{"id":35698,"date":"1997-08-07T00:00:00","date_gmt":"1997-08-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/high-flyin-kid-stuff\/"},"modified":"1997-08-07T00:00:00","modified_gmt":"1997-08-07T00:00:00","slug":"high-flyin-kid-stuff","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/high-flyin-kid-stuff\/","title":{"rendered":"High Flyin&#8217; Kid Stuff"},"content":{"rendered":"<p>Whenever I receive a &#8220;welcome to the neighborhood&#8221; package from<br \/>\na newer label, I always open it with some trepidation. I can&#8217;t help<br \/>\nit &#8211; I listened to so much &#8220;must-have-been-taped-in-the-bathroom&#8221;<br \/>\ncrap when I was in college radio that I usually call in the Pierce<br \/>\nMemorial Archives Bomb Squad (&#8220;I can&#8217;t believe we&#8217;re not getting<br \/>\npaid for this&#8221;) to open the envelope.<\/p>\n<p>This time around, the first disc I grabbed was the second<br \/>\nfull-length release by Shallow,<br \/>\n<i>High Flyin&#8217; Kid Stuff<\/i>. How can you not like an album with a<br \/>\nsong named &#8220;Missile Command&#8221;? (Though, as a devotee of the MAME<br \/>\nemulator, I must point out the video game in the artwork is<br \/>\nactually &#8220;Defender.&#8221; True die-hard gamers will know about MAME &#8211;<br \/>\ncheck it out while it&#8217;s still legal.)<\/p>\n<p>Mix the sonic energy of the Cocteau Twins with Sonic Youth and<br \/>\nadd a singer who is a cross between Juliana Hatfield and Harriet<br \/>\nWheeler of The Sundays, and you have Shallow. This album is almost<br \/>\nimmediately endearing, and is one you&#8217;ll find you can&#8217;t take off<br \/>\nthe CD player.<\/p>\n<p>The husband\/wife team of bassist Jason Shields and<br \/>\nguitarist\/flutist\/vocalist Julie Shields is the backbone of this<br \/>\ngroup, with Ryan Newton providing &#8220;guitar sounds.&#8221; (Live drums are<br \/>\nprovided by three different individuals.) With the first notes of<br \/>\n&#8220;Missile Command,&#8221; Julie Shields immediately identifies this as a<br \/>\nsonic journey worth taking. The layering of guitars and guitar<br \/>\n&#8220;sounds&#8221; along with the trap work of Stephen Kretsinger (who<br \/>\nprovides drums on all but two tracks), and you&#8217;ll find yourself<br \/>\nreaching for the earphones to truly take this journey in. The band<br \/>\nknows when it&#8217;s time to get gentle and when to knock the listener<br \/>\non his\/her\/its ass &#8211; something you don&#8217;t often find in a band so<br \/>\nyoung.<\/p>\n<p>If the album were all songs related to video games &#8211; as the<br \/>\nfollowing track &#8220;Light Saber And The Video Game God&#8221; hints at &#8211;<br \/>\nwe&#8217;d be looking at an alternative Buckner &#038; Garcia (remember<br \/>\n<i>those<\/i> losers, kids?). Fortunately, they quickly branch out<br \/>\ninto a different direction. &#8220;You Give Me Butterflies&#8221; is a song<br \/>\nabout intense love &#8211; and, apparently, the loss of that feeling of<br \/>\nexcitement. Julie Shields emotes this song well, bringing you on<br \/>\nthe emotional rollercoaster without making it too much like a<br \/>\nclassic tragedy.<\/p>\n<p>The highlight of this album is the song I thought would have<br \/>\nbeen its downfall &#8211; &#8220;Studio 54 (It must be nice).&#8221; A bit of<br \/>\nbackground: I still believe to this day that disco sucks, and it&#8217;s<br \/>\nalive and well and living under the assumed name (something I can<br \/>\nrelate to very well, having originally written under one) of<br \/>\ntechno, house, rave&#8230; what are they calling it this week? Instead<br \/>\nof weakly resorting to this form of music (as they slyly hint at in<br \/>\nthe opening bars), Shallow quickly takes it to a whole new level.<br \/>\nJulie Shields shines on this track, and is easily my favorite on<br \/>\nthe album.<\/p>\n<p>\n<i>High Flyin&#8217; Kid Stuff<\/i> is filled with these moments &#8211; whether<br \/>\nit&#8217;s the stark arrangements of &#8220;Birthday&#8221; to the instrumental<br \/>\nwonders of &#8220;Wash, Dry, Fold&#8221; (where the use of the flute adds to<br \/>\nthe power of the song) to the slow build on &#8220;Slowdrone,&#8221; Shallow<br \/>\nmanage to keep things sounding fresh throughout the album.<\/p>\n<p>The only real weakness I can see is the multi-tracking of vocal<br \/>\nparts. Sure, it&#8217;s very pretty at times, and is an intregal part of<br \/>\nShallow&#8217;s sound. However, I question how difficult this would be to<br \/>\npull off in concert. (I missed my opportunity to find out a few<br \/>\nweeks ago when the band was in Chicago &#8211; sometimes it&#8217;s a curse<br \/>\nplaying Mr. Mom.)<\/p>\n<p>The sound begins to get a little tiresome near the end &#8211;<br \/>\nespecially on the feedback-driven &#8220;King Of The Wide Eyed Girls,&#8221;<br \/>\nwhich stretches a little long at six minutes. Still, this is a<br \/>\nsmall flaw on a great album.<\/p>\n<p>As I&#8217;ve noted in many other reviews, the biggest challenge<br \/>\nShallow will face is gaining people&#8217;s attention. A small,<br \/>\nindependent label is just the atmosphere a band like this needs to<br \/>\nbuild up a fan base, but they face an uphill climb against some of<br \/>\nthe watered-down shit the majors release in the name of pop. (This<br \/>\nis coming from the mouth of someone desparately trying to get those<br \/>\nsame labels to notice this site.) Three words: it&#8217;s not fair &#8211; to<br \/>\nthe band, that is.<\/p>\n<p>\n<i>High Flyin&#8217; Kid Stuff<\/i> is an album that deserves to be given<br \/>\na fair shake in the competitive world of alternative music &#8211; and if<br \/>\nthese musicians continue to put out high-quality work like this, I<br \/>\nthink they&#8217;ll get their chance real soon. This one is definitely a<br \/>\npleasant surprise, and is a candidate for my &#8220;Top Ten&#8221; list of<br \/>\n1997.<\/p>\n","protected":false},"author":2,"featured_media":24495,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5803],"rating":[5613],"class_list":["post-35698","review","type-review","status-publish","has-post-thumbnail","artist-shallow","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35698"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35698\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24495"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35698"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35698"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35698"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}