{"id":35699,"date":"1997-08-08T00:00:00","date_gmt":"1997-08-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/extreme-ii-pornograffitti\/"},"modified":"1997-08-08T00:00:00","modified_gmt":"1997-08-08T00:00:00","slug":"extreme-ii-pornograffitti","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/extreme-ii-pornograffitti\/","title":{"rendered":"Extreme II: Pornograffitti"},"content":{"rendered":"<p>\n<i>Pornograffitti<\/i> came at the tail end of the heavy metal Roman<br \/>\nempire in the late 80s and early 90s. While Nirvana would<br \/>\neventually slash the jugular vein of this beast, it was still an<br \/>\namusing era to look back on. I have to admit Cinderella&#8217;s<br \/>\n<i>Night Songs<\/i> is still one of my favorite CDs that&#8217;s not on<br \/>\npublic display in my apartment.<\/p>\n<p>Extreme was ridiculous: they had big hair, their lyrics came<br \/>\nstraight out of a ninth grade journal, but they were indeniably<br \/>\nfun. Though Gary Cherone should be sending a royalty check to Paul<br \/>\nStanley, his voice lifted Extreme out of the wuss metal pits<br \/>\noccupied by White Lion and Winger.<\/p>\n<p>For slobbering musicians out there, guitarist Nuno Bettencourt<br \/>\ngave a performance that was par none. His solos on &#8220;Li&#8217;l Jack<br \/>\nHorny&#8221;, &#8220;It &#8216;s AMonster&#8221; and &#8220;He-Man Woman Hater&#8221; were jaw dropping<br \/>\nmarvels. Even a staunch Velvet Underground fan would have to fight<br \/>\noff the urge to pick up the ol&#8217; air guitar in<br \/>\n<i>Pornograffitti<\/i>&#8216;s best moments.<\/p>\n<p>\n<i>Pornograffitti<\/i> already ranks up in my top ten &#8220;guitar&#8221;<br \/>\nalbums. What&#8217;s truely great though about the album is the<br \/>\nharmonies. The lyrics for &#8220;When I&#8217;m President&#8221; are more dated than<br \/>\nTeenage Mutant Ninja Turtles but the harmony play between<br \/>\nBettencourt and Cherone still are hard to resist. For full no-brain<br \/>\nfun,<br \/>\n<i>Pornograffitti<\/i> rarely disappoints.<\/p>\n<p>Unfortuantely, the ever present power ballad did this band in.<br \/>\n&#8220;More Than Words&#8221;, a beautiful, minimal acoustic number made the<br \/>\nband huge, but it only represented about a tenth of what Extreme<br \/>\ncould do. Any person who bought the album from hearing &#8220;More Than<br \/>\nWords&#8221; on a soft rock station had to be shocked when the white boy<br \/>\nParliament nod &#8220;Get the Funk Out&#8221; came on. For the band, &#8220;More Than<br \/>\nWords&#8221; is the song that will still get airplay. The rest of the<br \/>\nalbum is either too innocent and poppy for the Tool-dominated hard<br \/>\nrock stations or from the fact that many radio stations don&#8217;t want<br \/>\nto acknowledge that cheesy heavy metal were their bread and butter<br \/>\nin the late 80s.<\/p>\n<p>Aside from the funk experimentation, Extreme tried to cover<br \/>\nother genres of music in<br \/>\n<i>Pornograffitti<\/i>, with differing amounts of success. The<br \/>\nBeatles influenced &#8220;Song For Love&#8221; has a nice sing-along appeal to<br \/>\nit. Their nod to Sinatra lounge territory, &#8220;When I First Kissed<br \/>\nYou&#8221; fell flat though. Surprisingly though, that song came nearly<br \/>\nseven years before the lounge fad broke out. For that weak moment,<br \/>\n<i>Pornograffitti<\/i> was ahead of its time, savor the irony.<\/p>\n<p>The rest of the album does show a great deal of age, as with<br \/>\nmost heavy metal albums. The Desert Storm flag-waving patriotism of<br \/>\n&#8220;When I&#8217;m President&#8221; had me wincing, especially after hearing of<br \/>\nall the civilians lost in that war. Cherone also seemed to be<br \/>\nsuffering from a inner personality crisis in<br \/>\n<i>Pornograffitti<\/i>. In the title track, he damns our lustful<br \/>\nnature behind a crisp whallup of electric guitars. But &#8220;Suzi (Wants<br \/>\nHer All Day What?)&#8221; sounds like the exact song that Cherone would<br \/>\ncondemn.<\/p>\n<p>Okay, I got a little too analytical with the group there. Like<br \/>\ngangsta rap, lyrics take a full back seat for the sound. And few<br \/>\nmetal bands had the chops that Extreme possessed. Bassist Pat<br \/>\nBadger and drummer Paul Geary were never far behind the spotlight<br \/>\nthat Bettencourt and Cherone shined in. And when they all were on<br \/>\nthe same level&#8230;damn. In &#8220;He Man Woman Hater&#8221;, probably the finest<br \/>\nsong on the album, the chorus will be buzzing in your head like a<br \/>\ndouble gin and tonic. &#8220;Sooner or later you&#8217;ll be a he-man woman<br \/>\nhater\/it&#8217;s inevitable,&#8221; it&#8217;s not Voltaire, but its something that<br \/>\nyou can&#8217;t put out of your head, due to great musicianship.<\/p>\n<p>\n<i>Pornograffitti<\/i> was a mini-concept album, which Extreme would<br \/>\nembrace fully with their next release<br \/>\n<i>III Sides To Every Story<\/i>. It&#8217;s one of few concept albums<br \/>\nthat actually works. Most of the songs deal with sexual lust in one<br \/>\nway or another. What makes it work though is the songs are so<br \/>\nirresistable, it&#8217;s addictive, just as sex is.<\/p>\n<p>Other metal albums accomplished more than<br \/>\n<i>Pornograffitti<\/i>. Albums like Metallica&#8217;s<br \/>\n<i>Master Of Puppets<\/i>, AC\/DC&#8217;s<br \/>\n<i>Back In Black<\/i> and even Tool&#8217;s<br \/>\n<i>Aenima<\/i> have elevated heavy metal to new levels. What<br \/>\n<i>Pornograffitti<\/i> did best though is show heavy metal at its<br \/>\nmost appealing and accessible. A pretty boy lead singer, a killer<br \/>\nguitarist and harmonies straight out of the Beatles, it&#8217;s a<br \/>\nformula, though sadly dated, that Extreme had nailed down.<\/p>\n","protected":false},"author":7,"featured_media":24496,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5626],"rating":[5612],"class_list":["post-35699","review","type-review","status-publish","has-post-thumbnail","artist-extreme","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35699"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35699\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24496"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35699"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35699"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35699"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}