{"id":35647,"date":"1997-06-12T00:00:00","date_gmt":"1997-06-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/candy-apple-grey\/"},"modified":"1997-06-12T00:00:00","modified_gmt":"1997-06-12T00:00:00","slug":"candy-apple-grey","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/candy-apple-grey\/","title":{"rendered":"Candy Apple Grey"},"content":{"rendered":"<p>Often, tension within a band results in some of the best work<br \/>\nthey ever will do. For the Minneapolis punk rock band Husker Du,<br \/>\nthe struggle was over leadership of the band, a struggle which<br \/>\nalmost always seemed to plague the band. On one side, the<br \/>\nballs-out, decibel-shattering cacophany of guitarist Bob Mould; on<br \/>\nthe other, the more pop, hit-song orientation of drummer Grant<br \/>\nHart. (Caught in the middle of all this is poor Greg Norton, left<br \/>\nto thump away on his bass.)<\/p>\n<p>Amid cries of sell-out when they moved from indie label SST to<br \/>\nthe majors, the conflict seemed to come to a head on their major<br \/>\nlabel debut,<br \/>\n<i>Candy Apple Grey<\/i>. And while it didn&#8217;t have the rawness that<br \/>\nfirst attracted me to the band, it does feature some of their best<br \/>\nwork.<\/p>\n<p>The battle for control is there from the opening notes of<br \/>\n&#8220;Crystal,&#8221; featuring the orgasmic creams of Mould and the guitar<br \/>\nwork that sounds like he&#8217;s destroying his instrument as he&#8217;s<br \/>\nplaying it. In a word, incredible.<\/p>\n<p>But Hart is a formidable songwriter himself; &#8220;Don&#8217;t Want To Know<br \/>\nIf You Are Lonely&#8221; and &#8220;Sorry Somehow&#8221; are solid band efforts that<br \/>\nfocus more on the songwriting than the instrumental work.<\/p>\n<p>But the most powerful moment on<br \/>\n<i>Candy Apple Grey<\/i> belongs to Mould, who shares the spotlight<br \/>\nonly with his 12-string acoustic guitar. &#8220;Too Far Down&#8221; is a slab<br \/>\nof pathos and helplessness that, I don&#8217;t think, has ever been<br \/>\nequalled in any genre. This is a song that just would not have<br \/>\nworked with the entire trio, and has remained one of my favorite<br \/>\ntracks.<\/p>\n<p>Mould stays in an introspective mood for &#8220;Hardly Getting Over<br \/>\nIt,&#8221; which features the entire band. More gentle than the typical<br \/>\nHusker Du song, this shift in style is even more powerful than the<br \/>\nband flailing away as fast as they could. If this is a sellout,<br \/>\nthen put me first in line for whatever they&#8217;re selling.<\/p>\n<p>Unfortunately, when the energy level has been set on 11, it<br \/>\neventually has to sink. The second half of the album suffers from<br \/>\nthis letdown. While &#8220;Eiffel Tower High&#8221; and &#8220;Dead Set On<br \/>\nDestruction&#8221; would have stood out on their own on another album,<br \/>\nthey pale in comparison to the classics presented here.<\/p>\n<p>So who won the battle for control? On this album, if you go on<br \/>\nthe songwriting credits, Mould edges Hart out. But in the end,<br \/>\neverybody lost &#8211; Husker Du self-destructed while on tour for their<br \/>\nfollow-up album to<br \/>\n<i>Candy Apple Grey<\/i>. Hart released one solo album and<br \/>\ndisappered into obscurity, while Mould went on to success both as a<br \/>\nsolo artist and with Sugar.<\/p>\n<p>But<br \/>\n<i>Candy Apple Grey<\/i> ranks in my book as one of two must-own<br \/>\nalbums from Husker Du (I won&#8217;t tell which is the other; you&#8217;ll just<br \/>\nhave to keep reading &#8220;The Daily Vault&#8221;), and though there are some<br \/>\nweaknesses on this one, it still is a strong effort overall.<\/p>\n","protected":false},"author":2,"featured_media":24443,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5761],"rating":[5615],"class_list":["post-35647","review","type-review","status-publish","has-post-thumbnail","artist-husker-du","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35647"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35647\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24443"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35647"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35647"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35647"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}