{"id":35711,"date":"1997-08-22T00:00:00","date_gmt":"1997-08-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/honky-chateau\/"},"modified":"1997-08-22T00:00:00","modified_gmt":"1997-08-22T00:00:00","slug":"honky-chateau","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/honky-chateau\/","title":{"rendered":"Honky Chateau"},"content":{"rendered":"<p>It may be hard to believe, but by 1972, Elton John was facing a<br \/>\nmusical identity crisis.<\/p>\n<p>He had been ambiguous about what style of music he was trying to<br \/>\nbe more faithful to in his previous albums, but with<br \/>\n<i>Honky Chateau<\/i>, his first chart-topper in the States, this<br \/>\ndilemma is painted even clearer. Whatever the struggles he was<br \/>\nfacing in the loyalties department, he and lyricist Bernie Taupin<br \/>\ncreated some solid performances on this one.<\/p>\n<p>Only two of the album&#8217;s ten songs may be &#8220;common knowledge&#8221; to<br \/>\nclassic rock fans &#8211; &#8220;Honky Cat&#8221; and &#8220;Rocket Man.&#8221; For now, we&#8217;re<br \/>\ngoing to put these aside &#8211; they weren&#8217;t what drew me to dig this<br \/>\none out of the Pierce Memorial Archives (free sticky-bun with every<br \/>\norder). It was courtesy of &#8220;CD 94.7&#8221;, a radio station in Chicago,<br \/>\ndusting off their copy of the same album and playing the track<br \/>\n&#8220;Hercules&#8221; off of it. I almost crashed my car in shock &#8211; where the<br \/>\nhell did<br \/>\n<i>this<\/i> one come from? (This is a station that mirrors our<br \/>\nphilosophy &#8211; call to people&#8217;s attention the great &#8220;forgotten&#8221;<br \/>\ntracks &#8211; could be why I listen to it a lot now.) This was a track<br \/>\nthat captured the doo-wop spirit perfectly &#8211; and, for once, it had<br \/>\nnothing to do with a Disney movie!<br \/>\n<i>(Editor&#8217;s note: This station has since gone off the air &#8211; too<br \/>\nbad they diverted from the all-inclusive style they started out<br \/>\nwith.)<\/i><\/p>\n<p>In a sense, I believe that &#8220;Hercules&#8221; was John&#8217;s cry out to the<br \/>\nworld that this was where his heart was &#8211; not with the light<br \/>\nballads that he became known for (and exclusively does now), not<br \/>\nthe mild rockers he would wing off. I really think he was<br \/>\ninterested in taking a fresh look at making doo-wop accessible for<br \/>\nthe &#8217;70s listener. Damn shame he didn&#8217;t examine this further &#8211; one<br \/>\ntrack in this vein leaves you wanting more.<\/p>\n<p>John also tries to explore a shuffle-style kind of rock on<br \/>\n&#8220;Honky Cat,&#8221; but I don&#8217;t think he succeeds. The track just lacks<br \/>\nsubstance and magic &#8211; I&#8217;m not sure how it&#8217;s remained popular today.<br \/>\nI can&#8217;t make the same criticisms of &#8220;Rocket Man,&#8221; which I would<br \/>\nargue is the best song Elton John ever did. It has everything &#8211; a<br \/>\ncatchy rhythm, powerful lyrics, a touch of pathos thrown in. Best<br \/>\nof all, it also shows off the power of his backing band &#8211; no<br \/>\nslouches in the musical department themselves. This song recently<br \/>\nhad new life breathed into it courtesy of an AT&#038;T commercial. I<br \/>\nwould defy anyone to prove to me why this isn&#8217;t a good track &#8211; even<br \/>\nthe metalheads who may have stumbled upon this by accident while<br \/>\nlooking for our Megadeth interview. (Before you flame me, give it a<br \/>\nspin and give it an<br \/>\n<i>honest<\/i>, fair listen.)<\/p>\n<p>For the remainder of<br \/>\n<i>Honky Chateau<\/i>, John and crew tend to sink back into a<br \/>\ncollection of the ballads and light pop that he had become known<br \/>\nfor in such a short time. Many of the cuts, like &#8220;Mellow,&#8221; &#8220;Amy&#8221;<br \/>\nand &#8220;Mona Lisas And Mad Hatters,&#8221; are quite good, though nothing<br \/>\nspecial. One cut, &#8220;I Think I&#8217;m Going To Kill Myself,&#8221; disturbs me &#8211;<br \/>\nsimply because it seems to treat the subject of teen suicide like a<br \/>\njoke. After a few listens, one can tell that John is<br \/>\noverexaggerating, but I don&#8217;t think many people &#8211; especially those<br \/>\nwho have loved ones or friends who have killed themselves &#8211; are<br \/>\nlaughing.<\/p>\n<p>There&#8217;s even a touch of gospel on this album &#8211; in the form of<br \/>\nthe track &#8220;Salvation.&#8221; Whether this was John showing he could adapt<br \/>\nto any musical form or another sign he was floundering in musical<br \/>\nconfusion, only he knows. But on many of the tracks, John allows<br \/>\nhis piano work to take a backseat to performers like Nigel Olsson,<br \/>\nDee Murray and Davey Johnstone. In retrospect, this was a brilliant<br \/>\nmove &#8211; they added so much to the basic track.<\/p>\n<p>\n<i>Honky Chateau<\/i> is a difficult listen. I tried listening to it<br \/>\nabout a month ago for inclusion here, but I just could not get into<br \/>\nit, what with my 16-month-old destroying anything of value in the<br \/>\napartment or my mind wandering. So, like any lazy music reviewer, I<br \/>\nput it aside and ignored it. But, now that I have cleared my mind<br \/>\nof extra baggage (and I own nothing of value anymore), I was able<br \/>\nto hear<br \/>\n<i>Honky Chateau<\/i> for the album it is. (This album, along with<br \/>\nmost of John&#8217;s early catalog, was remixed a year or two ago.) And,<br \/>\nif you&#8217;re able to keep an open mind about songs that haven&#8217;t gotten<br \/>\noodles of airplay, it turns out to be a fairly decent album worth<br \/>\nthe 40 minutes it takes to plow through it.<\/p>\n<p>\n<i>Honky Chateau<\/i> was the start of John&#8217;s big success in the<br \/>\nUnited States, and for good reason. Not being familiar with the<br \/>\nbulk of John&#8217;s catalog, I&#8217;ll stop short of calling it his best &#8211;<br \/>\nbut it&#8217;s a damn fine place to start.<\/p>\n","protected":false},"author":2,"featured_media":24508,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5678],"rating":[5617],"class_list":["post-35711","review","type-review","status-publish","has-post-thumbnail","artist-elton-john","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35711"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35711\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24508"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35711"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35711"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35711"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}