{"id":35861,"date":"1998-01-13T00:00:00","date_gmt":"1998-01-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pink-machine\/"},"modified":"1998-01-13T00:00:00","modified_gmt":"1998-01-13T00:00:00","slug":"pink-machine","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pink-machine\/","title":{"rendered":"Pink Machine"},"content":{"rendered":"<p>I have a rather bad habit when it comes to reviewing albums<br \/>\nfeaturing the talents of Jud Ehrbar &#8211; I tend to put them to the<br \/>\nside for far too long. When I do finally stumble across them in the<br \/>\nPierce Archives&#8217; several &#8220;in&#8221; baskets, I slap the discs in the<br \/>\nplayer, then promptly kick myself hard for letting them go for as<br \/>\nlong as I have.<\/p>\n<p>I found myself drop-kicking my butt across the halls again when<br \/>\nI got around to listening to Ehrbar&#8217;s one-man project Reservoir.<br \/>\n<i>Pink Machine<\/i> features quite a bit of the pop found in<br \/>\nVarnaline, the other band Ehrbar is a member of, but is more<br \/>\nexperimental &#8211; and that makes this disc one interesting,<br \/>\nentertaining 40 minutes.<\/p>\n<p>Don&#8217;t let the almost two minutes of industrial noise to start<br \/>\noff &#8220;Go Back&#8221; scare you away from the disc &#8211; it almost had me<br \/>\npushing the &#8220;advance track&#8221; button. Good thing I didn&#8217;t, &#8217;cause I<br \/>\nwould have missed an interesting amalgam of rhythms. Ehrbar&#8217;s<br \/>\nvocals and guitar work seems to be playing one melody, while the<br \/>\ndrums keep a slightly different, though crossing, beat. Normally<br \/>\nthis would result in an unlistenable cacophany, but Ehrbar pulls it<br \/>\noff amazingly well.<\/p>\n<p>Another amazing quality to Ehrbar is his vocals. Anders Parker<br \/>\nmay control the microphone with Varnaline, and does what he does<br \/>\nwell, but should he ever find himself fighting laryngitis, Ehrbar<br \/>\ncould easily fill in and make the transition seamless. &#8220;Let&#8217;s Fall<br \/>\nIn Love Again&#8221; shows off a set of pipes tuned for pop success, but<br \/>\nraised on the rough-and-tumble alternative world.<\/p>\n<p>Undoubtedly the greatest feature of<br \/>\n<i>Pink Machine<\/i> are the layers and layers of sonic excellence<br \/>\nthat make up the songs. &#8220;Air Coryell&#8221; is one example, with guitar,<br \/>\nkeyboards and drums all working overtime to create something<br \/>\nsimilar to Phil Spector&#8217;s legendary &#8220;Wall Of Sound&#8221; concept. Even<br \/>\nthe way the song fades out is unique, and should be listened to on<br \/>\nheadphones to appreciate it. First time I heard this track, I<br \/>\nthought I had partially unplugged the jack from the CD player.<br \/>\nOther tracks that stand out are &#8220;40,&#8221; the title track and &#8220;Weight<br \/>\nOf The World&#8221;.<\/p>\n<p>In fact, there is only one criticism that I could dare level<br \/>\nagainst<br \/>\n<i>Pink Machine<\/i>. Namely, it&#8217;s far too short; Ehrbar knows how<br \/>\nto craft songs that make 40 minutes seem like 40 seconds. The<br \/>\nexperimentation may occasionally confuse listeners used to a band<br \/>\nblowing its musical load in three minutes and leaving. I suggest<br \/>\nyou grab a beer, pull up a chair and stay awhile &#8211; it&#8217;s a journey<br \/>\nworth taking.<\/p>\n<p>\n<i>Pink Machine<\/i> is yet another example of a stellar release<br \/>\nthat may tend to be overlooked because it&#8217;s on a smaller label &#8211;<br \/>\nand is another album that screams for your attention, deserving<br \/>\nevery minute of it. Ehrbar may be a well-kept secret among music<br \/>\nfans, but if he keeps pumping out work like this, he won&#8217;t be a<br \/>\nsecret much longer.<\/p>\n","protected":false},"author":2,"featured_media":24657,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5914],"rating":[5613],"class_list":["post-35861","review","type-review","status-publish","has-post-thumbnail","artist-reservoir","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35861"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35861\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24657"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35861"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35861"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35861"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}