{"id":35706,"date":"1997-08-15T00:00:00","date_gmt":"1997-08-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ramones-mania\/"},"modified":"1997-08-15T00:00:00","modified_gmt":"1997-08-15T00:00:00","slug":"ramones-mania","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ramones-mania\/","title":{"rendered":"Ramones Mania"},"content":{"rendered":"<p>As hard as I try, I just don&#8217;t quite get The Ramones.<\/p>\n<p>Oh, sure, I love some of their songs. That&#8217;s what possessed me<br \/>\nto pick up their 1988 best-of<br \/>\n<i>Ramones Mania<\/i> in the first place. There are moments where<br \/>\nJoey and the boys are miles above their competition.<\/p>\n<p>But unlike other punk bands from the same time frame (Sex<br \/>\nPistols, Black Flag, etc.), with The Ramones, I guess you really<br \/>\nhad to be there. The hits are still incredible, but at times the<br \/>\ndisc sounds forced and aged.<\/p>\n<p>From the moment they &#8220;one-two-three-four&#8221;ed onto the scene in<br \/>\n1974, The Ramones became the godfathers of American punk &#8211; but I<br \/>\nthink this was the farthest thing from their minds. All these guys<br \/>\nwanted to do was to play rock &#8216;n&#8217; roll the only way they knew how &#8211;<br \/>\nfast, loud and truthful. There is still nothing more exciting than<br \/>\nhearing the first chorus of &#8220;Hey, ho &#8211; let&#8217;s go&#8221; on &#8220;Blitzkrieg<br \/>\nBop,&#8221; though I now prefer Die Toten Hosen&#8217;s cover of the song. For<br \/>\n132 seconds, time stands still, and the fury of the instruments is<br \/>\na glorious noise erupting from your speakers.<\/p>\n<p>Early on, you also saw this was a band who didn&#8217;t take<br \/>\nthemselves seriously. Anyone who took the lyrics to &#8220;Beat On The<br \/>\nBrat&#8221; seriously needed their head examined; this wasn&#8217;t a serious<br \/>\ncall to &#8220;beat on the brat with a baseball bat.&#8221; And if you needed a<br \/>\nsign as to how &#8220;seriously&#8221; the band took themselves, just turn to<br \/>\nthe tracks from the Phil Spector-produced<br \/>\n<i>End Of The Century<\/i> (the best example here is &#8220;Do You<br \/>\nRemember Rock &#8216;N&#8217; Roll Radio&#8221;). True punks would have thrown<br \/>\nSpector into their amplifiers; The Ramones allowed him to utilize<br \/>\nhis &#8220;Wall Of Sound&#8221; to distort theirs. My opinion: it was nice, but<br \/>\nit wasn&#8217;t The Ramones.<\/p>\n<p>Okay, enough babbling about the history of the band &#8211; you wanted<br \/>\na review, and you&#8217;re gonna get a review. The tracks that stand out<br \/>\non<br \/>\n<i>Ramones Mania<\/i> are, more often than not, the ones that are<br \/>\noccasionally heard on the radio. &#8220;I Wanna Be Sedated,&#8221; &#8220;Blitzkrieg<br \/>\nBop&#8221;&#8230; the ones that have been burned into our brains. Two<br \/>\nexceptions: &#8220;Cretin Hop&#8221; (originally from<br \/>\n<i>Rocket To Russia<\/i>) and a damn-near-perfect cover of the &#8217;60s<br \/>\nclassic &#8220;Needles And Pins.&#8221; While Joey Ramone&#8217;s vocals show their<br \/>\nlimits on this one (and I don&#8217;t think he&#8217;s ever pretended to be a<br \/>\ngood singer), he does an admirable job on the song. Another cover,<br \/>\n&#8220;Indian Giver,&#8221; is a flop from note one.<\/p>\n<p>The problem with the disc is that The Ramones are best if taken<br \/>\nin small dosages. This two-record slugfest ends up clocking in at<br \/>\njust over 50 minutes &#8211; and with 30 songs on it, no less. Still,<br \/>\nthere are times that one three-minute song seems to last hours.<br \/>\nCase in point: &#8220;Somebody Put Something In My Drink&#8221; off the Jean<br \/>\nBeauvoir-produced<br \/>\n<i>Animal Boy<\/i>. Cripes, if the whole album is like that one<br \/>\nsong, then I don&#8217;t think it&#8217;s worth my time checking it out. And if<br \/>\nthat&#8217;s Joey grunting out the vocals, then he needs to get back to<br \/>\nthe &#8220;New Yawk&#8221; style of singing he did so well.<\/p>\n<p>Other cuts on the album hold up okay on their own, like &#8220;We&#8217;re A<br \/>\nHappy Family,&#8221; &#8220;Teenage Lobotomy&#8221; and &#8220;Pinhead&#8221; &#8211; but the angst of<br \/>\na disco-infected &#8217;70s world doesn&#8217;t hold the piss and vinegar<br \/>\ntoday. &#8220;Rock &#8216;N&#8217; Roll High School&#8221; may have been fresh then, but<br \/>\nit&#8217;s so much fodder today. (The Ramones seemed to recognize this<br \/>\nfact, recently calling it a career, albeit an album or two too<br \/>\nlate.) Still others, like &#8220;The KKK Took My Baby Away,&#8221; were silly<br \/>\nthen, and they&#8217;re pointless now.<\/p>\n<p>And it&#8217;s not that the stuff sucks. &#8220;Bonzo Goes To Bitburg&#8221; is<br \/>\nactually a very well-written political criticism of then-president<br \/>\nReagan. Also working for the band&#8217;s behalf is they&#8217;ve often been<br \/>\nteamed up with excellent producers (Tommy Erdelyi, Spector, Ed<br \/>\nStasium) who knew how to use the studio to the band&#8217;s benefit. The<br \/>\ndrums on &#8220;I Wanna Be Sedated&#8221; are incredibly crisp, as is the<br \/>\nguitar work.<\/p>\n<p>It is an interesting picture of punk rock in its early stage<br \/>\nthrough the time period where &#8220;punk&#8221; was a four-letter word. And<br \/>\nwith the emergence of bands like Green Day who owe their present<br \/>\nsuccesses to bands like The Ramones, I think there will always be<br \/>\ninterest in the band. So,<br \/>\n<i>Ramones Mania<\/i> turns out to be a good starting point for<br \/>\npeople who are interested in seeing what the early days of punk<br \/>\nsounded like &#8211; bad pictures and all.<\/p>\n","protected":false},"author":2,"featured_media":24503,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7214],"rating":[5612],"class_list":["post-35706","review","type-review","status-publish","has-post-thumbnail","artist-the-ramones","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35706"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35706\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24503"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35706"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35706"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35706"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}