{"id":35882,"date":"1998-01-26T00:00:00","date_gmt":"1998-01-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/rudess-morgenstein-project\/"},"modified":"1998-01-26T00:00:00","modified_gmt":"1998-01-26T00:00:00","slug":"rudess-morgenstein-project","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/rudess-morgenstein-project\/","title":{"rendered":"Rudess Morgenstein Project"},"content":{"rendered":"<p>The world of progressive rock has been filled with superstar<br \/>\ncollaborations in recent months. Back in November, we reviewed one<br \/>\nsuch partnership between Terry Bozzio, Tony Levin and Steve<br \/>\nStevens, an album which knocked my socks off.<\/p>\n<p>Another recent partnering has been that of noted keyboardist<br \/>\nJordan Rudess (Dixie Dregs, Vinnie Moore, Dream Theater) and Rod<br \/>\nMorgenstein (Winger, Dixie Dregs), whose musical brotherhood was<br \/>\ncemented when power to all but Rudess&#8217;s keyboard rig was lost at a<br \/>\nDregs concert &#8212; resulting in an impromptu jam that left the crowd<br \/>\non its feet.<\/p>\n<p>Their first album together,<br \/>\n<i>Rudess Morgenstein Project<\/i>, often has me in disbelief that<br \/>\nall I&#8217;m hearing is keyboards and drums, and is a satisfying but<br \/>\nflawed album.<\/p>\n<p>The musicianship featured on this album is impeccable; two<br \/>\nmusical virtuosos pushing each other to new limits without sounding<br \/>\nlike they&#8217;re showing off on their respective instruments.<br \/>\nMorgenstein might be scoffed at for his membership in Winger, but<br \/>\nmake no mistake that his talents behind the drum kit are quite<br \/>\nrespectable.<\/p>\n<p>And Rudess pulls sounds out of his keyboards that will leave<br \/>\nyour jaw scraping the floor. Believe it or not, with one minor<br \/>\nexception, everything you hear is actually coming from a keyboard,<br \/>\nnot a guitar. (The one exception is an uncredited performance by<br \/>\nKip Winger at the end of &#8220;Masada,&#8221; one of the masterpieces on this<br \/>\nalbum.)<\/p>\n<p>When Rudess and Morgenstein plow their rock roots, the results<br \/>\nare incredible; such examples may be heard on &#8220;Sloth&#8221; and &#8220;Drop The<br \/>\nPuck&#8221;. Even a throwaway theme like that of &#8220;Cartoon Parade&#8221; has a<br \/>\nlight breeziness to it that will put a smile on your face.<\/p>\n<p>And even when the music takes on a serious face, as it does on<br \/>\n&#8220;Masada&#8221;, &#8220;Odd Man Out&#8221; and &#8220;Never Again,&#8221; Rudess and Morgenstein<br \/>\nadd their own unique touches to the music to keep it both original<br \/>\nand entertaining.<\/p>\n<p>So with all these strengths I&#8217;ve mentioned, how could I call<br \/>\n<i>Rudess Morgenstein Project<\/i> flawed? Two reasons: time it<br \/>\ntakes to develop musical ideas and listener interest. Often, it<br \/>\ntakes more than a minute for the two to get past the intros and get<br \/>\nto the point of their music &#8211; and even there, the heart of the song<br \/>\nmight still be some time away. I think this might tend to scare or<br \/>\nbore a few listeners away from this disc &#8211; had the concepts been<br \/>\ntightened up just a little bit, this disc would have been that much<br \/>\nbetter.<\/p>\n<p>In addition, it does sometimes get tiring to hear just keyboards<br \/>\nand drums. Maybe next time, one of the two will be willing to throw<br \/>\na vocal in here and there, or even invite a guitarist or bassist to<br \/>\njoin their parade &#8211; something to fill out the sound a little<br \/>\nmore.<\/p>\n<p>\n<i>Rudess Morgenstein Project<\/i> will surprise and startle fans<br \/>\nand critics of bands these two have played with in the past, and<br \/>\ngiven a little more musical development together, they could be one<br \/>\nof the biggest names in progressive rock today. Until then, this<br \/>\ndisc will do nicely.<\/p>\n","protected":false},"author":2,"featured_media":24678,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5929],"rating":[5615],"class_list":["post-35882","review","type-review","status-publish","has-post-thumbnail","artist-rudess-morgenstein-project","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35882"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35882\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24678"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35882"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35882"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35882"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}