{"id":35880,"date":"1998-01-24T00:00:00","date_gmt":"1998-01-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/there-goes-rhymin-simon\/"},"modified":"1998-01-24T00:00:00","modified_gmt":"1998-01-24T00:00:00","slug":"there-goes-rhymin-simon","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/there-goes-rhymin-simon\/","title":{"rendered":"There Goes Rhymin&#8217; Simon"},"content":{"rendered":"<p>In a matter of days, Paul Simon is going to put his career on<br \/>\nthe line when his first Broadway musical,<br \/>\n<i>The Capeman<\/i>, opens. And while we could jump on the bandwagon<br \/>\nand review<br \/>\n<i>Songs From The Capeman<\/i>, instead I&#8217;d prefer to dig a little<br \/>\ndeeper in the Pierce Archives and take a look at<br \/>\n<i>There Goes Rhymin&#8217; Simon<\/i>, his 1973 release which probably<br \/>\nmade his solo career an early success.<\/p>\n<p>Despite the success of the ska-influenced &#8220;Mother And Child<br \/>\nReunion,&#8221; Simon&#8217;s first solo album was hardly a smash hit like<br \/>\nanything he had done with Simon &#038; Garfunkel. He needed to reach<br \/>\ndeep within himself and utilize all of his pop music writing skills<br \/>\nand create a work that would establish himself in the industry as a<br \/>\nbonafide solo artist.<\/p>\n<p>On<br \/>\n<i>There Goes Rhymin&#8217; Simon<\/i>, he makes it sound so effortless.<br \/>\nThe leadoff track, &#8220;Kodachrome,&#8221; takes a nostalgic look back at<br \/>\nlife through the metaphor of color film. &#8216;Course, Kodak, who<br \/>\nmanufactures the film of the same name, got pissed and demanded<br \/>\nthat Simon put a trademark notice on the song. Seems kind of silly,<br \/>\nreally &#8211; while the song does often mention the product, it could<br \/>\nhave been a commercial for it.<\/p>\n<p>But SImon wasn&#8217;t done yet. On &#8220;Take Me To The Mardi Gras,&#8221; he<br \/>\ndabbles a little bit in Dixieland, though he saves the fireworks<br \/>\nfor the instrumental ending performed by the Onward Brass Band.<br \/>\n&#8220;Loves Me Like A Rock&#8221; has a strong doo-wop beat provided by the<br \/>\nDixie Hummingbirds, and is a fun song to listen to. Another hit,<br \/>\n&#8220;Something So Right,&#8221; is a more serious number that returns to<br \/>\nSimon&#8217;s usual introspective style that was so overbearing on his<br \/>\nfirst solo effort.<\/p>\n<p>Even the songs that might not have made it onto the radio are<br \/>\nstrong numbers. &#8220;Learn How To Fall&#8221; easily could have been a hit<br \/>\nhad it been chosen, and is one of Simon&#8217;s underrated classics. &#8220;St.<br \/>\nJudy&#8217;s Comet&#8221; is also a decent number, if not quite as strong.<\/p>\n<p>The only &#8220;disappointment&#8221; of sorts is &#8220;American Tune&#8221; &#8211; and it&#8217;s<br \/>\nnot that it&#8217;s a bad song. But it&#8217;s just that I&#8217;m so used to the<br \/>\npoignant live version that I grew up hearing on<br \/>\n<i>Greatest Hits, Etc.<\/i> that is more moving than the original<br \/>\nstudio version. Still, that&#8217;s a small criticism.<\/p>\n<p>Simon established himself in a major way with<br \/>\n<i>There Goes Rhymin&#8217; Simon<\/i>, re-positioning himself as one of<br \/>\nthis era&#8217;s greatest songwriters. And though his biggest successes<br \/>\nstill lay ahead of him, he made a strong step in the right<br \/>\ndirection with this one.<\/p>\n","protected":false},"author":2,"featured_media":24676,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5719],"rating":[5613],"class_list":["post-35880","review","type-review","status-publish","has-post-thumbnail","artist-paul-simon","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35880"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35880\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24676"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35880"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35880"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35880"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}