{"id":35955,"date":"1998-07-08T00:00:00","date_gmt":"1998-07-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/songbook-a-collection-of-hits\/"},"modified":"1998-07-08T00:00:00","modified_gmt":"1998-07-08T00:00:00","slug":"songbook-a-collection-of-hits","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/songbook-a-collection-of-hits\/","title":{"rendered":"Songbook &#8211; A Collection Of Hits"},"content":{"rendered":"<p>She had to get hot or go home. Just about a decade later, Trisha<br \/>\nYearwood introduced a greatest hits package that chronicled one of<br \/>\nthe most popular country music careers in history, a significant<br \/>\nfeat given the new world-wide popularity of the genre.<\/p>\n<p>A-list songwriter Diane Warren&#8217;s &#8220;How Do I Live&#8221; has had<br \/>\nbig-time airplay here in Asia, where we were fortunate enough to<br \/>\nhave it released instead of the LeAnn Rimes version. Yearwood&#8217;s<br \/>\nversion has better backgroud arrangements and a distinctly sincere<br \/>\nvocal (remember the old cliche about all the prerequisite suffering<br \/>\nin country music), making Rimes&#8217; version sound a tad juvenile (how<br \/>\ndo I &#8220;leave&#8221; without you?).<\/p>\n<p>Country music has become more pop with even non-US residents<br \/>\ntopping the charts (Canadian Shania Twain). But people who&#8217;ve<br \/>\nbought<br \/>\n<i>Songbook<\/i> because of &#8220;How Do I Live&#8221; may be disappointed, for<br \/>\nthe rest of the album isn&#8217;t nearly as pop. The Garth Brooks duet<br \/>\n&#8220;In Another&#8217;s Eyes&#8221; and even the cover of Melissa Etheridge&#8217;s &#8220;You<br \/>\nCan Sleep While I Drive&#8221; are less mainstream but more country. The<br \/>\nAaron Neville duet &#8220;The Song Remembers When&#8221; has been redone to a<br \/>\nYearwood only version which isn&#8217;t quite &#8220;radio&#8221; compared to the<br \/>\nGrammy-winning original.<\/p>\n<p>It&#8217;s still an impressive country music career. Her debut &#8220;She&#8217;s<br \/>\nIn Love With The Boy&#8221; is still a swinging all-American ode to true,<br \/>\nwholesome love and its nineties version &#8220;Perfect Love&#8221; is just as<br \/>\nfoot-stomping upbeat (if less imaginative in lyrics). &#8220;Walkaway<br \/>\nJoe&#8221; fulfills my concept of a perfect country song with its quietly<br \/>\nemotional vocals and music video lyrics. &#8220;On A Bus To St. Cloud&#8221; is<br \/>\nsimilar in quality with nary a breath of another world in its<br \/>\ndeceptively simple arrangement.<\/p>\n<p>But a majority of the ballads including &#8220;The Woman Before Me&#8221;<br \/>\nand &#8220;Down On My Knees&#8221; are bland overall, not giving much room for<br \/>\nYearwood to emote. &#8220;XXX&#8217;s And OOO&#8217;s (An American Girl)&#8221; tries but<br \/>\nisn&#8217;t as fun-loving as &#8220;Believe Me Baby (I Lied)&#8221; or &#8220;Perfect<br \/>\nLove&#8221;. &#8220;The Flame&#8221; is a gospel number that doesn&#8217;t quite sound<br \/>\ninspired, a song lacking of Yearwood&#8217;s sincerity. &#8220;Save The Land&#8221;<br \/>\nwith Lee Kernaghan is a curious song about &#8230; environmentalism?<br \/>\nCan&#8217;t tell &#8230; that ends this collection in a wholly inappropriate<br \/>\nway.<\/p>\n<p>Trisha Yearwood has become so hot, she&#8217;s going into what&#8217;s<br \/>\nregarded as the next step these days; acting. While that&#8217;s a<br \/>\nquestionable venture, her music is still a solid and acclaimed body<br \/>\nof work.<br \/>\n<i>Songbook<\/i>, however, may not be the best place to look for<br \/>\nit.<\/p>\n","protected":false},"author":3,"featured_media":24751,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5957],"rating":[5615],"class_list":["post-35955","review","type-review","status-publish","has-post-thumbnail","artist-trisha-yearwood","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35955"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35955\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24751"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35955"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35955"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}