{"id":35884,"date":"1998-01-27T00:00:00","date_gmt":"1998-01-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/notwithstanding\/"},"modified":"1998-01-27T00:00:00","modified_gmt":"1998-01-27T00:00:00","slug":"notwithstanding","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/notwithstanding\/","title":{"rendered":"Notwithstanding"},"content":{"rendered":"<p>Many freshman albums are plagued with inconsistency, filler, and<br \/>\nclumsy instrumentals. This is one of those albums. Popular L.A.<br \/>\nclub act Chalk FarM&#8217;s debut, and so far, only album,<br \/>\n<i>Notwithstanding<\/i>, is a tepid, poorly arranged affair. It also<br \/>\nhas some killer tracks, and perhaps the pretiest alternative ballad<br \/>\never written.<\/p>\n<p>The focus here is on apathetic relationships, which provides for<br \/>\nsome bitter, depressing, but powerful imagery. They basically are<br \/>\nmaking the same &#8220;elegantly wasted&#8221; statement that the Stones were<br \/>\nmaking a quarter-century ago.<\/p>\n<p>&#8220;The lights are low\/If the candles on my coffin let me know&#8221; is<br \/>\none of the ambiguous, perhaps silly, but all together, powerful<br \/>\nstatements which help the album along. Lead singer Michael Duff,<br \/>\nangrily laments later in the song: &#8220;Why did you never hurt me?&#8221; All<br \/>\nof his relationships have been painfully distant. He wants the kind<br \/>\nof intimate pain you see in the movies.<\/p>\n<p>The album is actually a nice, manegable length as well. With 14<br \/>\ntracks, at 63:32, the band doesn&#8217;t try to fill the CD, and you will<br \/>\nnot feel ripped-off to find out the album is a half-hour long.<br \/>\n(Reagardless of length, if an album is great, you will never feel<br \/>\nripped off.)<\/p>\n<p>But this album is not great. It brings new meaning to the term<br \/>\n&#8220;laid-back&#8221;. Chalk FarM makes Dire Straits sound like the Sex<br \/>\nPistols. These are the songs you don&#8217;t even hear when they come on<br \/>\nthe radio.<\/p>\n<p>There are, of course, a few exceptions, as many of you already<br \/>\nknow if you skip ahead to the rating first thing (admit it). &#8220;I&#8217;m<br \/>\nAwake&#8221; has a strong, uplifting chorus, and &#8220;Wonder&#8221; is genuinely<br \/>\ntouching. Then comes the centerpiece: &#8220;It&#8217;s Up to You&#8221; is an<br \/>\nincredible track. With this one, Chalk FarM does what few bands of<br \/>\nthe 90s can do, touch a spot deep inside you were certain no one<br \/>\nelse knew about. It makes the album worth buying, even if there are<br \/>\nas many bad songs as good ones.<\/p>\n<p>I take that back. There are really no<br \/>\n<i>bad<\/i> songs on the album. Some of them are really just too<br \/>\nmellow for most people&#8217;s taste. They are also very good in concert,<br \/>\nand have a loyal following.<\/p>\n<p>And one more thing. Listening to<br \/>\n<i>Nothwithstanding<\/i>, I noticed how much it remindes me of<br \/>\nWilco&#8217;s 1994 debut<br \/>\n<i>A.M.<\/i> If they can make a second album like<br \/>\n<i>Being There<\/i>, then they certainly have my respect.<\/p>\n","protected":false},"author":14,"featured_media":24680,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5931],"rating":[5614],"class_list":["post-35884","review","type-review","status-publish","has-post-thumbnail","artist-chalk-farm","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35884"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35884\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24680"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35884"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35884"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35884"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}