{"id":35819,"date":"1997-12-01T00:00:00","date_gmt":"1997-12-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/461-ocean-boulevard\/"},"modified":"1997-12-01T00:00:00","modified_gmt":"1997-12-01T00:00:00","slug":"461-ocean-boulevard","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/461-ocean-boulevard\/","title":{"rendered":"461 Ocean Boulevard"},"content":{"rendered":"<p>What is this &#8211; comeback album week at The Daily Vault?<br \/>\nYesterday, we looked at Aerosmith&#8217;s return from the dead (<br \/>\n<i>Done With Mirrors<\/i>).Today&#8217;s subject is Eric Clapton&#8217;s<br \/>\n<i>461 Ocean Boulevard<\/i> &#8212; his first studio album after kicking<br \/>\na nasty heroin habit.<\/p>\n<p>It wasn&#8217;t that Clapton&#8217;s career was dead; he had scored major<br \/>\nhits with his 1970 solo debut and as a part of Derek And The<br \/>\nDominoes. But his battle with drugs caused him to shut himself out<br \/>\nfrom the rest of the world. He was dragged back into reality by<br \/>\nPete Townshend &#8212; who would fight his own battle with drug<br \/>\naddiction and win &#8212; in January 1973; the Rainbow Concert was<br \/>\nClapton&#8217;s first step in his &#8220;comeback.&#8221;<\/p>\n<p>So,<br \/>\n<i>461 Ocean Boulevard<\/i> symbolized Clapton&#8217;s victory over drugs,<br \/>\nas well as his return to the music scene. And from the opening<br \/>\nnotes of &#8220;Motherless Children,&#8221; you can hear that Clapton is back<br \/>\nwith a vengeance &#8212; if just a tad unsteady. &#8220;Motherless Children&#8221;<br \/>\nfeatures a slide solo that flashes back to Clapton&#8217;s work with<br \/>\nDerek And The Dominoes and the slide work of the late Duane Allman,<br \/>\nand has a vocal performance that makes one wonder how Clapton ever<br \/>\nquestioned his ability as a singer.<\/p>\n<p>The standout here is Clapton&#8217;s cover of Bob Marley&#8217;s &#8220;I Shot The<br \/>\nSheriff,&#8221; a cover that not only scored Clapton a number one hit,<br \/>\nbut also opened the eyes of many people to Marley&#8217;s music. While it<br \/>\ndoes not hide Clapton&#8217;s rock roots, it also does not betray the<br \/>\nreggae flavor of the tune&#8217;s original genre.<\/p>\n<p>But Clapton&#8217;s choices of cover songs is a bit spotty, as heard<br \/>\non his version of &#8220;Willie And The Hand Jive,&#8221; a song that I admit<br \/>\nto never liking in the first place. This version features Clapton<br \/>\nin the laid-back troubador style that would become his persona for<br \/>\nmuch of his career &#8212; a persona which just does not fit this track.<br \/>\nMaybe it would have been better had he cut loose a bit with this<br \/>\none and let it be more ragged.<\/p>\n<p>Most of<br \/>\n<i>461 Ocean Boulevard<\/i> is delivered in the same laid-back<br \/>\nstyle. Sometimes it works (&#8220;Better Make It Through The Night,&#8221; &#8220;Let<br \/>\nIt Grow&#8221;), other times it doesn&#8217;t (&#8220;Mainline Florida&#8221;). In a way,<br \/>\nthis album was an experiment for Clapton &#8211; a chance to rediscover<br \/>\nhis place in the musical scene he had withdrawn from. As a result,<br \/>\nthere are times that this album is very much hit-or-miss,but it<br \/>\nstill, for the most part, succeeds.<\/p>\n<p>Clapton had many more demons he would face in his life &#8212; a<br \/>\nbattle with alcoholism, the tragic death of his son &#8212; and each<br \/>\ntime, he would rebound that much higher.<br \/>\n<i>461 Ocean Boulevard<\/i> is a hesitant effort, but one that does<br \/>\nnot shadow the genius that Clapton is, and is worth listening to,<br \/>\nflaws and all.<\/p>\n","protected":false},"author":2,"featured_media":24615,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5887],"rating":[5612],"class_list":["post-35819","review","type-review","status-publish","has-post-thumbnail","artist-eric-clapton","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35819"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35819\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24615"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35819"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35819"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35819"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}