{"id":35616,"date":"1997-05-12T00:00:00","date_gmt":"1997-05-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/meantime\/"},"modified":"1997-05-12T00:00:00","modified_gmt":"1997-05-12T00:00:00","slug":"meantime","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/meantime\/","title":{"rendered":"Meantime"},"content":{"rendered":"<p>Sometimes, when I&#8217;m short of ideas for reviews, I walk down the<br \/>\naisles of the now-legendary Pierce Memorial Archives (make a left<br \/>\nturn at Main Street) and allow myself to be drawn to certain<br \/>\ntitles. Sometimes I discover something I don&#8217;t even remember<br \/>\nbuying, other times I realize why the item was hidden in the<br \/>\nbasement in the first place.<\/p>\n<p>And then there are the times when I wonder why I hadn&#8217;t been<br \/>\nincessantly listening to an item and allowed it to collect dust<br \/>\nwith the rats (and Ratt, for that matter). Today&#8217;s subject,<br \/>\nHelmet&#8217;s<br \/>\n<i>Meantime<\/i>, falls under that category.- since its unearthing,<br \/>\nI haven&#8217;t taken it out of the tape deck of my car.<\/p>\n<p>The magic on this one is everywhere. Fronting the whole show is<br \/>\nlead vocalist\/guitarist Page Hamilton. One minute he&#8217;s screaming<br \/>\nhis lungs out, the next minute he&#8217;s singing in an almost<br \/>\nintrospective style. The dual guitar work of Hamilton and Peter<br \/>\nMengede takes your head and repeatedly slams it against the wall &#8211;<br \/>\npain never felt or sounded so good. John Stanier&#8217;s drum work is<br \/>\nsimply unbelievable &#8211; I&#8217;m very impressed with his bass drum work &#8211;<br \/>\nand Henry Bogdan&#8217;s bass work provides the solid backbeat for the<br \/>\nrest of the band.<\/p>\n<p>From the opening notes of &#8220;In The Meantime,&#8221; Hamilton and crew<br \/>\nincite an aural attack that doesn&#8217;t relent for the short &#8211;<br \/>\n<i>way<\/i> too short &#8211; time that<br \/>\n<i>Meantime<\/i> plays. The band&#8217;s production work &#8211; with some<br \/>\nrecording work by Chicago&#8217;s own Steve Albini &#8211; shows that no one<br \/>\nknows the band&#8217;s sound better than the members themselves. From the<br \/>\nsharpness of the guitar chords to the incredible snare drum shots,<br \/>\nthis is one of the best-produced albums I think I&#8217;ve ever<br \/>\nheard.<\/p>\n<p>You need proof? Check out &#8220;Ironhead,&#8221; where Hamilton works up a<br \/>\ngood head of lather and builds from a growl to an ear-piercing<br \/>\nscream that sounds like he&#8217;s shredded what&#8217;s left of his vocal<br \/>\ncords. In a word, incredible. The two singles, &#8220;Give It&#8221; and<br \/>\n&#8220;Unsung,&#8221; are more than adequate proof why Helmet gained a solid<br \/>\nfan base in both the college alternative and the metal worlds.<\/p>\n<p>I could go on and on and just fill this review with ass-kissing<br \/>\nremarks about<br \/>\n<i>Meantime<\/i>&#8216;s power and the fact that there is not a weak spot<br \/>\non this album, but I&#8217;d rather let the music do the talking. At<br \/>\nunder 40 minutes in length, Helmet has probably created one of the<br \/>\nbest metal\/alternative crossover albums ever recorded.<\/p>\n<p>Helmet has gone through some personnel changes and a loss of<br \/>\ncritical acclaim since this album came out in 1992. But even if<br \/>\n<i>Meantime<\/i> is their swansong, it&#8217;s one hell of a treasure to<br \/>\nleave behind.<\/p>\n","protected":false},"author":2,"featured_media":24412,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5737],"rating":[5646],"class_list":["post-35616","review","type-review","status-publish","has-post-thumbnail","artist-helmet","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35616"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35616\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24412"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35616"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35616"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35616"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}