{"id":35725,"date":"1997-09-06T00:00:00","date_gmt":"1997-09-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deja-vu\/"},"modified":"1997-09-06T00:00:00","modified_gmt":"1997-09-06T00:00:00","slug":"deja-vu","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deja-vu\/","title":{"rendered":"Deja Vu"},"content":{"rendered":"<p>Borrowing Neil Young after his triumphant stint with Crazy Horse<br \/>\n(on<br \/>\n<i>Everybody Knows This Is Nowhere<\/i>) gave<br \/>\n<i>Deja Vu<\/i> a harder edged sound than<br \/>\n<i>Crosby, Stills, &#038; Nash<\/i>, released the previous year.<br \/>\nYoung&#8217;s primary contribution is his cutting guitar, memorably<br \/>\ndueling with Stills&#8217; more precise work on an electrified version of<br \/>\nJoni Mitchell&#8217;s &#8220;Woodstock.&#8221; His two writing contributions, the sad<br \/>\nbut beautiful &#8220;Helpless&#8221; and the dramatic epic &#8220;Country Girl,&#8221; are<br \/>\nalso stellar.<\/p>\n<p>Elsewhere, the songwriting is more evenly spread than the<br \/>\nprevious offering, which Stills dominated. David Crosby lends the<br \/>\ntheatrical &#8220;Almost Cut My Hair,&#8221; ultimately deciding against it<br \/>\nbecause &#8220;I feel like letting my freak flag fly,&#8221; and the strange,<br \/>\nharmony laden title track. Though of course the harmonies are<br \/>\nhighlights (after all, that&#8217;s what gives this band their identity),<br \/>\nthese tracks take off because of the raw, intricate lead guitar and<br \/>\nabsorbing bass lines supplied by Greg Reeves.<\/p>\n<p>For his part, Graham Nash lends two ultra catchy dippy hippy<br \/>\nanthems. &#8220;Teach Your Children&#8221; features the prominent pedal steel<br \/>\nguitar of Jerry Garcia, while &#8220;Our House&#8221; is a slight domestic tale<br \/>\nwith cartoonish (but enjoyable) vocal harmonies. Nash was always<br \/>\nthe poppiest writer of the bunch; never was that more apparent than<br \/>\nhere.<\/p>\n<p>Stills&#8217; &#8220;4 + 20&#8221; is a short acoustic ditty, and the Young\/Stills<br \/>\npenned &#8220;Everybody I Love You&#8221; contains a propulsive beat and<br \/>\nblaring guitar, but whose idealistic lyrics declared that this<br \/>\nWoodstock institution wasn&#8217;t ready to let that dream die, anchoring<br \/>\nthe 60&#8217;s to the 70&#8217;s. And Stills&#8217; &#8220;Carry On&#8221; is probably their best<br \/>\nsong, whose clean harmonies are matched to daring basslines and<br \/>\nharsh guitar heroics, creating a captivating brew. Though obviously<br \/>\nthe product of a certain period (hell, it helped define an era),<br \/>\n<i>Deja Vu<\/i> still sounds grand.<\/p>\n<p>Many people are surprised at the band&#8217;s meager recorded output<br \/>\n(it wasn&#8217;t until 1988&#8217;s underwhelming<br \/>\n<i>American Dream<\/i> that Crosby, Stills, Nash, &#038; Young got<br \/>\nback together in the studio, though they made two albums without<br \/>\nYoung in the meantime). Something always seemed to come between<br \/>\nthem to compromise their ability to make music together, most<br \/>\nnotably David Crosby&#8217;s drug problem. In truth, they made the Rock<br \/>\nn&#8217; Roll Hall of Fame more because of their mythical stature and<br \/>\nhistorical importance than due to an impartial judging of their<br \/>\nrecorded output. However flawed, they were a band of many charms<br \/>\nwhose sum was clearly greater than their individual parts (except<br \/>\nfor Young, whose solo career easily dwarfs his fellow bandmates).<br \/>\nFor anyone who has ever wondered what the fuss was about with these<br \/>\nguys, their strengths were never more apparent than on<br \/>\n<i>Deja Vu<\/i>.<\/p>\n","protected":false},"author":6,"featured_media":24522,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5822],"rating":[5613],"class_list":["post-35725","review","type-review","status-publish","has-post-thumbnail","artist-crosby-stills-nash-young","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35725"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35725\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24522"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35725"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35725"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35725"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}