{"id":35966,"date":"1998-07-31T00:00:00","date_gmt":"1998-07-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/demolition-day\/"},"modified":"1998-07-31T00:00:00","modified_gmt":"1998-07-31T00:00:00","slug":"demolition-day","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/demolition-day\/","title":{"rendered":"Demolition Day"},"content":{"rendered":"<p>It never fails&#8230; every time I&#8217;m ready to declare alternative<br \/>\nrock dead, some group comes along to prove to me there are signs of<br \/>\nlife in the stagnating genre.<\/p>\n<p>This time around, it was the duo of Carrie and Libby Johnson,<br \/>\nbetter known as 22 Brides, who gave me reason to see new blood in<br \/>\nthe alternative rock world. Their third album,<br \/>\n<i>Demolition Day<\/i>, reminds me a lot of the Indigo Girls, only<br \/>\nwith more of an edge musically and lyrically. For such a short<br \/>\nalbum, a lot of enjoyment is packed into it &#8211; and that makes all<br \/>\nthe difference.<\/p>\n<p>Often, the lyrics sing about relationships and the pain that can<br \/>\nbe caused as a result of them. The title track is one moving<br \/>\nexample of the heroine in the song trying to break out of a<br \/>\nrelationship that is headed towards (if it&#8217;s not already in)<br \/>\ntrouble (&#8220;Getting out of here is the hard part now \/ You haven&#8217;t<br \/>\nlearned a thing&#8221;). What provides the added punch needed to the song<br \/>\nis the musicianship of Libby and Carrie (who often trade leads<br \/>\nthroughout the album); they know that a good lyric means nothing<br \/>\nwithout a good song to make the message hit home.<\/p>\n<p>Similar to the title track, &#8220;Another Distant Light&#8221; looks in at<br \/>\na woman who dreams of leaving a dead-end relationship, but doesn&#8217;t<br \/>\nseem to have the resolve to do so just yet. Lyrics: &#8220;He moves into<br \/>\nthe distance \/ Each time I start to turn \/ He moves and so I listen<br \/>\n\/ To learn what I might learn&#8221;. The aspect of feeling trapped is<br \/>\nsummed up in the line, &#8220;I don&#8217;t know how to be free \/ So silently I<br \/>\nshrug&#8221;. Ka-pow.<\/p>\n<p>But for the messages of hopelessness conveyed in<br \/>\n<i>Demolition Day<\/i>, there are moments where the rays of daylight<br \/>\nshine brightly. Tracks like &#8220;So It Goes&#8221; offer the hopes of passing<br \/>\non life&#8217;s lessons learned from a parent to a child, even as they<br \/>\nlook towards a new chapter in their lives (&#8220;Old words beyond us \/<br \/>\nWater under the bridge&#8221;).<\/p>\n<p>The surprising thing about 22 Brides is that despite the often<br \/>\ndark tone to the lyrics, the sisters Johnson, through their vocal<br \/>\ndelivery and often upbeat tone they set in their music, are able to<br \/>\nhelp the listener feel better after going through the album. How<br \/>\nthey are able to do this I am not certain, but whatever magic<br \/>\nthey&#8217;re creating, it works well.<\/p>\n<p>The eleven songs on this disc are surprisingly short; four<br \/>\ntracks clock in at under three minutes each. However, 22 Brides<br \/>\nseem to know how long it takes to get their message across, and<br \/>\nthey don&#8217;t want to pad it out with any extraneous material. That<br \/>\nbeing said, I would have preferred the disc to be longer; something<br \/>\nthis good shouldn&#8217;t end so quickly.<\/p>\n<p>It&#8217;s too rock-oriented to call folk, yet it&#8217;s too folky to<br \/>\nclassify as rock. Instead,<br \/>\n<i>Demolition Day<\/i> creates its own unique musical category for<br \/>\n22 Brides: just good music.<\/p>\n","protected":false},"author":2,"featured_media":24762,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5964],"rating":[5617],"class_list":["post-35966","review","type-review","status-publish","has-post-thumbnail","artist-22-brides","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35966"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35966\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24762"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35966"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35966"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35966"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}