{"id":35689,"date":"1997-07-28T00:00:00","date_gmt":"1997-07-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/toni-braxton\/"},"modified":"1997-07-28T00:00:00","modified_gmt":"1997-07-28T00:00:00","slug":"toni-braxton","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/toni-braxton\/","title":{"rendered":"Toni Braxton"},"content":{"rendered":"<p>Yesterday when I visited our local music superstore with my best<br \/>\nfriend Prayer, I happened upon a CD in the import section made by<br \/>\n&#8220;The Braxtons&#8221;. &#8220;Pop quiz, Prayer &#8230; who does this remind you<br \/>\nof?&#8221;<\/p>\n<p>&#8220;Toni. When is the<br \/>\n<i>shibal<\/i> Puff Daddy coming out?&#8221;<\/p>\n<p>Lo and behold, the threesome were her sisters (only the blindest<br \/>\nof the blind wouldn&#8217;t see the resemblence). It was way too<br \/>\nexpensive so I didn&#8217;t buy it, but I did notice that the cover and<br \/>\nback pic was surprisingly similar to Toni&#8217;s former day pics;<br \/>\ndripping with ambition. A family thing?<\/p>\n<p>Before the First Braxton released her establishing album<br \/>\n<i>Secrets<\/i>, she had one of the most successful debut albums of<br \/>\nthat year and several &#8220;music experts&#8221; tagged her as a surefire<br \/>\nsuccess in the coming years. She also made popular a new kind of<br \/>\npop music; the Midtempo, a cross between R&#038;B and rock<br \/>\nballads.<\/p>\n<p>The album<br \/>\n<i>Toni Braxton<\/i> is alive with these borderline acoustics except<br \/>\nfor one classic ballad called &#8220;Best Friend&#8221;. It gets tiring in<br \/>\n&#8220;Seven Whole Days&#8221;, &#8220;I Belong To You&#8221; and &#8220;How Many Ways&#8221; but the<br \/>\nrest of it is compensated by either good themes or good delivery.<br \/>\nMaterial-wise much of it is like reading<br \/>\n<i>Waiting To Exhale<\/i> (well, at least I found myself juxtaposing<br \/>\nscenes) which is guarenteed to appeal to popular taste.<\/p>\n<p>Take away the aforementioned tiring tracks and you&#8217;re still left<br \/>\nwith nine good ones. I did flinch in the high notes of &#8220;Another Sad<br \/>\nLove Song&#8221; (pushing the throat; baaaaad), and didn&#8217;t think it was<br \/>\nanything special until Prayer pointed out that my attention always<br \/>\nwandered after the first verse. His meaning; her emoting gets good<br \/>\naround the end. &#8220;Breathe Again&#8221;, however, fully captured my<br \/>\nattention; breathless, smooth, and fully cohesive, it is her<br \/>\nsignature track hands-down. Elements of this song are used<br \/>\nthroughout the album.<\/p>\n<p>There are two heavier-background midtempo tracks &#8220;Spending My<br \/>\nTime With You&#8221; and &#8220;Love Should Have Brought You Home&#8221; which makes<br \/>\nher sing a little faster. It&#8217;s also shown later that she could pull<br \/>\noff uptempo (Soul Conventional remix of &#8220;Unbreak My Heart&#8221;) but<br \/>\nthese are an excellent preview; all the texture makes it sound like<br \/>\nhip-hop, but in a more cohesive level (sample-happy songs never did<br \/>\nimpress me too much).<\/p>\n<p>She shows the range of her voice in &#8220;You Mean The World To Me&#8221;<br \/>\nand &#8220;Best Friend&#8221;, and also shows diva potential in the latter,<br \/>\nwhich she co-wrote and co-produced. After a small interlude<br \/>\n(&#8220;reprise&#8221;) of &#8220;Breathe Again&#8221;, the album is over.<\/p>\n<p>Her distinct style is simply gone in her second album and maybe<br \/>\nthat&#8217;s a relief; it&#8217;s not a package that could work twice, and a<br \/>\nspin-off of &#8220;Breathe Again&#8221; might not have been successful. The<br \/>\nsound gets sexier, the texture mellow and sticky. Bigger names in<br \/>\nthe credits, lower notes in the score.<\/p>\n<p>But that&#8217;s another review.<\/p>\n","protected":false},"author":3,"featured_media":24485,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5795],"rating":[5612],"class_list":["post-35689","review","type-review","status-publish","has-post-thumbnail","artist-toni-braxton","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35689"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35689\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24485"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35689"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35689"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35689"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}