{"id":35637,"date":"1997-06-02T00:00:00","date_gmt":"1997-06-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-raw-and-the-cooked\/"},"modified":"1997-06-02T00:00:00","modified_gmt":"1997-06-02T00:00:00","slug":"the-raw-and-the-cooked","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-raw-and-the-cooked\/","title":{"rendered":"The Raw And The Cooked"},"content":{"rendered":"<p>The success of the Fine Young Cannibals had to be one of the<br \/>\nbiggest surprises of 1989. Roland Steele and crew were as far<br \/>\nremoved from being a rock group as the Mormon Tabernacle Choir, but<br \/>\nthey hit the big time with their wonderful song &#8220;She Drives Me<br \/>\nCrazy,&#8221; and brought their album<br \/>\n<i>The Raw And The Cooked<\/i> into the blockbuster range.<\/p>\n<p>Too bad the rest of the album doesn&#8217;t live up to the hype. One<br \/>\nsong rarely can support a whole album, and this is no<br \/>\nexception.<\/p>\n<p>&#8220;She Drives Me Crazy,&#8221; with its synthesized drums, was a great<br \/>\nparty song &#8211; Steele&#8217;s falsetto delivery which went into a<br \/>\nfull-fledged roar was perfect for the track. Even the guitar work<br \/>\nfits the track &#8211; from the jangly jazz riffs to the crunch of the<br \/>\npower chords.<\/p>\n<p>Most of the rest of the album falls into a pattern where Fine<br \/>\nYoung Cannibals sounds like they&#8217;re trying to be a jazz-rock band<br \/>\nof the &#8217;50s. &#8220;Good Thing&#8221; sounds like a throwback to the early days<br \/>\nof rock and roll, and is a semi-decent track. &#8220;Ever Fallen In Love&#8221;<br \/>\nis a better example of how Steele et al. could use this style to<br \/>\ntheir advantage.<\/p>\n<p>But the obvious lack of musical direction is obvious. On one<br \/>\ntrack, Steele sounds like Prince with his dick caught in a vice,<br \/>\nthe next he sounds like he wants to be Tom Jones &#8211; cheezits, make<br \/>\nup your mind! And those synthesized drums &#8211; they have<br \/>\n<i>got<\/i> to go.<\/p>\n<p>\n<i>The Raw And The Cooked<\/i> works best when the band tightens up<br \/>\nand dares to look at the rock side of their psyche. When they fail<br \/>\nto do so, the results are disastrous &#8211; &#8220;I&#8217;m Not The Man I Used To<br \/>\nBe&#8221; is a weak track following the two radio hits, while &#8220;Don&#8217;t Let<br \/>\nIt Get You Down&#8221; fails from the first note.<\/p>\n<p>Of course, Fine Young Cannibals came from the world of college<br \/>\nalternative radio, where this would have probably been considered<br \/>\ncool. In the world of pop music, however, something like this can<br \/>\nbe career suicide. (In fact, this turned out to be the band&#8217;s last<br \/>\nalbum, as Steele turned to an acting career.)<\/p>\n<p>Another problem is that the album has not aged very well &#8211; there<br \/>\nwas a movie I was watching recently which featured the Fine Young<br \/>\nCannibals as the &#8220;house band&#8221; &#8211; and the music seemed very out of<br \/>\nplace. Whoops &#8211; turns out they were performing tracks from this<br \/>\nalbum, meaning this is not a good sign.<\/p>\n<p>\n<i>The Raw And The Cooked<\/i> both defined and killed this band,<br \/>\nand while the hits are still great songs, it hardly sets Fine Young<br \/>\nCannibals apart from the rest of the field. This is a good reason<br \/>\nwhy some greatest hits albums are must-owns.<\/p>\n","protected":false},"author":2,"featured_media":24433,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5754],"rating":[11205],"class_list":["post-35637","review","type-review","status-publish","has-post-thumbnail","artist-fine-young-cannibals","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35637"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35637\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24433"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35637"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35637"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35637"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}