. &#8220;Heaven knows, I believe you can take a chance with<br \/>\nme,&#8221; he pleads, before defiantly adding &#8220;all the world, even you,<br \/>\nshould learn to live the way I do.&#8221;<\/p>\n<p>Throughout<br \/>\n<i>Avalon<\/i>, Ferry adds distinct keyboard and synthesizer<br \/>\ntextures, along with some exotic percussion and prominent backup<br \/>\nsingers. If I have a warning about the album, it would be merely<br \/>\nthat such a subtle and polished album requires a certain mood to be<br \/>\nfully appreciated, like when night is at hand and the lights are<br \/>\ndim. Under such circumstances<br \/>\n<i>Avalon<\/i> is an irresistibly classy pop album that seems bound<br \/>\nto endure. Though Ferry has spent his subsequent solo career trying<br \/>\nto duplicate this album&#8217;s understated excellence (remember &#8220;Slave<br \/>\nTo Love?&#8221;), there&#8217;s no substituting for the original.<\/p>\n","protected":false},"author":6,"featured_media":24386,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5714],"rating":[5613],"class_list":["post-35590","review","type-review","status-publish","has-post-thumbnail","artist-roxy-music","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35590"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35590\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24386"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35590"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35590"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}