{"id":35667,"date":"1997-07-05T00:00:00","date_gmt":"1997-07-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/go-slow-down\/"},"modified":"1997-07-05T00:00:00","modified_gmt":"1997-07-05T00:00:00","slug":"go-slow-down","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/go-slow-down\/","title":{"rendered":"Go Slow Down"},"content":{"rendered":"<p>If any band was rescued from obscurity by chance, it was the<br \/>\nBoDeans. With the selection of their song &#8220;Closer To Free&#8221; to be<br \/>\nthe theme to Fox&#8217;s<br \/>\n<i>Party Of Five<\/i>, Kurt Neumann and Sam Llanas leapt from being<br \/>\nthe darlings of alternative radio to actual recognition by<br \/>\nmainstream radio. They may not have had superstar status, but it<br \/>\nwas a start.<\/p>\n<p>The album that spawned &#8220;Closer To Free,&#8221;<br \/>\n<i>Go Slow Down<\/i>, features some of this band&#8217;s finest moments &#8212;<br \/>\nas well as some of their weakest.<\/p>\n<p>To describe the BoDeans sound is a lot like trying to tell a<br \/>\nsmall child why the sky is blue. The best answer I can come up with<br \/>\nis they&#8217;re a mixture of rock and country, with just a hint of<br \/>\nTex-Mex thrown in for flavor. They defy true categorization,<br \/>\nbecause they do have a sound which is unique &#8212; and this may be why<br \/>\nmainstream radio was afraid to touch their music for so long.<\/p>\n<p>&#8220;Closer To Free&#8221; is a great song, but it is hardly the best<br \/>\nmaterial on the album. In fact, the whole first side of the album<br \/>\ncontains some of their strongest songwriting. &#8220;Save A Little&#8221; is a<br \/>\nrolling mixture of wah-wah and skiffle which makes you want to get<br \/>\nup and dance a bit. When the liner notes to &#8220;In Trow&#8221; claim that<br \/>\nthis song may be the best thing they&#8217;ve ever recorded, they&#8217;re not<br \/>\nkidding. It reminds me a lot of Fleetwood Mac&#8217;s &#8220;Never Going Back<br \/>\nAgain,&#8221; and I wish this one was longer than the 54 seconds that it<br \/>\nis. Even the shuffle of the title track, which is slower than I<br \/>\nwould have liked it to be, is infectiously wonderful. Neumann and<br \/>\nLlanas seem like they can do no wrong.<\/p>\n<p>The second side weakens quite a bit. Sure, &#8220;Cold Winter&#8217;s Day&#8221;<br \/>\nis a haunting track which seems to be based on a true story. But<br \/>\nothers get a little preachy. &#8220;The Other Side,&#8221; a song about<br \/>\nsuicide, fails to take off &#8211; and it does seem to be pro-suicide, a<br \/>\nsubject which I am a little touchy about. The themes of the other<br \/>\nsongs &#8212; one&#8217;s sex drive (&#8220;Feed The Fire&#8221;), loneliness<br \/>\n(&#8220;Something&#8217;s Telling Me&#8221;) and the music business (&#8220;Stay On&#8221;) all<br \/>\njust don&#8217;t have the creative spark that made the first half of<br \/>\n<i>Go Slow Down<\/i> such a wonderful album.<\/p>\n<p>The only other thing that may distract listeners of the album is<br \/>\nthe fact that the BoDeans are an acquired taste. Having been a<br \/>\nlistener since their 1989 album<br \/>\n<i>Home<\/i>, I am quite used to the quirkiness of the band. (I<br \/>\nwould disagree with CDNow, who claim the Beat Farmers &#8212; who were a<br \/>\nmixture of rock and comedy &#8211; are a similar artist in style.) Albums<br \/>\nlike<br \/>\n<i>Go Slow Down<\/i> are not easily digested in one listen &#8212; it<br \/>\ntakes a couple spins in the tape deck before the strengths and<br \/>\nweaknesses can be clearly heard.<\/p>\n<p>Producer T-Bone Burnett, who did such a great job on Counting<br \/>\nCrows&#8217; debut, does seem like he&#8217;s captured the essence of Neumann<br \/>\nand Llanas quite well, and shows how talented a producer he is.<\/p>\n<p>\n<i>Go Slow Down<\/i> is a solid half-album, with some songs that<br \/>\nprove that this band deserves wider airplay than they have gotten<br \/>\nover the years. The other cuts are to be approached at your own<br \/>\nrisk.<\/p>\n","protected":false},"author":2,"featured_media":24463,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5778],"rating":[5612],"class_list":["post-35667","review","type-review","status-publish","has-post-thumbnail","artist-bodeans","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35667"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35667\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24463"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35667"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35667"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35667"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}