{"id":35853,"date":"1998-01-06T00:00:00","date_gmt":"1998-01-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whip-smart\/"},"modified":"1998-01-06T00:00:00","modified_gmt":"1998-01-06T00:00:00","slug":"whip-smart","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whip-smart\/","title":{"rendered":"Whip-Smart"},"content":{"rendered":"<p>Follow-ups can be a bitch. Especially when your debut double<br \/>\nalbum is arguably the best album of the decade. For artist, Liz<br \/>\nPhair, her debut album,<br \/>\n<i>Exile In Guyville<\/i>, stands as a landmark album of the 1990s.<br \/>\nHer unmistakeable voice and her frank delievery of subject matter<br \/>\nranging from blowjobs to roommates from hell made her a founding<br \/>\nvoice for the &#8220;women rock&#8221; era of this decade.<\/p>\n<p>What made<br \/>\n<i>Exile In Guyville<\/i> so grand was its flawless exercise in<br \/>\ncharacter study. The listener got to know Liz Phair that was almost<br \/>\ntoo intimate for most listeners. You heard a woman who could boast<br \/>\nabout using a man for nothing more than a lay and at the same time,<br \/>\ngive an account of isolation and lonliness after a boyfriend took<br \/>\nher for a ride and tossed her aside.<\/p>\n<p>With her follow-up,<br \/>\n<i>Whip-Smart<\/i>, Liz Phair spends more time showing the listener<br \/>\nwhat she can do musically. From the first listen, you can tell that<\/p>\n<p><i>Whip-Smart<\/i> is a pop album at its purest. Aside from the<br \/>\nminimal piano opening of &#8220;Chopsticks,&#8221; most of the songs are three<br \/>\nminute zingers that are as sweet as a pack of Bubbleicious<br \/>\nWatermellon Blast Bubble Gum.<\/p>\n<p>Credit Brad Wood for creating some of the magic on<br \/>\n<i>Whip-Smart<\/i>. The drummer\/ producer of both<br \/>\n<i>Guyville<\/i> and<br \/>\n<i>Whip-Smart<\/i> enabled Liz Phair to be the focus of both albums.<br \/>\nThough the drums and bass certainly are a rich factor in<br \/>\n<i>Whip-Smart<\/i>, Liz Phair&#8217;s stoner sweet voice is the main<br \/>\nattraction. Her ability to use simple choruses (a la the GoGos) in<br \/>\na complex song like &#8220;X-Ray Man&#8221; is a stunning testament of her<br \/>\nskills.<\/p>\n<p>If Liz Phair has an obsession on<br \/>\n<i>Whip-Smart<\/i>, it is nursery rhymes. In the metaphoric-heavy<br \/>\n&#8220;Dogs of LA&#8221;, Phair croons, &#8220;I&#8217;ve kissed the Buddah and made him<br \/>\ncry\/Georgie I&#8217;m your friend&#8221;. In the title track, the chorus seems<br \/>\ntailor made for jump rope. To some fans, this was a step back for<br \/>\nLiz. The personal, insightful lyrics that dominated<br \/>\n<i>Guyville<\/i> are now only on a couple of songs. Perhaps her<br \/>\nmarriage and her newfound success took the edge out of the<br \/>\nexpecting mother.<\/p>\n<p>If the knife has dulled somewhat, it still is a damn good knife<br \/>\nthat can cut. On &#8220;Jealousy&#8221;, Liz steps up the tempo a notch and<br \/>\nbelts out one of her angriest songs over one of her catchiest<br \/>\nhooks. &#8220;Wonder if I can bury the hatchet inside\/imagine me behind<br \/>\nyour eyes&#8230;.I&#8217;ve seen positions that we&#8217;ve never tried\/I saw<br \/>\njealousy&#8221;. The song&#8217;s inspiration came from the central character<br \/>\nfinding some old photos of previous girlfriends from her boyfriend.<br \/>\nMessage to guys:keep those photos locked up.<\/p>\n<p>Other songs are just as good, musically, but are much more vague<br \/>\nin their subject matter. On &#8220;Go West&#8221;, Liz Phair simply states a<br \/>\nneed for a change of scenery. In &#8220;Support System&#8221;, her main point<br \/>\nis, &#8220;I don&#8217;t need a support system&#8221;. All good and well, but she<br \/>\ndoesn&#8217;t give nearly the insight as she put forth in<br \/>\n<i>Guyville<\/i>.<\/p>\n<p>\n<i>Whip-Smart<\/i> is able to satisfy most Liz Phair fans. And to<br \/>\nits credit, it blows away most of the albums released by the<br \/>\nartists on the Lilith Fair tour. And, unfortunately,<br \/>\n<i>Whip-Smart<\/i> may make Liz Phair turn out to be the Patti Smith<br \/>\nof the 1990s. I&#8217;d rank<br \/>\n<i>Horses<\/i> up there with<br \/>\n<i>Guyville<\/i> and Patti Smith&#8217;s more commercial<br \/>\n<i>Easter<\/i> album certainly can be comparable to<br \/>\n<i>Whip-Smart<\/i>. And both shyed away from the music world after<br \/>\nthey became mothers. For Liz Phair, she hasn&#8217;t made an album since<br \/>\nBrad Wood has pursued other musical avenues. Her upcoming album has<br \/>\nbeen delayed for almost a year and a half. Perhaps she too will<br \/>\nfade after her new album comes out, which was rumored to have been<br \/>\nsent back to her after record execs said it was unlistenable.<\/p>\n<p>Credit Liz Phair, however, she knew she had to change her<br \/>\nformula. What made her such an attraction on her first album (her<br \/>\nvulgarity) would have been dreadfully repetitious on<br \/>\n<i>Whip-Smart<\/i>. Think I&#8217;m wrong, just try watching a &#8220;South<br \/>\nPark&#8221; marathon. Sure, it rocks, but after four of five consecutive<br \/>\nshows, it tends to lose its punch. Her pop knowledge elevated<br \/>\n<i>Whip-Smart<\/i> into one of the best releases in 1994.<br \/>\nUnfortunately, the way things are going, it may very well have been<br \/>\nher last stab at greatness as a career girl. Whether marriage or<br \/>\nmotherhood will make her an even stronger artist remains to be<br \/>\nseen. Hopefully the answer will come sometime this year.<\/p>\n","protected":false},"author":7,"featured_media":24649,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5694],"rating":[5617],"class_list":["post-35853","review","type-review","status-publish","has-post-thumbnail","artist-liz-phair","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35853"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35853\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24649"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35853"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35853"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35853"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}