{"id":35831,"date":"1997-12-13T00:00:00","date_gmt":"1997-12-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/transistor\/"},"modified":"1997-12-13T00:00:00","modified_gmt":"1997-12-13T00:00:00","slug":"transistor","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/transistor\/","title":{"rendered":"Transistor"},"content":{"rendered":"<p>311 is the Ed Wood of the alternative world. Critics hate &#8217;em,<br \/>\nand after listening to<br \/>\n<i>Transistor<\/i>, I can see why. But their enthusiasm for what<br \/>\nthey&#8217;re doing is contagious. They&#8217;re never going to be in the same<br \/>\nrealm as the Red Hot Chili Peppers or even Rancid, but their love<br \/>\nfor music is as strong as their love for pot, for which they even<br \/>\nthank in their liner notes.<\/p>\n<p>No doubt<br \/>\n<i>Transistor<\/i> is a fine soundtrack for the 1990s Dorm Nation.<br \/>\nFraternities and dorm hallways boom &#8220;Prisoner&#8221; and &#8220;Rub A Dub&#8221; from<br \/>\ntheir speakers, but for people with even a limited music<br \/>\nbackground, their lyrics are as dumb as a &#8220;Suddenly Susan&#8221; script<br \/>\nand their songs have an annoying tendency to end unexpectedly.<\/p>\n<p>Some of their earlier releases such as<br \/>\n<i>Music<\/i> and<br \/>\n<i>Grassroots<\/i> featured a band who was trying to find their<br \/>\nvoice in a mix of punk, funk and rap. With a budget,<br \/>\n<i>Transistor<\/i> shows the band still hasn&#8217;t found what it&#8217;s<br \/>\nlooking for. Dave Matthews and Blues Traveler have far better<br \/>\nchops, the weakest tracks of the Beastie Boys can eclipse most<br \/>\nmaterial on<br \/>\n<i>Transistor<\/i> and for funk&#8230;well&#8230;if you haven&#8217;t heard any<br \/>\nmaterial from George Clinton or Prince, go outside and start<br \/>\nbeating yourself over the head with a couple of good sized rocks,<br \/>\nnow.<\/p>\n<p>Some experiments actually pay off on<br \/>\n<i>Transistor<\/i>. The opening title track and &#8220;Prisoner&#8221; provide a<br \/>\nnice, smooth groove that hints at a great jammin&#8217; album to come.<br \/>\nHowever, the Iron Maiden-like guitar intro to &#8220;Beautiful Disaster&#8221;<br \/>\nthrows the album way off track.<\/p>\n<p>As for the lyrics, well, you don&#8217;t really listen to 311 to<br \/>\napproach enlightenment, even though they make plenty of references<br \/>\nto Babylon and goddesses. However, you can tell how stoned the band<br \/>\nwas recording this because half of the lyrics look like they came<br \/>\nfrom the fortune cookies they ate when they had the munchies.<\/p>\n<p>&#8220;Stick to the way you rock\/it just do it real slow.&#8221;(&#8220;Rub A<br \/>\nDub&#8221;) &#8220;Wanna take it further\/let&#8217;s take that funk further.&#8221; (&#8220;No<br \/>\nControl&#8221;) &#8220;And when the kind consciousness come unto you\/you will<br \/>\nknow and it won&#8217;t stop.&#8221; (&#8220;Inner Light Spectrum&#8221;) Sorry, haven&#8217;t<br \/>\nachieved enlightenment yet, dudes.<\/p>\n<p>Maybe if the album was shorter, the pain would have been less.<br \/>\nClocking in at about 70 minutes, this ranks up with one of the most<br \/>\npainful, enduring moments of this year. Watching close-ups of<br \/>\nRobin&#8217;s crotch in<br \/>\n<i>Batman And Robin<\/i> and seeing Nicolas Cage run in slow motion<br \/>\nfor what seemed like half of<br \/>\n<i>Con Air<\/i> were the other two exercises in hell this year.<br \/>\nSeeing all of<br \/>\n<i>Alien Resurrection<\/i> was the most difficult to endure, but I<br \/>\ndigress.<\/p>\n<p>Writing on a music critic site, I realize that critics can be<br \/>\nwrong. Rush, one of the most critically reviled groups in history,<br \/>\nhas produced some damn good work. But 311 is another sad staple in<br \/>\nthe current crop of bands that try to merge different styles in<br \/>\nfavor of a bigger paycheck. Sugar Ray, Reel Big Fish and Smash<br \/>\nMouth are other offenders.<br \/>\n<i>Transistor<\/i> is probably the most ambitious album of the<br \/>\nbunch, so it won&#8217;t get a F in my book. Still, after listening to<br \/>\nthe entire album, I am not filled with the pseudo-mystical images<br \/>\nthat the band tries to put in your head. Instead, I get this image<br \/>\nof Kathie Lee Gifford pumping this album into the PA systems in<br \/>\nsweatshops all over the world.<\/p>\n","protected":false},"author":7,"featured_media":24627,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5896],"rating":[5616],"class_list":["post-35831","review","type-review","status-publish","has-post-thumbnail","artist-5896","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35831"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35831\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24627"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35831"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35831"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}