{"id":35798,"date":"1997-11-12T00:00:00","date_gmt":"1997-11-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-was\/"},"modified":"1997-11-12T00:00:00","modified_gmt":"1997-11-12T00:00:00","slug":"this-was","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-was\/","title":{"rendered":"This Was"},"content":{"rendered":"<p>Back when I was in the process of discovering Jethro Tull (which<br \/>\nI did in 1988), I began searching out some of the band&#8217;s earlier<br \/>\nefforts. It was one thing to own the albums with the hits; it was<br \/>\nanother to hear the band being born and go through its growing<br \/>\npains.<\/p>\n<p>\n<i>This Was<\/i> is more than the birth cry, it gives the listener a<br \/>\nslap on &#8211; no, change that, a kick in the ass that you won&#8217;t soon<br \/>\nforget. A mixture of hardcore blues, go-for-broke rock and<br \/>\nprogressive jazz, this might still be Ian Anderson and crew&#8217;s<br \/>\nfinest recorded moments.<\/p>\n<p>The only album featuring original guitarist Mick Abrahams (who<br \/>\nleft to form Bloodwyn Pig), Jethro Tull bursts forth onto a<br \/>\ndeveloping musical scene (around the same time, Yes, Emerson Lake<br \/>\n&#038; Palmer and King Crimson were coming up) with a thundering<br \/>\n&#8220;hello.&#8221; Anderson does triple duty on the flute (I think at that<br \/>\ntime it was unheard of to use such an instrument in rock),<br \/>\nharmonica and vocals. Glenn Cornick&#8217;s bass work shows why he might<br \/>\nbe one of the most underrated bassists ever, while Clive Bunker<br \/>\ndoes his best Keith Moon-on-speed drum work. Exhibit &#8220;A&#8221;: &#8220;Dharma<br \/>\nFor One,&#8221; featuring a drum solo that leaves my jaw hanging almost<br \/>\nten years since I bought this tape. Bunker sounds like he&#8217;s having<br \/>\na seizure and an orgasm at the same time &#8211; there has never been a<br \/>\nmoment so fine in rock.<\/p>\n<p>The blues often comes into play on<br \/>\n<i>This Was<\/i>, from &#8220;Someday The Sun Won&#8217;t Shine For You&#8221; and its<br \/>\ngentle approach, to &#8220;It&#8217;s Breaking Me Up&#8221; and its slightly harder<br \/>\nedge &#8211; even to the slide guitar work on &#8220;Song For Jeffrey&#8221;,<br \/>\nAnderson and crew show that they&#8217;re quite adept at this genre.<\/p>\n<p>But wait, there&#8217;s more. &#8220;Cat&#8217;s Squirrel&#8221; is a balls-out rocker<br \/>\nthat serves as a showpiece for Abrahams &#8211; guess the guitar vamping<br \/>\nwith sparse instrumentation otherwise was the thing to do those<br \/>\ndays (it worked for Black Sabbath). &#8220;Move On Alone&#8221; takes a<br \/>\ngentler, folksy approach, but is still quite powerful.<\/p>\n<p>And just when you thought it was over,<br \/>\n<i>This Was<\/i> branches off into jazz. The album closer &#8220;Round&#8221; is<br \/>\none I wish was longer just to see what Jethro Tull would have done<br \/>\nwith it. Once you get a taste of &#8220;Serenade To A Cuckoo&#8221; and see how<br \/>\nwell they cover that song (complete with flute work and grunts from<br \/>\nAnderson), your mouth will be watering.<\/p>\n<p>I don&#8217;t want to sound like I&#8217;m knocking Martin Barre&#8217;s guitar<br \/>\nwork since 1969, nor do I want to trivialize other Jethro Tull<br \/>\nalbums. But<br \/>\n<i>This Was<\/i> definitely qualifies as a &#8220;forgotten classic,&#8221;<br \/>\nawaiting the discovery of the newly-initiated fans to keep its<br \/>\nspirit alive. My advice: pick this one up<br \/>\n<i>now<\/i>, slap it into the CD player, crank up the volume and<br \/>\ndiscover Jethro Tull in a whole new light.<\/p>\n","protected":false},"author":2,"featured_media":24594,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5643],"rating":[5646],"class_list":["post-35798","review","type-review","status-publish","has-post-thumbnail","artist-jethro-tull","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35798"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35798\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24594"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35798"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35798"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35798"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}