{"id":35696,"date":"1997-08-05T00:00:00","date_gmt":"1997-08-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/stripped\/"},"modified":"1997-08-05T00:00:00","modified_gmt":"1997-08-05T00:00:00","slug":"stripped","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/stripped\/","title":{"rendered":"Stripped"},"content":{"rendered":"<p>For most of their 30-plus year career,the Rolling Stones have<br \/>\nhad problems translating their power in the studio to live<br \/>\nrecordings. They always tend to go into &#8220;hyperdrive,&#8221; speeding up<br \/>\nthe performances and leaving the listener tired, confused and<br \/>\nunsatisfied.<\/p>\n<p>Their 1996 release<br \/>\n<i>Stripped<\/i>, however, features some of the best live work this<br \/>\nband has ever done &#8211; if only it were really a live album.<\/p>\n<p>Mick Jagger and crew find themselves captured on stage in<br \/>\nHolland and France,banging out some old favorites as well as some<br \/>\nsongs I&#8217;m not accustomed hearing the band perform. However, a good<br \/>\nportion of the album is taken from rehearsals at other locations on<br \/>\nthe tour &#8211; and this is what leaves me quite disappointed.<\/p>\n<p>The foursome (c&#8217;mon, guys, why don&#8217;t you recognize Darryl Jones<br \/>\nand make him a full-fledged member of the band?) open up with a<br \/>\npowerful acoustic version of &#8220;Street Fighting Man,&#8221; a song which<br \/>\nhas never sounded more relaxed or powerful. The guitar work of<br \/>\nKeith Richards and Ron Wood is at its crispest since<br \/>\n<i>Tattoo You<\/i>, and the acoustic setting of the album may be<br \/>\nexactly the atmosphere the Stones have been looking for throughout<br \/>\nthe &#8217;80s. Their cover of &#8220;Like A Rolling Stone&#8221; is energetic and a<br \/>\ndefinite change for the Stones &#8211; maybe they should turn to covers a<br \/>\nlittle more often.<\/p>\n<p>But as the recording turns to the rehearsals, you find out you<br \/>\nmiss the tension of the live crowd waiting for Jagger et al. to<br \/>\nplow new ground. I don&#8217;t think I&#8217;ve ever heard a more beautiful<br \/>\nversion of &#8220;Wild Horses&#8221; by the Stones &#8211; pity it wasn&#8217;t in front of<br \/>\nthe crowd. Richards also gets a chance to shine on &#8220;Slipping Away,&#8221;<br \/>\nfurther proof that maybe Keef should have been given a shot as lead<br \/>\nthroat more often.<\/p>\n<p>And it&#8217;s not that I object to including material from the<br \/>\nrehearsals &#8211; but when<br \/>\n<i>Stripped<\/i> is touted as a live album, I expect to hear the<br \/>\ncrowd roaring in the background more often than not. Then again,<br \/>\nremember that the Stones always seem to tense up and speed up in<br \/>\nfront of an audience &#8211; while this album has a relaxed, refreshing<br \/>\nfeeling.<\/p>\n<p>One of my favorite tracks here is &#8220;Sweet Virginia,&#8221; a song which<br \/>\noffers more proof that the Rolling Stones are far from washed up<br \/>\ndespite three decades in the business. Charlie Watts provides a<br \/>\nsolid backbeat, as usual, while producer Don Was adds in a touch of<br \/>\norgan to keep things lively.<\/p>\n<p>So is<br \/>\n<i>Stripped<\/i> a good album or not? In one sense, I guess it is &#8211;<br \/>\nJagger and crew have never sounded better on stage, even without an<br \/>\naudience in front of them. But in another sense, someone thinking<br \/>\nthis is another live album &#8211; if I count right, the sixth in their<br \/>\ncareer &#8211; will be somewhat disappointed.<\/p>\n<p>This disc is also an enhanced CD, though my promotional copy,<br \/>\nfor some reason,didn&#8217;t have these features. So, at least you&#8217;ll<br \/>\nhave something to look forward to discovering on your own.<\/p>\n","protected":false},"author":2,"featured_media":24493,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5665],"rating":[5612],"class_list":["post-35696","review","type-review","status-publish","has-post-thumbnail","artist-the-rolling-stones","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35696"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35696\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24493"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35696"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35696"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35696"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}