{"id":35668,"date":"1997-07-06T00:00:00","date_gmt":"1997-07-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/borderline\/"},"modified":"1997-07-06T00:00:00","modified_gmt":"1997-07-06T00:00:00","slug":"borderline","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/borderline\/","title":{"rendered":"Borderline"},"content":{"rendered":"<p>In the world of country music, only a few names are as common as<br \/>\nmajor rock stars&#8217;. One of them is Brooks &#038; Dunn, whose recent<br \/>\nhit &#8220;My Maria&#8221; catapaulted them into superstardom. A song which<br \/>\nsuccessfully bridged the gap between rock and country their cover<br \/>\nof this song had people who normally hate country music doing<br \/>\ndouble-takes.<\/p>\n<p>Their most recent album<br \/>\n<i>Borderline<\/i> is a fine example of nouveau country, but it also<br \/>\nshows the natural limitations of the music.<\/p>\n<p>If you pick up this album expecting all songs to sound like &#8220;My<br \/>\nMaria,&#8221; you will be sadly disappointed with the remaining ten<br \/>\ntracks. However, try to keep an open mind, and you will be in for<br \/>\nan enjoyable experience. Cuts like &#8220;A Man This Lonely&#8221; and &#8220;I Am<br \/>\nThat Man&#8221; show why Kix Brooks and Ronnie Dunn are at the top of<br \/>\ntheir game. The songwriting is excellent, as is the musicianship.<br \/>\nThe album&#8217;s closer, &#8220;White Line Cassanova,&#8221; is a freight train<br \/>\nchuggin&#8217; at you full blast, and when it hits, it feels great.<\/p>\n<p>What makes this group stand out for me are the sparing use of<br \/>\ntwo traditional country &#8220;items&#8221;. First, the vocal hiccup that so<br \/>\nmany artists feel obliged to use &#8211; I happen to hate ir, and was<br \/>\nrelieved that Brooks &#038; Dunn don&#8217;t use it often. Second, pedal<br \/>\nsteel guitars. Sure, they&#8217;re here, but they seem to often take a<br \/>\nbackseat to the singing and other instruments. The pedal steel can<br \/>\nbe a pretty guitar if not used in excess &#8211; and I have not heard<br \/>\nmany pedal steel players who can claim to use moderation.<\/p>\n<p>But while<br \/>\n<i>Borderline<\/i> shows how country music has matured into the<br \/>\npopular music form it is today, it slao shows one problem that has<br \/>\nbeen at the heart of country music since the beginnings: reliance<br \/>\non cheatin&#8217; songs and stereotypes. Songs like &#8220;Mama Don&#8217;t Get<br \/>\nDressed Up For Nothing&#8221; do put a fresher twist on things, but<br \/>\nothers like &#8220;More Than A Margarita&#8221; fall back into the broken heart<br \/>\ndrowned by booze &#8216;n&#8217; blooze tracks. As for the stereotypes &#8211; if I<br \/>\nwere to claim that country music was redneck music (which I&#8217;m not &#8211;<br \/>\nso don&#8217;t send threatening e-mails), I&#8217;d be at the top of the list<br \/>\nfor a public lynching. But Brooks &#038; Dunn can write a song<br \/>\ncalled &#8220;Redneck Rhythm &#038; Blues&#8221; and it&#8217;s cool. Guys, got some<br \/>\nnews for you &#8211; it&#8217;s not just Southerners who listen to country<br \/>\nthese days.<\/p>\n<p>\n<i>Borderline<\/i> also may not appeal to people who long for the<br \/>\nold days of country music &#8211; e.g., Hank Williams, Willie Nelson,<br \/>\nMerle Haggard, Patsy Cline&#8230; you get the drift. I guess if I were<br \/>\nheavy into country, I could understand people&#8217;s opposition to the<br \/>\nmusic&#8217;s evolution. But as music exists, music evolves, and I think<br \/>\nthe music&#8217;s progress has led it to increased popularity &#8211; which<br \/>\nisn&#8217;t a bad thing.<\/p>\n<p>Brooks &#038; Dunn can glorify in the fact they have crafted a<br \/>\nfine album here, but I would challenge them to try to break some of<br \/>\nthe stereotypes that country music has. If they can do this, than<br \/>\nthe success of<br \/>\n<i>Borderline<\/i> can only be seen as a beginning.<\/p>\n","protected":false},"author":2,"featured_media":24464,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5779],"rating":[5615],"class_list":["post-35668","review","type-review","status-publish","has-post-thumbnail","artist-brooks-dunn","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35668"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35668\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24464"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35668"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35668"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35668"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}