{"id":35654,"date":"1997-06-22T00:00:00","date_gmt":"1997-06-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/jordan-hill\/"},"modified":"1997-06-22T00:00:00","modified_gmt":"1997-06-22T00:00:00","slug":"jordan-hill","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/jordan-hill\/","title":{"rendered":"Jordan Hill"},"content":{"rendered":"<p>In Korea, she&#8217;s advertised as the next Mariah Carey. I found<br \/>\nthis so irritating, I had to go out and get the album; and true to<br \/>\nmy &#8220;drooling Mariah Carey fan&#8221; form, I&#8217;m smug to admit that Jordan<br \/>\nHill won&#8217;t be stimulating any digestive glands save that for the<br \/>\nulcer-responsible.<\/p>\n<p>Save a couple of tracks, there is nothing special about the<br \/>\nalbum. Her squishy-husky vocal technique is similar to Toni<br \/>\nBraxton&#8217;s, save the fact that it seems to be devoid of all emotion<br \/>\n(at least with Braxton, her voice&#8217;s mood changes in every song).<br \/>\nIt&#8217;s downright overdramatic &#8230; in a bad way.<\/p>\n<p>Everyone from Whitney Houston (high notes) to Roberta Flack<br \/>\n(pianissimo) to, yes, La Carey Mariah (note attack and<br \/>\nimprovisation), is imitated shamelessly; this lack of originality<br \/>\nis fatal in today&#8217;s Divadom. Many people sing along to divas (trust<br \/>\nme, heheh) and Jordan Hill is simply another karaoke mike bearer.<br \/>\nOnly luckier.<\/p>\n<p>When I first heard &#8220;Unbreak My Heart&#8221;, my head rang with a very<br \/>\nsimilar song, &#8220;I Don&#8217;t Wanna Cry&#8221;. But it was different enough for<br \/>\nme to eventually accept it. Similar didn&#8217;t-I-hear-that-song-before<br \/>\nsituations occur frequently; &#8220;I Just Had To Hear Your Voice&#8221; is<br \/>\nvery close to Celine Dion&#8217;s &#8220;Next Plane Out.&#8221; However, Hill&#8217;s<br \/>\nblatant pretending does not measure up to Dion&#8217;s emotion-well<br \/>\nperformance. It&#8217;s so boring, I can almost believe that it doesn&#8217;t<br \/>\nhave a bridge section at all.<\/p>\n<p>All the midtempo tracks are completely without character. Even<br \/>\nafter five listenings, I can&#8217;t distinguish one from the other; they<br \/>\nall sound like &#8220;For The Love Of You&#8221;. Except the very last track, a<br \/>\ndance remix of the first track, there are no all-out dance numbers;<br \/>\nballads and midtempo all the way, each artfully cloned from the<br \/>\nprevious. With six different producers, I can&#8217;t imagine where they<br \/>\ngot this excess coherence; it&#8217;s almost impossible. Then again,<br \/>\n&#8220;almost&#8221; isn&#8217;t absolute.<\/p>\n<p>But there are exactly two good tracks which are single<br \/>\nreleaseable. &#8220;Remember Me This Way&#8221; sounds like something David<br \/>\nFoster wrote for Whitney Houston, but since Hill&#8217;s primary template<br \/>\nis Houston, it works out. The other track is the aforementioned<br \/>\ndance remix, a spirited &#8220;For The Love Of You&#8221;. Like a respectable<br \/>\n90&#8217;s diva, she has re-recorded the main vocals and added<br \/>\nappropriate power choruses to add that shmaltz atmosphere Europeans<br \/>\nare always producing. My advice: dump the LP version.<\/p>\n<p>Now, I love divas. If the artist is female, has at least three<br \/>\noctaves and has sold a couple of million LPs, I tend to fall for<br \/>\nit. But Hill sounds more like a demo singer than a goddess; you get<br \/>\nused to the tunes and even hum along, but she will never get to do<br \/>\nthe requisite Hot Shot Debuts, pack in Tokyo Dome, and<br \/>\n<i>sell<\/i> promos without some major revamps and artistic<br \/>\nresponsibility. In other words, be the first Jordan Hill; not the<br \/>\nnext Mariah Carey.<\/p>\n","protected":false},"author":3,"featured_media":24450,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5768],"rating":[5616],"class_list":["post-35654","review","type-review","status-publish","has-post-thumbnail","artist-jordan-hill","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35654"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35654\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24450"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35654"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35654"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35654"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}