{"id":35697,"date":"1997-08-06T00:00:00","date_gmt":"1997-08-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/history-past-present-and-future-book-i\/"},"modified":"1997-08-06T00:00:00","modified_gmt":"1997-08-06T00:00:00","slug":"history-past-present-and-future-book-i","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/history-past-present-and-future-book-i\/","title":{"rendered":"History: Past, Present And Future Book I"},"content":{"rendered":"<p>I had to be very gentle with one of my friend-enemies at school<br \/>\nwhen I found out that he still thought Jacko &#8230; err, Jackson was<br \/>\nthe King of Pop. So I empathically counted off the reasons why I<br \/>\nhated<br \/>\n<i>HIStory<\/i> off on my fingers and found myself thinking, infront<br \/>\nof my speechless friend, this would make a review decent enough for<br \/>\nMr. Thelen. So Jong-Hak-ah, I hope you&#8217;re reading this.<\/p>\n<p>The twenty-something dollars are not a total loss; I do like<br \/>\nDisc One, which is a greatest hits package. And we all know that<br \/>\nJackson does have oodles of great hits. I&#8217;ve always thought of<br \/>\n&#8220;Billie Jean&#8221; as a potential &#8220;Papa Don&#8217;t Preach&#8221; and admired his<br \/>\ncomputer tailoring in &#8220;The Way You Make Me Feel&#8221; plus others.<br \/>\nJackson is a very rare artist who can actually make computer music<br \/>\nsound like, um, computer music, and we will be forever grateful for<br \/>\nhis role in bringing multi-texturing to a new overproduced<br \/>\nlevel.<\/p>\n<p>And it&#8217;s undeniable that Jackson goes all the way (strange way<br \/>\nof putting that; the world has turned into a mob of would-be<br \/>\nMichael-haters). He doesn&#8217;t have an energetic voice but &#8220;Wanna Be<br \/>\nStarting Something&#8221; and &#8220;Beat It&#8221; (of course) have a strong edge to<br \/>\nthem. His vocal technique sickens me in &#8220;Heal The World&#8221; and &#8220;Rock<br \/>\nWith You&#8221; but it&#8217;s thrilling in &#8220;Black Or White&#8221; and &#8220;Man In The<br \/>\nMirror&#8221;. His ballads range from the horrific (&#8220;She&#8217;s Out Of My<br \/>\nLife&#8221;, and DO I blame you MJ) to the passable (&#8220;I Just Can&#8217;t Stop<br \/>\nLoving You&#8221;). Oh yeah, and the laughable stupidheaded-ness of &#8220;The<br \/>\nGirl Is Mine&#8221;.<\/p>\n<p>Ah, Disc Two. (JB rubs his hands; sparks fly)<\/p>\n<p>So, Michael; WHAT HAPPENED??? I mean, is it Lisa Marie (&#8220;Your<br \/>\nbeing provides the star that brightens my galaxy and the force that<br \/>\nstrengthens me. Love, Michael&#8221; &#8211; liner notes; I&#8217;m not kidding!) or<br \/>\nsomething? This new-found depression is scarier than<br \/>\n&#8220;Thriller&#8221;.<\/p>\n<p>Now that I got the snide remarks out of the way, allow me to be<br \/>\nmore specific. One: &#8220;Scream&#8221;. Two people with the wimpiest voices<br \/>\nin pop tackle a heavy scream fight with a<br \/>\npseudo-political-awareness theme and the result is a track that<br \/>\n&#8220;really &#8230; makes me &#8230; want t-&#8221; (sorry)<\/p>\n<p>Two: &#8220;They Don&#8217;t Really Care About Us&#8221;. I still can&#8217;t believe<br \/>\nthey blotted out &#8220;Jew&#8221; and &#8220;kike&#8221;. This song is SUPPOSED to be<br \/>\nrace-conscious. Sure I winced when I heard the word &#8220;inkhead&#8221;, but<br \/>\nit&#8217;s a necessesary evil; certain people may have done more damage<br \/>\nthan they think. It&#8217;s typical of Jackson&#8217;s style (his better style)<br \/>\nand it would&#8217;ve been even better if they had edited out that<br \/>\nannoying series of hooting he does along with the &#8220;anti-semitic&#8221;<br \/>\nlyrics.<\/p>\n<p>Three: &#8220;This Time Around&#8221;, &#8220;D.S.&#8221;, &#8220;Money&#8221;, &#8220;Come Together&#8221; and<br \/>\n&#8220;2 Bad&#8221;. Five songs to portray Jackson&#8217;s new outlook on Real Life.<br \/>\nComplete with the word &#8220;shit&#8221;, gunshots, and pro-materialism; it&#8217;s<br \/>\nalways sad to see innocence lost (or so I gather).<\/p>\n<p>Four: &#8220;Childhood&#8221; and &#8220;Tabloid Junkie&#8221;. First, an appealing<br \/>\napproach. Then a dissing approach. They both don&#8217;t work; tabloids<br \/>\nwill forever love Jackson (the higher you are, the more fun it is<br \/>\nfor other people to watch you fall). &#8220;Childhood&#8221; is way too<br \/>\nsaccharine for me to believe it (and I&#8217;m a Mariah Carey fan, too)<br \/>\nand &#8220;Tabloid Junkie&#8221; is too obvious.<\/p>\n<p>Five: &#8220;HIStory&#8221;, &#8220;Little Susie&#8221; and &#8220;Smile&#8221;. The three are<br \/>\npathetic attempts at, respectively, sampling, awareness, and<br \/>\nremaking.<\/p>\n<p>But Michael Jackson is an artist in the end. &#8220;Stranger In<br \/>\nMoscow&#8221; is an honest account from within laid over a beautifully<br \/>\nvisual setting. &#8220;Earth Song&#8221; is what &#8220;Heal The World&#8221; should&#8217;ve<br \/>\nbeen; less naive and more epic (it&#8217;s a huge planet). For once even<br \/>\nthe hooting seems to be in place.<\/p>\n<p>It&#8217;s fashionable to bash Michael Jackson these days (number<br \/>\nthree under Mark Fhurman and the Spice Girls) and Jong-Hak did<br \/>\nplayfully bash Carey sometime back (I NEVER forget, nor<br \/>\n<i>forgive<\/i>, these instances; just so you&#8217;d know). And I admit<br \/>\nthat it looks very immature and unprofessional, how I laid out<br \/>\nthese &#8220;One, Two, Three&#8221; reasons. But this album has had its share<br \/>\nof hype (there&#8217;s a commentary by Jackie O herself in the booklet,<br \/>\nfor pete&#8217;s sake) and I see no serious hurt in flaunting my<br \/>\nno-wisdom youth once in a while (I ask you: how long would I get to<br \/>\ndo it?).<\/p>\n<p>If you feel nauseated, I&#8217;m sure that Mr. Thelen, who&#8217;s<br \/>\n<i>slightly<\/i> more mature than I am, will be back tomorrow.<\/p>\n","protected":false},"author":3,"featured_media":24494,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5802],"rating":[5612],"class_list":["post-35697","review","type-review","status-publish","has-post-thumbnail","artist-michael-jackson","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35697"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35697\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24494"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35697"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35697"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35697"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}