{"id":35872,"date":"1998-01-19T00:00:00","date_gmt":"1998-01-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sol-power\/"},"modified":"1998-01-19T00:00:00","modified_gmt":"1998-01-19T00:00:00","slug":"sol-power","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sol-power\/","title":{"rendered":"Sol Power"},"content":{"rendered":"<p>It&#8217;s nice when music transcends categorization &#8211; it may wrack<br \/>\nradio programmer&#8217;s brains, but it helps expand the horizons of the<br \/>\nlisteners.<\/p>\n<p>Take Toni Price as an example. Her latest album,<br \/>\n<i>Sol Power<\/i> is a live effort on a blues label &#8211; a release that<br \/>\nis anything but blues. Instead, it&#8217;s an exciting mix of country and<br \/>\nfolk &#8211; with possibly a touch of rock mixed within.<\/p>\n<p>A live set recorded at Railroad Blues in Alpine, Texas, the star<br \/>\nof this album might not solely be Price herself, though her vocals<br \/>\nare quite good. To overlook the guitar and fiddle talents of Champ<br \/>\nHood, and the guitar work of Scrappy Jud Newcomb and Casper Rawls<br \/>\nwould be criminal, for they create the texture of this album that<br \/>\nmakes it special. Price&#8217;s vocals simply are the icing on the<br \/>\ncake.<\/p>\n<p>I often think of the Indigo Girls when I listen to<br \/>\n<i>Sol Power<\/i>; &#8220;Like The Sun&#8221; is a great vocal workout and<br \/>\ngroove-based number, while &#8220;Run, Run, Run&#8221; also conveys some<br \/>\nhigh-quality energy thanks to Price&#8217;s vocals. The light country<br \/>\ntouches on the album are especially evident on &#8220;The Old Fiddler&#8217;s<br \/>\nWaltz&#8221; and &#8220;A West Texas Lullaby,&#8221; songs which harken back to the<br \/>\ndays of traditional country artists like Hank Williams.<\/p>\n<p>A surprising discovery on<br \/>\n<i>Sol Power<\/i> is the audience &#8211; namely, how listless they sound.<br \/>\nSure, it&#8217;s nice when you can hear an audience member shouting<br \/>\n&#8220;Wonderful!&#8221; at the end of &#8220;The Old Fiddler&#8217;s Waltz,&#8221; but at other<br \/>\ntimes it sounds like they&#8217;re more engaged in their own<br \/>\nconversations than paying attention to the music. And their howling<br \/>\nin response to Price&#8217;s on &#8220;Cats And Dogs&#8221; &#8211; well, it frightened me.<br \/>\nIt might have been better, in fact, to edit the crowd out of this<br \/>\none.<\/p>\n<p>In addition, when Price tries to get more rock-oriented, she<br \/>\njust falls flat. Fortunately, this only happens once, on her cover<br \/>\nof Lee Dorsey&#8217;s &#8220;Funky,&#8221; further proof that white people<br \/>\n<i>shouldn&#8217;t<\/i> try to be funky. The only other questions I have<br \/>\non this album are the opening and closing montages comprising of<br \/>\ntrain sounds. Unless these were for opening and closing credits for<br \/>\na home video, I really don&#8217;t see the purpose of including them on<br \/>\nthis album.<\/p>\n<p>Those minor complaints aside, songs like &#8220;Burnin&#8217; Down,&#8221; &#8220;Sarah&#8221;<br \/>\nand &#8220;#1&#8221; create such a blend of folk and country that it will<br \/>\nappeal to fans of both genres. And though this was released on<br \/>\nAntone&#8217;s, a blues-based label, I would argue that it fits in with<br \/>\nthe down-home roots of the label. (Price provided guest vocals on<br \/>\nfellow labelmate Candye Kane&#8217;s most recent album.)<\/p>\n<p>\n<i>Sol Power<\/i> shines brightly on many tracks, and is able to<br \/>\ntranscend the few mistakes to create an enjoyable album you&#8217;ll find<br \/>\nyourself going back to again and again. But here&#8217;s hoping that<br \/>\nPrice try to capture this magic in the studio next time &#8211; the<br \/>\naudience might just be livelier.<\/p>\n","protected":false},"author":2,"featured_media":24668,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5922],"rating":[5617],"class_list":["post-35872","review","type-review","status-publish","has-post-thumbnail","artist-toni-price","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35872"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35872\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24668"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35872"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35872"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35872"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}