{"id":35883,"date":"1998-01-27T00:00:00","date_gmt":"1998-01-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a1a\/"},"modified":"1998-01-27T00:00:00","modified_gmt":"1998-01-27T00:00:00","slug":"a1a","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a1a\/","title":{"rendered":"A1A"},"content":{"rendered":"<p>It&#8217;s the middle of winter here in the Midwest &#8211; a fact I&#8217;d<br \/>\nappreciate my Australian writers not rubbing in my face &#8211; and I<br \/>\nneed a warm-up that isn&#8217;t as fattening as hot chocolate. Faster<br \/>\nthan you can say &#8220;parrothead,&#8221; into the Pierce Archive and out I<br \/>\ncame with a slab of Jimmy Buffett &#8211; today&#8217;s selection is his 1974<br \/>\nrelease<br \/>\n<i>A1A<\/i>. And while it would still be three years until he<br \/>\nreached mainstream success, his mixture of country and laid-back<br \/>\nfolk is quite enjoyable.<\/p>\n<p>Though he was only pushing 30 when<br \/>\n<i>A1A<\/i> came out, songs like &#8220;A Pirate Looks At Forty&#8221; had<br \/>\nBuffett taking a look back at life, part in wonder, part in awe&#8230;<br \/>\npart in disillusionment. The track is quite pretty, and was<br \/>\ndeservedly placed on his eventual &#8220;greatest hits&#8221; compilation.<\/p>\n<p>But this is not the sole great performance on this album. In the<br \/>\nspan of about forty minutes, Buffett goes from eschewing &#8220;selling<br \/>\nout&#8221; in favor of satisfying himself first in his music (&#8220;Makin&#8217;<br \/>\nMusic For Me&#8221;) to a quiet love song with a country flavor to it<br \/>\n(&#8220;Stories We Could Tell&#8221;) to an antidote to the traditional<br \/>\nbroken-heart cry-in-your-beer country numbers (&#8220;Migration&#8221;).<\/p>\n<p>But it is when Buffett tries to be the next Ray Stevens that he<br \/>\nnearly capsizes the whole boat. While &#8220;Door Number Three&#8221; has<br \/>\noccasional moments of humor, it eventually becomes overbearing and<br \/>\nunbearable. (Never mind the fact that newly-christened Parrot-Heads<br \/>\nmight not understand the &#8220;Let&#8217;s Make A Deal&#8221; references<br \/>\nherein.)<\/p>\n<p>For the most part, though, Buffett is content creating a<br \/>\nportrait of the laid-back life of a beach cowboy who has had one<br \/>\ntoo many tropical drinks. With a crack band behind him, Buffett is<br \/>\ncreating the mood that has been the magic of his music for the<br \/>\nbetter part of twenty years &#8211; on this, just his third effort for<br \/>\nMCA (then known as ABC Dunhill) Records, he&#8217;s almost got it licked.<br \/>\n(And can someone confirm for me if the Steve Goodman credited with<br \/>\nacoustic lead guitar is the same Goodman who wrote &#8220;City Of New<br \/>\nOrleans&#8221;? E-mail me, please.)<\/p>\n<p>The one weakness of Buffett is his style of music will throw you<br \/>\nfor a loop the first time you hear it &#8211; and it might be a more<br \/>\ndifficult one if you aren&#8217;t a big country music fan, as the country<br \/>\novertones are quite evident. Still, within just a few numbers,<br \/>\nBuffett has you swaying along with the tunes, sipping &#8211; aww, who am<br \/>\nI kidding, guzzling &#8211; mai tais in the living room. (Memo to my<br \/>\nboss: I won&#8217;t be in today &#8211; aaahhh, sore throat. Yeah, that&#8217;ll<br \/>\ndo.)<\/p>\n<p>Buffett didn&#8217;t seem to care if he hit the big time on<br \/>\n<i>A1A<\/i>; the music herein represents more of a love for the tune<br \/>\nthan the success. It is for this reason that Buffett succeeds &#8211; and<br \/>\nleaves people wondering why he&#8217;s only had one top 10 hit in his<br \/>\nentire career.<\/p>\n","protected":false},"author":2,"featured_media":24679,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5930],"rating":[5617],"class_list":["post-35883","review","type-review","status-publish","has-post-thumbnail","artist-jimmy-buffett","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35883"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24679"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35883"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35883"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35883"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}