{"id":35845,"date":"1997-12-29T00:00:00","date_gmt":"1997-12-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/machine-head\/"},"modified":"1997-12-29T00:00:00","modified_gmt":"1997-12-29T00:00:00","slug":"machine-head","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/machine-head\/","title":{"rendered":"Machine Head"},"content":{"rendered":"<p>It&#8217;s amazing how one can overlook a classic when that classic<br \/>\nbecomes one of the most overplayed records of the classic rock<br \/>\nera.<\/p>\n<p>Take Deep Purple&#8217;s 1972 masterpiece<br \/>\n<i>Machine Head<\/i>. Every half-ass guitar player starts off<br \/>\nfiguring out the opening riff to &#8220;Smoke On The Water&#8221; (no offense,<br \/>\nBo and the guys in Bogart), and it&#8217;s almost a guarantee that you&#8217;ll<br \/>\nhear it on your local classic rock station at some point today.<\/p>\n<p>But if you take the whopping 37 minutes out of your day that it<br \/>\nwill take to listen to<br \/>\n<i>Machine Head<\/i>, you&#8217;ll realize what made this record so<br \/>\nspecial in the beginning.<\/p>\n<p>The classic second lineup of Deep Purple (known as Mk II in the<br \/>\nband&#8217;s circles), Ian Gillan and crew are as tight a unit as they<br \/>\ncould have ever hoped to be. Jon Lord&#8217;s keyboard work was the<br \/>\nantithesis to the high-tech noodlings of other keyboard<br \/>\n<i>artistes<\/i> like Rick Wakeman, while Ritchie Blackmore&#8217;s guitar<br \/>\nwork still continues to amaze me, even if he wasn&#8217;t one of the most<br \/>\ntechnical guitarists out there. To this day, I hear Blackmore&#8217;s<br \/>\nriff on &#8220;Highway Star,&#8221; and my jaw hits the floor. Roger Glover&#8217;s<br \/>\nbass work is no less important than his other bandmates&#8217;<br \/>\ncontributions, and Ian Paice&#8230; well, there&#8217;s a reason Metallica&#8217;s<br \/>\nLars Ulrich idolized this guy.<\/p>\n<p>&#8220;Highway Star&#8221; and &#8220;Smoke On The Water&#8221; are two of the<br \/>\nbest-known works on<br \/>\n<i>Machine Head<\/i> &#8211; in fact, they may be the best-known songs by<br \/>\nthe band, but they still are as powerful as they were 25 years ago.<br \/>\n&#8220;Smoke On The Water,&#8221; as you probably know by now, is based on the<br \/>\nevents at the Montreux Casino on December 3, 1971 &#8212; the band was<br \/>\nsupposed to record what would become this album there, but during a<br \/>\nconcert by the Mothers Of Invention, the casino burnt down. I find<br \/>\nit interesting to listen to this song not only as a staple of rock<br \/>\nhistory, but also as a historical re-telling of the events of that<br \/>\nnight. &#8220;Highway Star,&#8221; while maybe not as overplayed, is just as<br \/>\npowerful of a tune which features Lord and Blackmore&#8217;s musical<br \/>\nartistry.<\/p>\n<p>Were it only for these two songs,<br \/>\n<i>Machine Head<\/i> would be worth the price to purchase. Ah, but<br \/>\nthere is more &#8211; let&#8217;s not overlook the unsung gems on this slab o&#8217;<br \/>\nvinyl. &#8220;Space Truckin'&#8221; is the highlight for me, complete with the<br \/>\nsyncopated drum beats of Paice (and some killer cymbal work with<br \/>\nthe snare), while &#8220;Lazy&#8221; is an interesting take on the blues by the<br \/>\nband. Maybe one of the best forgotten tracks is &#8220;Pictures Of Home,&#8221;<br \/>\nwhich shows off the musical tightness of this band and is evidence<br \/>\nof how far ahead of their time they really were. (There&#8217;s a damn<br \/>\ngood reason why this band had such a successful reunion in 1984 &#8212;<br \/>\nlisten to this album and understand why.)<\/p>\n<p>\n<i>Machine Head<\/i> may be poo-poohed by some for being an<br \/>\noverplayed relic of a past era. I say: spit on those critics, fire<br \/>\nup the old Victrola, and allow yourself to be taken back with this<br \/>\nalbum.<\/p>\n","protected":false},"author":2,"featured_media":24641,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5656],"rating":[5646],"class_list":["post-35845","review","type-review","status-publish","has-post-thumbnail","artist-deep-purple","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35845"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35845\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24641"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35845"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35845"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35845"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}