{"id":35863,"date":"1998-01-14T00:00:00","date_gmt":"1998-01-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/imperfection\/"},"modified":"1998-01-14T00:00:00","modified_gmt":"1998-01-14T00:00:00","slug":"imperfection","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/imperfection\/","title":{"rendered":"Imperfection"},"content":{"rendered":"<p>It&#8217;s rare when someone can take a genre of music and give it an<br \/>\nentirely new twist that makes it much more exciting than it had<br \/>\never been.<\/p>\n<p>Take alternative and hip-hop, for example. I&#8217;ve often bemoaned<br \/>\nthe present state of alternative music, and while I like hip-hop,<br \/>\nI&#8217;ve felt for some time that the genre has been starting to<br \/>\nstagnate.<\/p>\n<p>Enter Pfilbryte and his debut album<br \/>\n<i>Imperfection<\/i>. The title is a misnomer if I ever heard one;<br \/>\nthis album not only creates an amazing amalgam of hip-hop&#8217;s<br \/>\ntrippiness and alternative&#8217;s rock veins, but it restores my faith<br \/>\nin both genres.<\/p>\n<p>Pfilbryte can only be described as a cross between a hip-hop<br \/>\ntrickster (a la Digital Underground) and a mad scientist, using all<br \/>\nforms of audio and video media to his advantage. (This isn&#8217;t<br \/>\nsurprising, when you find out he is the grandson of &#8220;Woody<br \/>\nWoodpecker&#8221; creator Walter Lantz &#8211; I still miss that cartoon.) His<br \/>\ndelivery of his vocals &#8211; spoken and sung &#8211; is incredibly smooth and<br \/>\nlaid back, at times both ridiculing and criticizing the society we<br \/>\nlive in today.<\/p>\n<p>The lead-off single &#8220;Merry Go Round&#8221; is immediately addictive.<br \/>\nPfilbryte walks the line between hip-hop and alternative rock quite<br \/>\nwell, easily belnding into both genres before you realize there&#8217;s<br \/>\nbeen a switch. One subject of his Spike Lee-type wit is aimed at<br \/>\nsome of our &#8220;overpaid&#8221; sports heroes (&#8220;Say, man, doesn&#8217;t that $123<br \/>\nmillion affect your vertical?&#8221;), but does so without attacking<br \/>\nanyone in general &#8211; a refreshing change of pace.<\/p>\n<p>His more pointed social criticism is saved for &#8220;Playtime,&#8221; where<br \/>\nhe slams our interest in other people&#8217;s sex lives, from the clergy<br \/>\nto the president. I&#8217;m sure some will read his comments as near<br \/>\nblasphemy, but in one sense, it is different to hear someone say he<br \/>\ndoesn&#8217;t care about another person&#8217;s sex life.<\/p>\n<p>A few tracks fall a little short of the mark, like &#8220;This And<br \/>\nThat&#8221; and &#8220;Denied,&#8221; but the power and energy of songa like &#8220;Poor<br \/>\nBut Honest,&#8221; &#8220;Picture Yourself,&#8221; &#8220;A Little Bit&#8221; and &#8220;Right Of Way&#8221;<br \/>\nquickly make up for any shortcomings. As debuts go, this one is<br \/>\nsimply incredible. Pfilbryte&#8217;s production work on<br \/>\n<i>Imperfection<\/i> shows yet another talent he has; the sound on<br \/>\nthis disc is always crisp.<\/p>\n<p>\n<i>Imperfection<\/i>&#8216;s greatest difficulty, in the end, may be faced<br \/>\nin the management offices of the radio stations, as the album is<br \/>\noccasionally difficult to classify. However, it also defies<br \/>\nclassification; here&#8217;s hoping both alternative and &#8220;dance-oriented&#8221;<br \/>\nstations give<br \/>\n<i>Imperfection<\/i> a fair shake.<\/p>\n<p>Pfilbryte may be one of the most innovative new artists I&#8217;ve<br \/>\nheard in a while, and<br \/>\n<i>Imperfection<\/i> is a wonderful discovery to make. Clear your<br \/>\nmind, slap on the headphones, crank up the volume, and let this<br \/>\ndisc carry you where it will&#8230; oh, and watch out for woodpeckers.<br \/>\n(Sorry, couldn&#8217;t resist.)<\/p>\n","protected":false},"author":2,"featured_media":24659,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5916],"rating":[5613],"class_list":["post-35863","review","type-review","status-publish","has-post-thumbnail","artist-pfilbryte","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35863"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35863\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24659"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35863"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35863"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35863"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}