{"id":35948,"date":"1998-06-18T00:00:00","date_gmt":"1998-06-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/achtung-baby\/"},"modified":"1998-06-18T00:00:00","modified_gmt":"1998-06-18T00:00:00","slug":"achtung-baby","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/achtung-baby\/","title":{"rendered":"Achtung Baby"},"content":{"rendered":"<p>Personally, I consider this album my first U2 album. Though I<br \/>\nbought<br \/>\n<i>Pop<\/i> first, I remember hearing and seeing this album come out<br \/>\nand thinking how great it was. I also remember hearing some other<br \/>\npeople complaining about U2 selling out and being tools of &#8220;the<br \/>\nman.&#8221; I never got it and still never do.<\/p>\n<p>\n<i>Achtung Baby<\/i> was U2&#8217;s follow-up to<br \/>\n<i>Rattle And Hum<\/i>. (Though, technically, there was an EP<br \/>\nreleased in between. Also, I think<br \/>\n<i>Achtung Baby<\/i> is more of a follow-up to<br \/>\n<i>The Joshua Tree<\/i> than to<br \/>\n<i>Rattle And Hum<\/i>, but those are discussions for another time).<br \/>\nAfter the amazing success they had in the late 80s, the public and<br \/>\nthe fans wanted to find out what this band of Irish lads would put<br \/>\nout to follow up their success. They were rather surprised, I<br \/>\nthink.<\/p>\n<p>Gone were the four quiet lads with their acoustic guitars and<br \/>\ntheir dreams of changing the world. In came four seasoned rock gods<br \/>\nthat were more concerned with getting one more chance at satisfying<br \/>\ntheir babies. They were loud and glitzy and glammy &#8212; definite<br \/>\nshock to their fans. But listen to the music and you will find that<br \/>\nU2 just changed the wrapping. The candy bar was still the same.<\/p>\n<p>Yes, the album was filled with noises and tweaks. You couldn&#8217;t<br \/>\nfind the dreamy landscape of &#8220;Where the Streets Have No Name.&#8221;<br \/>\nInstead, you got the sonic barrage of &#8220;Even Better Than The Real<br \/>\nThing&#8221; and &#8220;Zoo Station.&#8221; They mixed in their own brand of rock<br \/>\nwith techno (&#8220;The Fly&#8221;) and managed to still retain that rock edge<br \/>\n(&#8220;Until The End of The World&#8221;).<\/p>\n<p>But you see, the band had moved away from talking about the<br \/>\nproblems of the world. Now, they were interested in the problems of<br \/>\nthe soul. &#8220;Who&#8217;s Gonna Ride Your Wild Horses,&#8221; &#8220;So Cruel&#8221; and the<br \/>\nover-played &#8220;One&#8221; all deal with more personal themes. Add to that<br \/>\nthe album-closer &#8220;Love Is Blindness&#8221; and &#8220;Throw Your Arms Around<br \/>\nthe World&#8221; and you can see that the band still spoke the same<br \/>\nlanguage.<\/p>\n<p>They were also smart enough to add other elements to the album.<br \/>\n&#8220;Even Better Than The Real Thing&#8221; and &#8220;Ultaviolet (Light My Way)&#8221;<br \/>\nhave lyrics that could have been written by any of the glam rock<br \/>\nbands of the late 80s. That&#8217;s just it. In the 80s, they opposed<br \/>\nthose bands. In the 90s, they took their place and made fun of them<br \/>\nat the same time. Furthermore, the songs are great &#8212; so you don&#8217;t<br \/>\nmind them being happy and horny for a while.<\/p>\n<p>Finally, there&#8217;s &#8220;Mysterious Ways.&#8221; I think that this is one of<br \/>\ntheir biggest triumphs ever. Not only because of the cool guitar<br \/>\nlicks by The Edge or the way that it slithers, but because this<br \/>\ncombines both sides of U2. The song is both deep and light at the<br \/>\nsame time. You forget that this is U2 and listen only to the<br \/>\nsong.<\/p>\n<p>\n<i>Achtung Baby<\/i> marked a change in the style of U2 &#8212; which was<br \/>\nlater accented by<br \/>\n<i>Zooropa<\/i> and by<br \/>\n<i>Pop<\/i>. At this stage, the band was able to create an album<br \/>\nthat is as far away from what they were, but an album that was<br \/>\nclose to who they were. So much was going on in there that, I<br \/>\nthink, they may not equal it. But what do I know.<\/p>\n","protected":false},"author":15,"featured_media":24744,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5708],"rating":[5646],"class_list":["post-35948","review","type-review","status-publish","has-post-thumbnail","artist-u2","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35948"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35948\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24744"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35948"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35948"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35948"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}